By now, we’re all well aware of the impacts of COVID-19 on our music scene. But what can us fans do to ease the pain?
We’ve compiled a list of simple things we can all do to support artists and venues until we get our old normal back.
Whenever that may be.
1. Buy their music
Image: Drew Litowitz
This sounds very obvious. But too many of us (me included) are guilty of streaming music from the big players like Spotify.
Gone are the days of the iconic Sony Walkman and mp3 players. But even so, there are still plenty of reasons why you should buy your music directly.
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Major streaming services like Spotify pay artists very little per stream. So, unless you’re Liam Gallagher and getting millions of streams a month, it’s harder for smaller artists to generate an income from.
Agreed: Spotify is great for playlists and discovering new music. But consider buying your favourite songs outright on another service at the same time. You can do this on Bandcamp, Beatport, Amazon or iTunes. What’s more, the first Friday of every month is Bandcamp Friday where they waive their revenue share. This means more than 90% of your money goes straight to the artist.
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FYI, the next one is February 5.
2. Visit their online stores for merch
Larkins online store
Well because who doesn’t love a tote bag? Or perhaps a baggy tour T-shirt stolen from your other half?
Plus, what’s one step further than purchasing music from the above-mentioned music services? Answer: buying an album straight from an artist’s online store. Again, this means even more of the money you pay reaches the people who deserve it.
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If you’re lucky, you might even be able to get your hands on a limited edition signed copy this way. No excuses, now.
3. Keep hold of rescheduled gig and festival tickets
Image: Diego Sulivan
Learning that your upcoming gigs were getting cancelled one by one last year was a devastating state of affairs. But at times you’d probably rather choose a refund, opting to keep your tickets for a rescheduled show could really help organisers and artists out.
Think of it as an investment into your future self’s social life.
4. Support livestreams
Hacienda House Party Livestream. Image by Katie Hall/United We Stream GM
Throughout lockdown we’ve been inundated with livestreams and online gigs. They are the next best thing to live music, after all. More often than not they raise a tonne of money for charity, too.
Some have been ticketed, like the virtual reality Blossoms and Liam Gallagher gigs before Christmas. Whilst others have been free, like the Hacienda House Party. But either way, they brought music to our living rooms in the most 2020 way. With who knows how many more lockdowns we’re yet to endure, long live the livestream.
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5. Follow their social media
Unsplash
This sounds like another obvious one. Yet I bet there are loads of artists in your top 10 that you don’t actually follow on social media.
Liking, sharing and commenting on their content and subscribing to their YouTube channels will work wonders for their growth whilst they’re unable to play. Besides, it means you can stay even more up to date with them and any new music out soon. Oh, and it also costs you nothing.
6. Support the venues too
Socially distanced event at the Progress Centre
Let’s not forget our beloved music venues and clubs that have been forced to close as well. Some of them have been able to diversify to put on socially distanced and seated events. Social Avenue and the Progress Centre provided us with some delightful lineups to keep us occupied in the summer.
Granted, our current lockdown situation won’t allow it now. Best believe when these events are up and running though, I’ll be first in the queue.
Other venues and clubs took a different approach and simply offered takeaway pints. And to be honest, I’ve grown fond of drinking beer from milk bottles, anyway.
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Whatever your local venue has done to stay afloat, get behind it.
7. Donate money to charities and Crowdfunders
Image: 42s/Rocks Off coffee
We’ve mentioned a number of ways that you can donate to save venues and artists and support the struggling music scene in the past. The WeMakeEvents campaign painted the world red to raise awareness earlier this year. But local to Manchester, community led projects, schemes and even a limited-edition crowdfunding coffee have raised money for charities to help keep the music playing.
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.