Green Island is the Manc music festival you’re all missing out on — and it’s in a garden centre
They don't need any promotion, it sells every time without fail — but we're still going to shout about it anyway because you NEED to get a ticket to this thing.
We’ll be completely honest, we didn’t quite know what to expect when we first stepped foot into Green Island Festival back in June of this year; a festival in the middle of a community garden centre, who the hell put those two things together?
Believe us when we tell you we were by no means prepared for how much of a good time we ended up having after going along for our first visit and we can now confidently say we’ll be going along again.
For those of you who have never heard anything about Green Island Fest, that’s about as close to ‘does what it says on the tin’ as you can get with these kinds of things: every year, Hulme Community Garden Centre turns into this almost tropical island of music, dancing, food, drink, plants and so much more.
Now held over a trio of dates every summer since 2021, the annual festival takes over what is a beloved community and cultural institution down the road in Hulme and turns into almost a small-scale Glasto set amongst a green space just outside the city. It’s simply unlike anything we’ve ever been to before.
One of the first things that struck us about this festival as we walked into the venue, besides the abundance of colour and greenery — something that gave us an instance dose of happiness to start off the day — was, with the best will in the world, how almost casually thrown together a lot of it felt.
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There were no big queues, barriers or large signs segmenting each section or stage, you just kind of strolled into this sun-soaked and extremely wholesome-looking party already in full swing and, fittingly, felt like you were being led down the garden path into a different world.
A table here and a tent there, people just sitting on a log, a patch of grass or even a bed of chamomile where you could rest your head and relax as you gazed up at the blue sky, everything felt a little bit slapdash in the best kind of way, somehow putting us at ease and exciting us at the same time.
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One of the parts we often dread about festivals is the organisation: getting there and navigating the event once you’re inside. While we know a lot of planning goes into making Green Island as wonderful as it is, it feels very free-form and spontaneous — always the recipe for the very best nights, in our opinion.
Fun for all the family (no, really)
And then there was the crowd, which was a wonderful mix of all different ages, cultures and backgrounds. We were told that this was a family-friendly event, but we really didn’t expect to see a dad with a child wearing ear defenders strapped to his chest as they laughed and danced along to baby’s first rave.
Turn one corner and you’d find people dancing to the wide variety of live music, but turn the next and you’d see kids playing, potting plants with their parents and dancing along with all the grown-ups. We weren’t joking about the wholesomeness, it was genuinely one of the cutest things we’ve ever seen.
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It was also completely accessible, meaning people with wheelchairs and mums pushing prams had no problem coming along to enjoy themselves. In fact, we had two new parents with and we’re pretty sure they had an even better time than we did — those customisable cocktails and Midori dumplings was all they needed (get the paloma, trust us).
Even more charming was the fact that you’d occasionally see someone pushing a wheelbarrow past or doing some pruning in a greenhouse and it was at that point that we realised that the garden centre itself was running as usual and hadn’t shut down to make room for the festival. They’re one and the same.
A stage for all seasons and the nightime transformation
Now, you can’t talk about Green Island Festival without talking about the music itself and let me tell you, we had the BEST time singing and dancing along to pretty much every genre of music you could hope for across it’s three areas: the main stage, the forest stage and the third which hosts a rotation of takeovers.
Teaming up with BBC Introducing and various up-and-coming artists both local and from all across the UK, we got to listen to everything from rap, grime and R&B to indie, ska, funk, soul, techno, house and plenty more. We know it sounds unlikely but we didn’t hear a bad act all day long either, seriously.
If we had to pick a favourite, it would have to be the forest stage which made us feel like we’d been transported to some random disco jungle on the other side of the world and once the sun went down, we might as well have been at The Warehouse Project. It was an absolutely unmatchable vibe.
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And then there was the afterparty over at Canvas which ran until late and we’re not going to spoil for you, but all you need to know is that we had an amazing time and never wanted it to end. To be honest, that would be our main takeaway from the festival as a whole, we’ve genuinely become its biggest fans.
From the folks at Seven Brothers slinging drinks across the multiple bars, the independent food traders serving burritos, butties and plenty of other top scran, to the staff at Hulme Garden centre’s in-house Cafe Sorrel, everyone working at this thing helped make it a truly special event
And the best part is, this year’s event isn’t even over yet…
There might not be many tickets left for Volume II on Saturday, 29 July, but you can always try and grab one for the third and final day of Green Island Festival 2023 HERE.
We’ll see you there for nothing but good times and greenery!
Gig guide | Lady Gaga at Co-op Live – tickets, times, setlist and more for ‘The Mayhem Ball’
Thomas Melia
Pop champion Lady Gaga is heading to the notable Manchester music venue, Co-op Live, for two nights of her spellbinding ‘Mayhem Ball’ this October.
Little Monsters, “It’s time to cast your spell tonight” as ‘Mother Monster’, a.k.a. 14-time Grammy-winning singing sensation, Lady Gaga, is treating us lucky lot here in Manchester to not just one but TWO theatrical performances.
This pop mastermind has soundtracked many over the past two decades, and her latest LP, Mayhem, continues this streak with the success of its enchanting and harsh-pop lead single, ‘Abracadabra.’
Gaga has cultivated a worldwide following thanks to hits like ‘Poker Face’, ‘Telephone’, ‘Bad Romance’ and ‘Die With a Smile’, which will all receive a huge reception when across the two nights at Co-op Live.
Lady Gaga is playing Co-op Live in Manchester twice on 7 and 8 October as part of her Mayhem Ball tour / Credit: Supplied
Most recently, the US vocalist found her hit ‘Bloody Mary’ trending alongside the coming-of-age Netflix series Wednesday, which led to her creating ‘The Dead Dance’ for the show’s second season.
