How do, Manchester – it’s that time again, time to look back over another great month of new music and pick out some of the best local artists we’ve been listening to over the past four weeks.
Be them veterans of the Manc music scene by now, or more up-and-coming bands and solo artists that are just getting excited, there’s space for all on this monthly list.
We’re all here for the same reason after all: we just love finding new tunes and acts that we’ve not come across before and with so much out there these days, it can be tough to sift through everything.
That’s where we come in, so without further ado, here are the five Manchester music artists that we’ve been listening to throughout the month of March.
1. The Covasettes
First up on the list is a Fallowfield-formed quartet with roots in Hyde and various other parts of Manchester that many of you may have seen on festival lineups over the past few years. They also happen to have just announced their biggest tour yet in support of more new music on the way.
If you’ve been lucky enough to see them live before like us, then you’ll know these lads have a dedicated following already that just keeps growing and deservedly so. With an irresistibly defiant and uplifting indie sound, there’s something very late 90s/2000s British alt-rock about them and we love it.
Having been releasing stuff since 2018, you can’t start anywhere else other than their biggest tune ‘Be Mine’ but we’d highly recommend ‘Duvet Thief’ (great album artwork too) as your second play and their latest single ‘One Tear a Time’ has already become a proper earworm of ours.
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2. James Holt
Moving out to the borough of Bolton, local singer-songwriter James Holt has something very old school about his sound that we can never quite place – sometimes it’s almost a bit Cat Stevens, other times it’s Jimmy Webb, Elvis Costello and even Beatles or Lennon at the very least. All we know is we like it.
There’s just lots of twinkly 1960s and ’70s throwback about it and he’s had some serious praise from legends like Brian Eno and as you sweep through his expansive style, it’s easy to see why. A vintage look and sound paired with a bloody great hairdo and what do you get? One of the coolest artists in Greater Manchester.
It’s hard to recommend one particular place to begin but we’ll do our best; start with ‘Pendulum’, then his biggest tune ‘Mystery Girl’ and then we have a soft spot for ‘Do I Ever Cross Your Mind?’ because the little melody in it sounds a bit like ‘Keep on Movin” by Five — we can’t unhear it and now neither will you.
Falling deeper in love this one the more we hear it too.
3. Dr Dr
A bit of a whiplash turn now with Manchester post-punk outfit Dr Dr, who recently played a superb set at Disorder that we’ve not stopped thinking about for a while.
Led by charismatic and supremely energetic frontman Fred Farrell, they give off a little bit of The Blues Stones, Royal Blood and plenty of other contemporary British rock; it’s fast-paced, great to bounce to and there’s some great electronics and distortion at work that really helps hit their style home.
Still early in their career and with only five tracks out so far, we’re just going to go ahead and tell you to give them all a listen but we will say that their latest single ‘Uppercut’ has had love from XS Manchester, BBC Introducing, Radio One and more – let’s just say can firmly put us on that list if admirers too.
No-nonsense Manc indie at its finest. If you like fast rhythmic guitars, a great live BPM, reliable vocals and that instantly familiar feeling that only Northern bands like this can deliver, then M60 need to be in your rotation.
‘I Don’t Mind’ may be their biggest tune and it’s undeniably catchy no matter how many times we hear it, but our other two picks simply have to be ‘Honey’ and our day one favourite ‘Darling’. Honestly, that’s a sing your lungs out and jump up and down with your mates kind of tune.
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They’re also currently spearheading a very funny campaign to keep getting their name out there and it involves Gary Neville. We sincerely want them to succeed and have every faith they will.
They’re nearly half a year into their campaign and still no word from the man. 🙄
And the last spot this week could be no other: Manc alternative legends Everything Everything, fresh off having sat with their latest record, Mountainhead, for a good month now and boy is it a belter.
These guys have set a pretty high bar when it comes to albums over the years and Raw Data Feel was one of our most-played albums of 2022, but this might genuinely have some of their best work to date. ‘The End of the Contender’, ‘Don’t Ask Me To Beg’, ‘Enter the Mirror’ – all absolute rammers.
Stockport locals were honoured with their presence at a very special gig at The Plaza earlier this month and we’re still kicking ourselves for missing the ticket window. If you haven’t listened to these extremely experimental and immensely creative musicians before, rectify that mistake pronto and thank us later.
And there we have it, another month and a handful of amazing local artists from around the region and the best part is, since we do music so well around these parts, you already know there’ll be plenty more to get stuck into next time.
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Speaking of which, you can find the Greater Manchester acts we picked out for February down below and you best believe you’ll be seeing us back here same time again next month.
Gig review | DMA’s have Manc in their DNA, whether they know it or not
Danny Jones
Yes, we saw the crowds in Brixton, Leeds and so on, and they were also box office, no doubt – and we’re sure there’s plenty of bias coming in here – but DMA’s final night in Manchester was just magnificent on every level.
Still managing to bring a real Friday feeling even though it was a Sunday night following the protracted Valentine’s celebrations, when most were already dreading the inevitable Monday blues (morning, all), it felt like the perfect way to close out a weekend with everyone’s first love: music.
During a period when we’re all encouraged to be a little bit more sincere and spread pure positivity, seeing the sea of happy, smiling faces watching DMA’s on night two at the O2 Victoria Warehouse was just the injection we needed.
For starters, you can’t ask for much more than getting to hear not only Hills End from start to finish but ‘Lay Down’ live twice in one night. The limbs were just as mad the second time around, if not even more.
To quote a fan speaking in the comments under this video, for some, it was beyond good: “The best gig I’ve been to in my 45 years on this planet”, apparently.
