Green Island is the Manc music festival you’re all missing out on — and it’s in a garden centre
They don't need any promotion, it sells every time without fail — but we're still going to shout about it anyway because you NEED to get a ticket to this thing.
We’ll be completely honest, we didn’t quite know what to expect when we first stepped foot into Green Island Festival back in June of this year; a festival in the middle of a community garden centre, who the hell put those two things together?
Believe us when we tell you we were by no means prepared for how much of a good time we ended up having after going along for our first visit and we can now confidently say we’ll be going along again.
For those of you who have never heard anything about Green Island Fest, that’s about as close to ‘does what it says on the tin’ as you can get with these kinds of things: every year, Hulme Community Garden Centre turns into this almost tropical island of music, dancing, food, drink, plants and so much more.
Now held over a trio of dates every summer since 2021, the annual festival takes over what is a beloved community and cultural institution down the road in Hulme and turns into almost a small-scale Glasto set amongst a green space just outside the city. It’s simply unlike anything we’ve ever been to before.
One of the first things that struck us about this festival as we walked into the venue, besides the abundance of colour and greenery — something that gave us an instance dose of happiness to start off the day — was, with the best will in the world, how almost casually thrown together a lot of it felt.
There were no big queues, barriers or large signs segmenting each section or stage, you just kind of strolled into this sun-soaked and extremely wholesome-looking party already in full swing and, fittingly, felt like you were being led down the garden path into a different world.
A table here and a tent there, people just sitting on a log, a patch of grass or even a bed of chamomile where you could rest your head and relax as you gazed up at the blue sky, everything felt a little bit slapdash in the best kind of way, somehow putting us at ease and exciting us at the same time.
One of the parts we often dread about festivals is the organisation: getting there and navigating the event once you’re inside. While we know a lot of planning goes into making Green Island as wonderful as it is, it feels very free-form and spontaneous — always the recipe for the very best nights, in our opinion.
Fun for all the family (no, really)
And then there was the crowd, which was a wonderful mix of all different ages, cultures and backgrounds. We were told that this was a family-friendly event, but we really didn’t expect to see a dad with a child wearing ear defenders strapped to his chest as they laughed and danced along to baby’s first rave.
Turn one corner and you’d find people dancing to the wide variety of live music, but turn the next and you’d see kids playing, potting plants with their parents and dancing along with all the grown-ups. We weren’t joking about the wholesomeness, it was genuinely one of the cutest things we’ve ever seen.
It was also completely accessible, meaning people with wheelchairs and mums pushing prams had no problem coming along to enjoy themselves. In fact, we had two new parents with and we’re pretty sure they had an even better time than we did — those customisable cocktails and Midori dumplings was all they needed (get the paloma, trust us).
Even more charming was the fact that you’d occasionally see someone pushing a wheelbarrow past or doing some pruning in a greenhouse and it was at that point that we realised that the garden centre itself was running as usual and hadn’t shut down to make room for the festival. They’re one and the same.
A stage for all seasons and the nightime transformation
Now, you can’t talk about Green Island Festival without talking about the music itself and let me tell you, we had the BEST time singing and dancing along to pretty much every genre of music you could hope for across it’s three areas: the main stage, the forest stage and the third which hosts a rotation of takeovers.
Teaming up with BBC Introducing and various up-and-coming artists both local and from all across the UK, we got to listen to everything from rap, grime and R&B to indie, ska, funk, soul, techno, house and plenty more. We know it sounds unlikely but we didn’t hear a bad act all day long either, seriously.
If we had to pick a favourite, it would have to be the forest stage which made us feel like we’d been transported to some random disco jungle on the other side of the world and once the sun went down, we might as well have been at The Warehouse Project. It was an absolutely unmatchable vibe.
And then there was the afterparty over at Canvas which ran until late and we’re not going to spoil for you, but all you need to know is that we had an amazing time and never wanted it to end. To be honest, that would be our main takeaway from the festival as a whole, we’ve genuinely become its biggest fans.
From the folks at Seven Brothers slinging drinks across the multiple bars, the independent food traders serving burritos, butties and plenty of other top scran, to the staff at Hulme Garden centre’s in-house Cafe Sorrel, everyone working at this thing helped make it a truly special event
And the best part is, this year’s event isn’t even over yet…
There might not be many tickets left for Volume II on Saturday, 29 July, but you can always try and grab one for the third and final day of Green Island Festival 2023 HERE.
We’ll see you there for nothing but good times and greenery!
US rising star Reneé Rapp announces huge Manchester arena gig as part of European tour
Emily Sergeant
Reneé Rapp has just announced a European leg to her upcoming tour, and she’ll be stopping off in Manchester for a huge arena gig.
In just a few short years, Reneé Rapp has become a star… and her star is only rising higher.
At just 25-years-old, the critically-acclaimed musical theatre and TV actress has pivoted to become an undeniable pop sensation and film star – and an iconic figure in interviews too… which isn’t a job, but it should be – after landing her breakout role as Regina George in the Mean Girls musical on Broadway back in 2019.
Even though she chose to reprise her role as Regina George in the 2024 movie adaptation of the Mean Girls musical, since 2022, Rapp has largely turned her attention to her solo music career.
