Green Island is the Manc music festival you’re all missing out on — and it’s in a garden centre
They don't need any promotion, it sells every time without fail — but we're still going to shout about it anyway because you NEED to get a ticket to this thing.
We’ll be completely honest, we didn’t quite know what to expect when we first stepped foot into Green Island Festival back in June of this year; a festival in the middle of a community garden centre, who the hell put those two things together?
Believe us when we tell you we were by no means prepared for how much of a good time we ended up having after going along for our first visit and we can now confidently say we’ll be going along again.
For those of you who have never heard anything about Green Island Fest, that’s about as close to ‘does what it says on the tin’ as you can get with these kinds of things: every year, Hulme Community Garden Centre turns into this almost tropical island of music, dancing, food, drink, plants and so much more.
Now held over a trio of dates every summer since 2021, the annual festival takes over what is a beloved community and cultural institution down the road in Hulme and turns into almost a small-scale Glasto set amongst a green space just outside the city. It’s simply unlike anything we’ve ever been to before.
One of the first things that struck us about this festival as we walked into the venue, besides the abundance of colour and greenery — something that gave us an instance dose of happiness to start off the day — was, with the best will in the world, how almost casually thrown together a lot of it felt.
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There were no big queues, barriers or large signs segmenting each section or stage, you just kind of strolled into this sun-soaked and extremely wholesome-looking party already in full swing and, fittingly, felt like you were being led down the garden path into a different world.
A table here and a tent there, people just sitting on a log, a patch of grass or even a bed of chamomile where you could rest your head and relax as you gazed up at the blue sky, everything felt a little bit slapdash in the best kind of way, somehow putting us at ease and exciting us at the same time.
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One of the parts we often dread about festivals is the organisation: getting there and navigating the event once you’re inside. While we know a lot of planning goes into making Green Island as wonderful as it is, it feels very free-form and spontaneous — always the recipe for the very best nights, in our opinion.
Fun for all the family (no, really)
And then there was the crowd, which was a wonderful mix of all different ages, cultures and backgrounds. We were told that this was a family-friendly event, but we really didn’t expect to see a dad with a child wearing ear defenders strapped to his chest as they laughed and danced along to baby’s first rave.
Turn one corner and you’d find people dancing to the wide variety of live music, but turn the next and you’d see kids playing, potting plants with their parents and dancing along with all the grown-ups. We weren’t joking about the wholesomeness, it was genuinely one of the cutest things we’ve ever seen.
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It was also completely accessible, meaning people with wheelchairs and mums pushing prams had no problem coming along to enjoy themselves. In fact, we had two new parents with and we’re pretty sure they had an even better time than we did — those customisable cocktails and Midori dumplings was all they needed (get the paloma, trust us).
Even more charming was the fact that you’d occasionally see someone pushing a wheelbarrow past or doing some pruning in a greenhouse and it was at that point that we realised that the garden centre itself was running as usual and hadn’t shut down to make room for the festival. They’re one and the same.
A stage for all seasons and the nightime transformation
Now, you can’t talk about Green Island Festival without talking about the music itself and let me tell you, we had the BEST time singing and dancing along to pretty much every genre of music you could hope for across it’s three areas: the main stage, the forest stage and the third which hosts a rotation of takeovers.
Teaming up with BBC Introducing and various up-and-coming artists both local and from all across the UK, we got to listen to everything from rap, grime and R&B to indie, ska, funk, soul, techno, house and plenty more. We know it sounds unlikely but we didn’t hear a bad act all day long either, seriously.
If we had to pick a favourite, it would have to be the forest stage which made us feel like we’d been transported to some random disco jungle on the other side of the world and once the sun went down, we might as well have been at The Warehouse Project. It was an absolutely unmatchable vibe.
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And then there was the afterparty over at Canvas which ran until late and we’re not going to spoil for you, but all you need to know is that we had an amazing time and never wanted it to end. To be honest, that would be our main takeaway from the festival as a whole, we’ve genuinely become its biggest fans.
From the folks at Seven Brothers slinging drinks across the multiple bars, the independent food traders serving burritos, butties and plenty of other top scran, to the staff at Hulme Garden centre’s in-house Cafe Sorrel, everyone working at this thing helped make it a truly special event
And the best part is, this year’s event isn’t even over yet…
There might not be many tickets left for Volume II on Saturday, 29 July, but you can always try and grab one for the third and final day of Green Island Festival 2023 HERE.
We’ll see you there for nothing but good times and greenery!
Jane McDonald announces huge new arena tour, with gig in Manchester
Daisy Jackson
National treasure Jane McDonald has just announced a brand-new arena tour, including a show here in Manchester.
The singing sensation has shared details of a new UK tour and album for 2026, with the Living The Dream tour hitting 19 stages.
