Chris Moyles has come out with arguably one of the worst takes we’ve heard in a long time after he said he doesn’t play new music because he believes “most unsigned musicians are crap”.
Oh dear, Chris…
Speaking on his self-titled morning show on Radio X last week, the former BBC Radio 1 DJ and industry veteran was trying to defend criticism that he doesn’t play enough new music.
Despite insisting that “that’s not what [his] show is about”, which may have been reason enough to stop the conversation there, Moyles decided to double down and share his opinion on the wider music scene.
Shocking from @ChrisMoyles . ‘Most unsigned bands are crap’. Don’t call yourself a DJ when you’re not interested in discovering new music. Outed yourself once again as a completely insipid half-wit. Video @thereyton69pic.twitter.com/SRqdZkBd0b
Responding to his listeners, he said: “the real reason is, and this will blow their tiny minds and they’ll hate this, the reason why we won’t play unsigned bands is because — and there are exceptions to the rule — but the main reason is that most unsigned bands are crap. I’m sorry, but that’s the truth.”
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To absolutely no surprise whatsoever, the 48-year-old is being absolutely rinsed, with his claim being labelled everything from “shocking” and “ridiculous” to “an embarrassment”, not to mention several declaring him a “self-indulgent pr*ck” and insisting that he should “hang [his] head in shame”.
Moyles has always been somewhat of a divisive figure, even hinting at his Marmite-esque reputation whilst appearing on I’m A Celeb at the end of 2022, but most people seem to be in agreement on this one: it’s a pretty ignorant and callous take.
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Artists and music lovers across social media have come out to rubbish the ill-thought-out judgement. Even station colleague John Kennedy had to make sure people knew these were solely the opinions of Moyles and not necessarily that of Radio X.
Chris Moyles claims most unsigned bands are crap. I’d say most signed music is generic and crap these days and they have the leverage to be put out there that unsigned bands don’t. Every band/artist starts out unsigned and has to graft to even be noticed. Don’t piss on their fire pic.twitter.com/S4JZfsIOss
The first, most obvious thing to state is that every band or solo act was once an unsigned musician and, as countless pointed out, without exposure from the likes of radio DJs some of the world’s greatest ever artists may have never come to be.
Scottish four-piece The Lutras were one of countless to state their disappointment, issuing the following statement on their Twitter:
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“Very disappointing to hear. No wonder up-and-coming bands struggle to get any airplay at all when the people who are supposed to be scouting them are saying they’re mostly crap and complaining about it. Rotten attitude. Chris Moyles, sort it out or f*** off”
Beyond his knowledge and opinions on music, many have also come out to suggest that the Leeds-born disc jockey has said plenty more upsetting things than this in the past, highlighting numerous controversies that many may not be readily aware of. Warning: it makes for rather unpleasant reading.
He spoke publicly about having sex with Charlotte Church when she was barely 16. He called women dirty whores on air and had been obsessed with Nicola Roberts of Girls Aloud for years. pic.twitter.com/GVZjiBxXf8
— Malicia Dabrowicz (Vanadian Avenue) (@cocamidemea) February 20, 2023
Fuck Chris Moyles. unsigned artists tag yoselves and post your music below, big up eachother n check out ma tunes while you're at it, love 🤟🏾 Indie & DIY til I die ⚡
Fortunately, back here in Manchester, our music-loving city is still doing its best to spotlight up-and-coming talent as it should.
Mayor Andy Burnham recently handed out the inaugural ‘Artist of the Month’ award to The KTNA in January, crucially giving them that very same air-time on BBC Radio Manchester that Moyles seems so quick to overlook.
Furthermore, music legend Johnny Marr and The Salford Foundation Trust recently gave local lad John Denton and his band, The Height, a huge boost in their fledgling music career too.
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Don’t look down on people trying to make it, be more like these legends.
Featured Image — Chris Moyles (via Instagram)/Radio X (via YouTube)
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Danny Jones -
20th February 2023 
