The AO Arena welcomed Andy Burnham and Blossoms today to celebrate the completion of its £50m redevelopment.
As the biggest indoor venue in the UK and one of the busiest in the world, the AO Arena is now working to even further elevate the guest experience, from start to finish.
Its huge investment has seen new features added like an increased standing floor capacity in the arena bowl itself, a brand new lower concourse bar area with capacity for 6,000 (plus new bars in the main concourse), and new entrances to make getting in and out of the arena the quickest in Europe.
Then there is the crowning jewel at the AO Arena, its new bar and restaurant The Mezz, set to open in March, which will welcome a new partnership with chefs Simon Rogan MBE and Tom Barnes of soon-to-open Skof.
To mark its monumental redevelopment, the AO Arena invited Stockport legends Blossoms to place their hands in cement on the concourse, leaving their mark permanently on the city’s most iconic venue.
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Blossoms said: “When the AO Arena opened again after Covid, we were the first band to play a gig here. We’re excited to celebrate the official topping out of the redevelopments and look forward to seeing what the future AO Arena has to offer.”
The Mayor of Greater Manchester Andy Burnham was also in attendance to celebrate the landmark moment, speaking of all the shows he’s seen over the years (Taylor Swift, Katy Perry and Elbow all highlights, apparently).
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The improvements to the venue aren’t just on a fan level either – work has also included a complete back of house overhaul including an artist green room, dressing rooms and crew facilities.
Andy Burnham and Blossoms attended the AO Arena today to celebrate the completion of its £50m transformation. Credit: SuppliedBlossoms placed their handprints in cement and spoke at the AO Arena today to celebrate the completion of its £50m transformation. Credit: Supplied
AO has also announced it is extending its naming rights partnership of the 21,000 capacity, 30-year-old venue all the way into 2030.
The AO Arena’s £50m transformation includes a new VIP entrance, a members only bar and restaurant, a brand new lower concourse, an improved focus on customer safety measures, and full wall wraps highlighting the venue’s iconic milestones.
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On the concourse, there’ll be a brand new food and drink offering, including handcrafted burgers, salt and pepper chicken and accompanying vegan options including smash meat-free burgers with vegan smoked applewood and vegan loaded fries, as well as vegan bratwurst with sauerkraut in a vegan brioche bun topped with crispy onions and served with vegan chilli cheese sauce.
Over the years, the AO Arena has welcomed the biggest names in music and sport, such as Prince, Elton John, New Order, The Rolling Stones, Madonna, Billie Eilish, Oasis, Dua Lipa and The Courteeners, plus of course Peter Kay’s record-breaking 50+ date residency (which is still ongoing, by the way…), and has also played host to The Commonwealth Games, The Davis Cup, boxing bouts with Mike Tyson, Anthony Joshua, Ricky Hatton and much more.
Visited by more than one million people each year, the AO Arena is promising this will be its best year yet, raising tens of thousands of pounds and giving hundreds of hours to local community projects.
And coming up this year alone there’ll be more Peter Kay Live, The 1975, Bill Bailey, Niall Horan, Ne-Yo, and plenty more to be announced.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
24th January 2024 