Reneé Rapp will be performing at Manchester’s AO Arena next March / Credit: Supplied
2022 saw Rapp release her debut EP, Everything to Everyone, before she then went on the channel her raw talent and authentic voice even further, and release her first full-length studio album Snow Angel in 2023.
Both 2024 and 2025 have been big musical years for Rapp too – so much so that she has now amassed more than 1.4 billion streams and counting across her entire discography.
An already-successful 2025 is about to become even more successful, as Rapp’s second album, Bite Me, is expected to be released on 1 August, and she’s also heading out on a highly anticipated US tour from late September through to late October.
Following on from her US tour, Rapp has today announced that she’ll be heading across the pond to Europe in the new year, and will be making her way over to Manchester to take to the iconic AO Arena stage in March 2026.
Amsterdam, Berlin, and Paris are just some of the other cities Rapp will be visiting before Manchester, ahead of closing out the tour at London’s Wembley Arena.
Reneé Rapp will be playing a huge gig at the AO Arena in Manchester on Wednesday 18 March 2026 as part of the ‘Bite Me Tour’, and tickets officially go on sale next week – with both pre-sales and general sale available.
The Three+ presale will begin on Wednesday 30 July at 10am, and the AO Arena presale will start on Thursday 31 July, again at 10am, before general sale launches on Friday 1 August at 10am.
Oasis are clearly doing something very deliberate for the as-yet-unconfirmed Live ’25 reunion album
Danny Jones
We’ve still not emotionally recovered from Oasis’ five homecoming nights in Manchester, and after seeing that the band just released a live recording of ‘Cigarettes & Alcohol’ from Heaton Park, it’s taken us right back to Friday, 11 July, and we can’t stop thinking about a Live ’25 album.
In fact, while the live record of the reunion world hasn’t been confirmed just yet, we’re becoming increasingly convinced that this is exactly what fans are going to get – and following the second Live ’25 concert capture dropping this week, we’re almost certain we know what they’re doing.
And if so, you can consider the vinyl of the ‘Oasis Live ’25‘ LP already in the basket.
Many of you might have already thought the same thing, but for anyone it hasn’t yet clicked for, let us explain; we got the live taping of ‘Slide Away’ from the Principality Stadium in Cardiff to start with, i.e. the first stop on the world tour. Here’s a snippet of how it sounds:
Have we listened to it pretty much non-stop ever since? Yes, but concentrate, that’s not the point we’re getting at; we think Oasis are doing something very specific for their almost inevitable Live ’25 album.
Up next was the aforementioned ‘Cigs and Alcohol’, performed and recorded on home turf right here in 0161, and released in honour of their magnificent Manc comeback.
More accurately, the live version of the song is plucked from their unforgettable opening evening at Heaton Park, as opposed to any of the other five dates.
Can you see where we’re going with this yet?…
With their place of birth having waited more than a decade and a half to hear the first few iconic chords that signal the start of the timeless Oasis classic and a pure rock and roll blowout, you can literally hear the energy from the crowd in your ears.
If you haven’t heard it dozens of times already, take a listen for yourselves and feel free to Poznań wherever you happen to be reading this:
That first Poznań for #OasisManchester hit like a chuffing freight train. 🔥
Upon checking the date of the Cardiff recording of ‘Slide Away’ was taken from, we noticed that they had also chosen the inaugural night of the entire Live ’25 tour, i.e. their very first live show in 16 years.
While we’re aware an official Oasis reunion tour album is technically still TBC, if you see a third live track released after the first of their SEVEN shows in the capital get underway this Friday (25 July), you can pretty much bank on the special live release being all but nailed on.
So, not only are we getting an Oasis Live ’25 reunion documentary from the man behind Peaky Blinders, but it looks like they’ll be providing fans with a virtual tour and a chance to experience/relive the gigs aurally, with each of the 23 tracks on the setlist being pulled from a different city on the world tour.
Now, while this isn’t an entirely unheard of idea in the world of live albums, that’s not all.
Better still, if our suspicions are correct and the next drop is taken from night one of Oasis Live ’25 in London (bonus points if you can guess which tune they go for), then the entire thing will capture the sonics and atmosphere at its best: propped up by the utter euphoria of a dream finally being realised.
We’re sure they could pull the audio at any part of the set, from any old date, and it would sound great, but nothing is like the palpable ecstasy you could quite literally hear on the opening nights in Cardiff, Manchester and, no doubt, Wembley. Having said that, the final farewell was pretty biblical too.
Put simply, isolate any night of the world tour and there’ll be something unique in the master.
Die-hards have been waiting what feels like a lifetime to finally see their favourite band in the flesh again; actually, like many of us here in Greater Manchester and indeed all over the world, some were simply too young to experience the Britpop craze and ‘Oasis Mania’ the first time around.
They obviously have a huge following not just in the UK and Ireland, but all over: the US, Japan, across South East Asia and throughout most of South America – you only have to watch clips or even hear Noel Gallagher talk about Buenos Aires to not how ‘mad fer it’ they are over there.
For a lot of fans, this IS their 1990s moment, and even those who sadly didn’t manage to get tickets have a chance to almost feel like they were there.
One thing’s for sure: if/when the Oasis Live ’25 album arrives, that Manchester buzz will take some beating in the unofficial contest to see who loves the legendary British rock band the most.
Danny Jones -
22nd July 2023 