Quite the bold statement, and while we’re not sure we’re quite ready to be so superlative just yet, hearing them play their debut album from cover to cover on its 10th anniversary did make for a perfect set and an “unreal night” as we’ve heard and seen so many remark in the hours since the gig.
One person wrote, “If the next album is good, these will be absolutely huge”, while another declared that they’re “the greatest on Earth” already.
Whatever point on the scale you land on, pretty much everyone almost universally agrees that their first record is still their best, even with all the bangers they’ve put out since.
One of the best moments of the entire nostalgia trip was when they bookended the show with ‘Timeless’ and played their usual extended outro with multiple repetitions of the chorus and a proper breakout, letting their instruments do the talking in a fast, frenetic flurry as the crowd thrashed around.
DMAs never let you down when it comes to a performance, and neither do Manc crowds.
One of those where you saw way more arms in the air than phones. (Credit: Audio North)
And maybe that’s just it, as far as bands that come to this region and do well, the Sydney trio are one of the VERY best, vouched for by pretty much every mate and regular gig-goer whose opinion you trust implicitly; you can certainly add us onto that list.
Maybe it’s somehow to do with some of those Melbourne roots, too, as we’ve often heard the parallels drawn between the two cities, and they even asked if there was anyone in from ‘Melbs’ between songs – there was a notable cheer – or maybe it’s just some kind of uncalculable magic we can’t understand.
Either way, besides the ongoing rise of Aussie rock and Anzac bands doing very well around the UK in general, there is something very special about this particular indie outfit’s connection with the North West and Manchester, specifically.
Johnny, Tommy and Matt have all themselves cited it as a ‘second home’ throughout their career, having hit the ground running and finding a cult following here right from the off.
In fact, they admitted that the full touring band still regularly flies into Manchester first whenever they’re heading to the UK. Love that.
‘Olympia’ and ‘Silver’ were also big standouts beyond the Hills End part of the setlist. (Credit: The Manc)
Perhaps labelling them part of the ‘Britpop revival’ is a bit reductive, but it certainly hasn’t done them any harm thus far, and conversely, it’s definitely done them plenty of favours here in Greater Manchester.
They’re not just adopted Brits who understand our history as a nation of audiophiles; they get our crowds and this city’s culture down to a tee.
Put simply, either through blind luck or divine intervention from the music gods, DMA’s are Mancs by proxy, and whether or not that means anything to them, it sure as sh*t means a whole lot to us.
Here’s to HE10, and we can’t wait for the next celebration in whatever form it comes.
Fatboy Slim at Aviva Studios – still electrifying after decades in the game
Lonnie Bowes
At Aviva Studios, Fatboy Slim showed that even after decades in the game, he’s still finding new ways to electrify a room.
Set against a backdrop of lasers, confetti cannons and LED Screens Fatboy Slim felt less like a DJ and more like the lord of acid ballroom, ready for the tidal wave of fans in front of him.
Whether you’re an old-school Mancunian rave head or a new kid on the block you knew he was always in control, issuing a constant bombardment of psychedelic colours and smiley faces.
Long before he stepped up to the decks, anticipation had been building and when the first beat dropped the response was immediate.
From the very beginning it was clear he knew his Manc audience were hooked. Pictures of cultural iconics like Chadwick Bosman, Idris Elber and Andy Warhol were totted on the screen behind him.
He played The Rockafeller Skank, setting out his set with an obvious hit.
It was Ya Mama (Push the tempo) to bellow out across the vast floor of Aviva Studios next, accompanied by the original 2010 music video on the backdrop behind him.
Fatboy Slim at Aviva Studios in Manchester. Credit: The Manc Group
From there, the set unfolded like a guided tour through decades of dance floor dominance, old and new blending seamlessly.
The crowd was then hit by ‘Groove Amada – I see you baby (Fatboy Slim Remix)’ the shift that occurred at that moment is something only a tune of that stature can deliver.
Throughout the set, he doubled down on the heavier moments. ‘Weapon of Choice’ landed like a controlled explosion with lights strobing, bass reverberating through your chest, while a remix of ‘Mr Brightside’ originally by The Killers showcased his ability to stretch a breakdown just long enough to keep thousands hanging in suspense.
The emotional high point arrived with ‘Praise You’. Phones lifted, arms wrapped around shoulders, strangers turned into temporary best mates. For a few minutes, Aviva Studio’s felt less like a room and more like a shared memory in the making.
But sentimentality didn’t linger for too long. This is Fatboy Slim, after all. The pace soon ramped back up with ‘Eat, Sleep, Rave, Repeat’ delivering that spine tingling, hands in the air, friends on shoulders moment that defines nights like these.
Even between tracks, he worked the crowd with the confidence of someone who knows exactly what they’re doing, after 40 years it’s absolutely no surprise to us. A Hawaiian shirt , a well-timed rewind, a teasing fake drop and not to mention a for airhorns it’s showmanship at it’s finest.
As the main set drew to a close, ‘Right here, Right Now’ felt like a finale in itself. The track even these days feels defiant, euphoric, and was shouted back in fragments by a crowd that’s lived with this track for years, while a percentage of the crowd hearing it live for the first time.
The encore didn’t mess about. One final surge of energy, one last seismic drop, and boom! More confetti, fireworks, lights and smoke than even Greater Manchester Fire Department could handle. It sent Aviva Studios into a closing frenzy. Fans were sweat-drenched, smiling, and reluctant to see the lights come up.
Fatboy Slim at Aviva Studios wasn’t just another tour stop. It was a reminder that while trends shift and scenes evolve, few artists understand the architecture of a great night out quite like he does. Decades in, and he’s still orchestrating chaos with pinpoint precision. Once again proving that some acts don’t fade with time, they just refine the formula.
Danny Jones -
29th March 2024 