Jane McDonald, star of stage and screen, will be performing at the AO Arena in Manchester next September, following the release of her new album in the spring.
Living The Dream is her 11th studio album, and boasts nine original songs plus four re-workings of country classics.
Jane has been a British icon ever since she appeared in the BBC docusoap The Cruise back in 1998.
Since then she’s sold out some of the world’s most iconic venues, including the Royal Albert Hall and the MGM Grand in Las Vegas.
As well as her singing and stage career, she’s known for her TV work including the BAFTA Award-winning Channel 5 series Cruising with Jane McDonald, Celebrity Gogglebox with best friend Sue Ravey on Celebrity Gogglebox, and her starring position on Loose Women.
She’s also recently launched her sold-out cruise charter, Cruise with Jane McDonald, with a seven-night round-trip for 1,400 fans planned for next October.
Before heading out on tour, TV audiences will also see Jane undertaking an ocean expedition for Jane McDonald: From Pole to Pole, where she’ll be travelling from the Antarctic to the Arctic.
In May 2026 Jane will headline the main stage at Mighty Hoopla festival in London in her first ever festival headline appearance.
Making the announcement, Jane said: “It’s true, I am officially Living The Dream so what better way to celebrate that than with a new album and a new tour.
“I love Country music and I love partying with you so I want to bring that together by bringing you some exciting new music along with the songs you know and love.
“We had brilliant fun on the last tour and we’re stepping it up a notch this time to visit even bigger venues so buckle up and let’s make even more memories together.”
Jane McDonald will play the AO Arena in Manchester on Thursday 10 September.
Tickets will go on sale at 10am on Friday 28 November HERE, but you can pre-order Jane’s album HERE for access to the pre-sale.
Bastille at AO Arena – A night of nostalgic throwbacks
Dec Kelly
A night like this – when Bastille took to the stage at the AO Arena – reminds you exactly why live music matters.
It felt like travelling back to our early teens – windows down, speakers up, yelling Bastille lyrics like our lives depended on it. That familiar rush came flooding back the moment we stepped into the legendary AO Arena.
And honestly, the whole experience, from securing tickets through AXS to walking into one of Manchester’s best venues, was seamless and stress-free, setting the tone perfectly for the night.
The band opened with a classic from their debut album Bad Blood. A single orange beam flickered across the stage, almost like a fire dancing in the dark, creating an intimate calm before the storm. Dan Smith’s slow, acoustic rendition of ‘Things We Lost in the Fire’ pulled the entire crowd into silence. It was raw, emotional, and the perfect way to kick off a night dedicated to the anthems that shaped a decade.
From there, the pace picked up. The show unfolded like a living scrapbook of Bastille’s 15 years of music, skipping through albums and eras with effortless precision. Every transition felt like rediscovering a memory of songs we’d forgotten we loved, songs we never stopped playing, and songs that hit harder live than they ever could through headphones. It was a rollercoaster of indie brilliance, nostalgia, and the kind of energy only Bastille can create.
Credit: Bastille at the AO Arena in Manchester
One of the biggest highlights of the night was the VS. (Other People’s Heartache) segment. We genuinely don’t talk enough about what a masterpiece that project is. The band stripped back their setup as two DJ decks rolled out centre stage, transforming the arena into a full-blown Bastille club experience. It was unexpected, refreshing, and showed off the band’s ability to bend genres without ever losing their identity. The lighting, the bass, the crowd reaction everything came together to create a completely different vibe, proving just how dynamic and experimental Bastille can be.
And then came ‘Pompeii’ and ‘Happier’ , two songs that feel almost woven into modern music culture at this point. Hearing thousands of voices echo those choruses back at Dan Smith was genuinely spine-tingling. It’s moments like that when you realise how much Bastille’s music has grown, evolved, and connected with fans over the years. Their audience now spans generations, and you could feel that unity in the room of parents with teens, old fans, new fans, and everyone in between, all sharing the same unforgettable moment.
What also stood out was the atmosphere. There’s something special about AO Arena: the acoustics, the crowd energy, the lights that sweep across the entire venue. Every detail enhances the performance, making even the quietest moments feel grand and the biggest hits feel monumental.
And honestly, the whole experience was made so much easier by AXS. Keeping track of gigs, managing tickets, and discovering upcoming shows is all right there in the app. No stress, no scrambling, just tap, book, go. It’s the perfect way to make sure you’re always one step ahead and never miss out on seeing your favourite artists live.
Last night wasn’t just a concert, it was a reminder of why we fell in love with Bastille in the first place. A celebration of their past, a showcase of their growth, and a promise that they’re not done surprising us yet.
And if this tour is anything to go by, your next best memory might be only one AXS tap away.