Up-and-coming alternative rock band Keo have just announced a new UK tour and “most ambitious chapter yet” in terms of live performances, including a Manchester gig that we CANNOT wait for.
Combining the likes of post-grunge, garage rock and more, Keo are one of the most exciting and fast-emerging new acts in the space right now, having seen their recent run of half a dozen domestic shows sell out completely.
Pulling influences from artists of The Smashing Pumpkins and Soundgarden, as well as most notably fellow contemporaries and former tour partner, Wunderhorse, they’re well-positioned at the front of the guitar-driven revival and are bound for big things. We’re by no means the only ones banking on it either…
Having been described as “already that band” by Dork and delivering “a sound that has given UK guitar its biggest kick up the fretboard in years” by Rolling Stone, you can bet tickets for these shows will be snapped up in seconds, too.
UK and Europe spring 2026. Pre-sale: 03 Nov 2025 10AM GMT On Sale: 05 Nov 2025 10AM GMT pic.twitter.com/Xz1km0Z93O
Set to play their biggest Manchester venue to date, Keo will be playing the O2 Ritz on Whitworth Street next spring, and let us tell you, that sprung floor is not ready…
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Co-fronted by two brothers, Finn and Conor Keogh (originally from Devon before ultimately getting their music careers underway in the capital), the now London-based group make quite a racket for just the four of them.
That being said, they also do quiet moments well, too, as seen in several of the ‘calm before the storm’ breakouts in songs like ‘Thorn’, ‘Fly’, ‘Crow’ and many more.
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If you like anything close to grunge or even just shoegazey riffs, trust us, they’ll be right up your street.
One of the most exciting parts about this lot is how feverishly their fans have packed out their audiences all over the country, somehow learning every single word to every song before most of the material had even been released on any kind of platform. They’ve led with their live reputation – and it shows.
Case and point – the crowd at The Key Club in Leeds, where our mates over at The Hoot got to witness them up close and personal as the entire room erupted in a chorus of screams about a girl called Amber:
“To be playing venues like these with only five songs out still feels surreal”, says lead singer Finn Keogh. “We always imagined we’d reach this level after years of supporting other bands, but somehow we’ve skipped that step.
“It’s mad, come March, our biggest indoor shows will have been our own. Electric Ballroom [in London] is a special one for me personally; I’ve seen some life-changing gigs there. To be on that stage this time around is going to feel unreal.”
Listing a total of 16 live show dates up and down the country throughout March and April of 2026, it’s fair to say we Mancs are excited to see them playing their biggest room in our city to date, having absolutely smashed Gorilla this past October.
Tickets for Keo at the O2 Ritz in Manchester go on sale next Wednesday, 5 November at 10am; you can get ready to grab yours right HERE.
The debut release from Keo has delighted fans and critics alike, and their Manchester gig is sure to be a stormer.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
29th October 2025 
