Be it the food and drink, leisure and shopping facilities old and new, bands like Blossom putting the town back on the map, or its growing nightlife scene, the regeneration of Stockport over the last few years has been wonderful to watch — and amongst it all, one place is shining bright: Bask.
Having only just celebrated its first anniversary after opening back in June of 2022, located right outside the train station, Bask is a bar, cafe, music venue and many more things all rolled into one and in the 12 months it’s been open, it’s arguably become the one of it not the best night out in Stockport.
At least for our money, anyway.
So, what makes this spot where people step out of the station to enjoy a coffee, a pint or something to eat so special? Well, it’s partly because of the fact that it never stays simply that place to grab a quick little something for very long — be there long enough and something is always happening.
If you do happen to find yourself stepping out of the station and making the two-yard trip from the doors onto the ever-developing Stockport Exchange, you’ll see Bask’s instantly recognisable orange sign outside a modern glass-panelled unit which used to be a coffee shop with about three people in it.
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Cut to today and you’ll find a large and lovely room lined with bar stool window seats, big speakers, two screens showing sport; plenty of tables as well as comfy booths and wooden benches sturdy enough to support your weight when you clamber on top of them hours later (we’ll get to that).
But before you get to that, you have plenty to choose from when it comes to food and drink in the daytime. Whether it’s a big breakfast to start the day, a steaming hot pie from local favourites Ate Days A Week, fresh butties or a luxurious meat and cheese platter to feel all cultured or just a pint of their house lager, you really spoilt for choice.
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As you peruse the healthy bar selection — stocking lots of booze including their house lager and two custom brands of Stockport Gin — you’ll see a glorious selection of cakes from Manc music legend Clint Boon’s wife, Charlie, who drops off fresh batches of baked goods every week and even hosts regular bottomless brunches and her already legendary
Credit: The Manc Group/BaskThere’s some seriously top scran.
Bask’s live gigs and mega music nights
Speaking of the Boons, the Tea Party isn’t just about scranning cakes and posh coffees: it’s a jumping-off point for what is an absolutely stellar monthly schedule that is regularly packed out with live performances, themed music nights and all-round partying.
From Inspiral Carpets, Reverend & The Makers, The Lottery Winners; The Sherlocks, Ruby J and all manner of massive music names from the North have taken to this stage already over the last year, and it won’t be long before more acts from all over the country cotton on to how mint a venue Bask is to play.
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You’ll also find many members of staff like barman and musician French Coriandah, as well as co-owners Simon Silcock and XS Manchester DJ Gareth Brooks on stage, playing guitar or spinning tracks on the decks — they even had This Is England‘s Thomas Turgoose doing a set the other week, as you do.
They also do their best to promote up-and-coming artists with their weekly Acoustica event every Monday, where aspiring musicians can rock up every week and it’s free entry for the punters. Even when there isn’t live music or, say an 80s-themed night on the cards, they still regularly belt out the best bangers from throughout the ages every weekend and, believe us when we tell you, it’s a vibe in there.
Credit: Bask/Thomas Edwards(via Instagram)We’ve had some absolutely belting nights out in Bask.
Bask Bingo, comedy nights, matchdays and more
And it doesn’t stop there — not even close. From the ‘Baskmaster’ pub quiz to their sellout Bask Bingo and ‘Bask in Laughter’ comedy nights which have seen the likes of Justin Moorhouse, Haley Ellis, Smug Roberts and countless others cracking up locals, they will literally have a stab at anything these lot.
The most impressive part, at least from our experience anyway, is that they always seem to pull it off. This place was originally supposed to open up as just a restaurant but after extraction issues set those plans back, they had to readjust and boy are we lucky they did.
Whether it’s inviting along spoken word artists every month, hosting FIFA tournaments or the Stockport Social Creative Culture and Music Mixer (a bit of a mouthful, we’ll admit), Bask isn’t happy to just be one thing or another and that’s why it’s so good.
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It’s even become a regular haunt for the Stockport County faithful week in and week out (having a few mad Hatters in-house doesn’t hurt), serving pies and pints pre-game, right up until late after it’s finished. While many pubs and bars keep footy fans at a distance, this place welcomes them in with open arms — they were even flying the flag for both teams at Wembley earlier this year.
Credit: BaskThey thrive on two slogans: ‘Stockport isn’t sh*t… it’s forever being beautiful’
It’s been a while since Stopfordians had a place like this. The town centre’s Underbank has gradually been rejuvenating under the Old Town revival and Foodie Friday now seems bigger than ever, but there’s something about having a spot that does all of this right on your doorstep that feels special.
We’re happy to go on record by saying that Bask is not only well worth swinging by at any time during the day but beyond just being the best night out in Stockport, it’s also currently one of the best times you’ll have anywhere in Greater Manchester.
If you’ve never been before, it’s worth heading over and giving it a try — you’ll most likely end up doing what we did the first time around: nipping in for ‘one drink’ and end up staying till 2am. Go on, why not?
Louder for those at the back: ‘Stockport isn’t sh*t’.
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It’s a good little crew this. Pop in and say hello.Credit: Bask/@thomasedwardsphotography (via Instagram)
Featured Image — The Manc Group/Bask (via Instagram)
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Danny Jones -
14th July 2023 