Now we’re ready to see our much-loved monster in the flesh
Lady Gaga at Co-op Live, Manchester – all you need to know
Lady Gaga UK tour dates
Mon 29 September – London, UK – The O2
Tue 30 September – London, UK – The O2
Thu 2 October – London, UK – The O2
Sat 4 October – London, UK – The O2
Tue 7 October – Manchester, UK – Co-op Live
Wed 8 October – Manchester, UK – Co-op Live
Lady Gaga tickets for Co-op Live gig
If you want to see this ‘Perfect Celebrity’ through your own eyes, you’ll have to act fast, as there’s only a handful of seats left to witness the star in action. Get ready to ‘Just Dance’ the night away with tickets HERE.
After avoiding all the ‘Paparazzi’? Then why not treat yourself to exclusive tickets in one of Co-op Live’s luxury boxes on Tuesday 7 October and enjoy premium seats, a dining experience and more HERE.
‘The Mayhem Ball’ marks pop heavyweight Lady Gaga’s first time returning to Manchester in over 10 whole years (Credit: Supplied)
What are the stage times for Lady Gaga in Manchester?
Co-op Live has a strict curfew of 11pm, meaning that Mother Monster won’t get the opportunity to ‘Marry The Night’ – however, this does mean fans can get an early night.
There is no official support act listed for any date across her UK tour, with doors set to open from 6:30pm and no start time for the show, but her London dates did kick off around 8:30pm.
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre until 1:00am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live. You also get free Bee Network travel with any valid event ticket.
Getting there by car and parking
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide come event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Self Esteem at Manchester Academy – a night of pure energy and immaculate music
Kristen MacGregor-Houlston
A Complicated Woman – the name of Self Esteem’s album, she is currently touring around the UK and Europe. While she may be complicated, there is nothing complicated about how absolutely sensational a performer is.
I only ‘got into’ Self Esteem (Rebecca Lucy Taylor) this year. I kept hearing others talk about her and her music, but I’d never really given her a listen until we saw her on the line-up for Glastonbury. A Complicated Woman had just come out, so that was my intro, and I immediately became a massive fan.
I was lucky enough to watch her set at Glastonbury, which brought tears to my eyes for being both an incredible performance and thematically. When the opportunity then came to see her again, but at home in Manchester, I practically bit the promoter’s hand off.
The energy is palpable at Manchester Academy; everyone is just buzzing with a joyful energy that’s incredibly infectious.
Unfortunately Moonchild Sanelly, the collaborator on ‘In Plain Sight’ and Self Esteem’s support act on this tour, was unwell, so the delightful Tom Rasmussen stepped in at the last minute.
Fresh from a family christening and pulling in some last-minute pals, he delivers a delightfully camp and moving show, getting everyone pumped up.
The lights went down at 9pm, and the audience was met with a wall of handmaids, and then Rebecca walked out on stage to a huge eruption from the crowd. Her fans (myself included) clearly love her. She opens with ‘I Do And I Don’t Care’ which brings a tear to my eye once again.
This is more than just a ‘gig’. It is a full, theatrical experience with dancing and storytelling the whole way through.
Whilst Taylor is very clearly the focus, her team of performers are an essential element of the whole show: they’re so much more than just simple backing singers/dancers. They’re so in sync with each other, and there is so much joy on stage as they shine together – a very clear bond ripples through with such love.
The show flows almost as different ‘Acts’, with the running order not following the album order itself, with a mix of songs from her current album and the 2021 album, Prioritise Pleasure. ‘Mother’ gets the crowd grinding away as she moves onto ‘Lies’ and ‘69’ – which always gets a chuckle from the crowd.
We are fixated on her. She just draws you in and holds you there throughout the whole gig. Nobody is shifting around to go to the loo or get a beer; everyone is just glued to their spot and basking in her sensational energy. Despite some of the themes during the gig, everyone was abuzz with energy.
When ‘Fucking Wizadry’ comes on, every single person sings (or screams) along, and Taylor and her onstage posse absolutely lap it up.
With Moonchild Sanelly being unwell during our gig, when ‘In Plain Sight’ is performed, Self Esteem still moves to the side of the stage when the recording of Moonchild is played, giving space to where she would have been. Hopefully, she is feeling better for her further dates, because her presence would have been a powerful addition to the song, and I’m gutted to have not experienced it.
When ‘Cheers To Me’ came on, the party really began; the audience went utterly MAD for it when the inflatable men (like the ones you see at car garages) appeared. It is honestly so hard to describe the feeling of euphoric joy that is just blasting through the crowd – it is a sight and sensation to behold.
Now you may or may not know, but Self Esteem is personal friends with Julie Hesmondhalgh – yes, as Hayley Cropper from CORRIE! – in who appeared on stage on night two of her three-night gig in Manchester.
She admits to us that on night one, she forgot that Julie was only doing night two and had shouted to introduce her during ‘If Not Now, It’s Soon’, which had apparently caused a bit of a stir with some of the night one’s audience.
Making light of it, she asked if the crowd wanted her to shout Julie Hesmondhalgh again, so we all felt equal – of course, we did.
The show goes from strength to strength, “finishing” with ‘The Deep Blue Okay’ which perfectly encapsulates the raw emotion and talent of Self Esteem. The crowd is beside itself with cheer as they erupt in applause, deafening just about everyone around them as the stage empties and the lights dim.
Self Esteem returns to the stage alone initially, and chats to us about two important charities she is raising money for, the Schools Consent Project, which goes into schools and teaches kids about consent, and the other is X – helping relocate people displaced as a result of conflicts around the globe.
She then moves into ‘I Do This All The Time’, joined by her troupe again on stage, and finally finishing on ‘Focus Is Power’. Emotions are incredibly high. There isn’t a single person who hasn’t been moved and hyped by the whole show.