The return of Homobloc is on the horizon and some big names have been added to the 2024 lineup, not least of all, LGBTQ+ icon, Christine and the Queens.
Presented by Homoelectric and nestled in amongst the action of The Warehouse Project’s jam-packed annual programming, Homobloc is one of the most highly-anticipated events on the Manc music and cultural calendar – and it’s no wonder.
Since the likes of The Blessed Madonna, Confidence Man, Horse Meat Disco and salute; Honey Dijon, Hot Chip, Self Esteem and many more have all played the cult-favourite club night over the past few years, it’s gaining a real reputation.
With that being said, the pressure is on every year to improve upon or at least match the lineup from the year before and we can confirm the team behind Homobloc has secured another stellar selection of artists for 2024.
Topping the bill, you can’t go wrong with the ever-creative, critically acclaimed and immaculately cool Christine and the Queens will lead the Homobloc proceedings. Make no mistake, it’s a big deal having a name of this size headlining.
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He will be joined by London-born hyperpop icon Shygirl, who presents her latest Club Shy project: Swedish singer and record producer COBRAH, making her Manchester debut alongside the rhythm-shifting sounds of Olof Dreijer of The Knife.
In addition, they will be joined by the likes of Moonchild Sanelly following an amazing performance at this year’s Glastonbury, as well as queer Manchester rapper OneDa, Chinese producer and artist Alice Longyu Gao, not to mention a special collab between Pxssy Palace and US rapper Mykki Blanco.
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Of course, this is just the tip of the iceberg: there will be several other DJ sets throughout the venue and beyond, including Job Jobse b2b Saoirse, 2manydjs b2b Confidence Man, Tiga; HorsegiirL, HAAi, Chloé Caillet and Horse Meat Disco, with live sets from I.Jordan, Christeene, LSDXOXO and more.
Spanning the full breadth of Depot Mayfield‘s main stages (Depot, Concourse, Archive) and more such as the beloved Plant Room, the historic Star and Garter Pub and the Loft – a unique rooftop space set to be taken over by Studio 54 icon Nicky Siano – there will be a whole host of genres on display.
And last but not least, completing what will be arguably the most dynamic and boundary-pushing Homobloc yet, the 2024 lineup will also feature curation and performance art by LGBTQ+ collectives Ghetto Fabulous, Make Me Feel, House of Spice, Sue Veneers and many more.
Homobloc’s Creative Director Sophie Bee said of its return this winter: “It’s been a wild ride since the party started in 2019. The festival production has evolved so much and we’ve gone from half of Manchester plus the kitchen sink on stage, to choreographed pieces with global touring artists.
“Our research and development design team based at Islington Mill has been a place for experimentation allowing space for people’s imagination to flourish. It’s an honour to work on a collaborative, loving, fun spectacle, with such innovative producers from mixed art forms.
“This year there are some really beautiful production moments that we can’t wait to share with all our family, friends and community.”
Homobloc 2024 returns to Depot Mayfield on Saturday, 9 November and, in true all-day and all-nighter fashion, is set to run from 2pm-4am, so you best be prepared to party. Pre-sale goes live at 10am this Thursday, 15 August, and general admission tickets at the same time on Friday, 16 August.
Featured Images — Tom Hancock (Tower Hamlets Council via Flickr)/WHP (Supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
13th August 2024 
