The AO Arena welcomed Andy Burnham and Blossoms today to celebrate the completion of its £50m redevelopment.
As the biggest indoor venue in the UK and one of the busiest in the world, the AO Arena is now working to even further elevate the guest experience, from start to finish.
Its huge investment has seen new features added like an increased standing floor capacity in the arena bowl itself, a brand new lower concourse bar area with capacity for 6,000 (plus new bars in the main concourse), and new entrances to make getting in and out of the arena the quickest in Europe.
Then there is the crowning jewel at the AO Arena, its new bar and restaurant The Mezz, set to open in March, which will welcome a new partnership with chefs Simon Rogan MBE and Tom Barnes of soon-to-open Skof.
To mark its monumental redevelopment, the AO Arena invited Stockport legends Blossoms to place their hands in cement on the concourse, leaving their mark permanently on the city’s most iconic venue.
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Blossoms said: “When the AO Arena opened again after Covid, we were the first band to play a gig here. We’re excited to celebrate the official topping out of the redevelopments and look forward to seeing what the future AO Arena has to offer.”
The Mayor of Greater Manchester Andy Burnham was also in attendance to celebrate the landmark moment, speaking of all the shows he’s seen over the years (Taylor Swift, Katy Perry and Elbow all highlights, apparently).
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The improvements to the venue aren’t just on a fan level either – work has also included a complete back of house overhaul including an artist green room, dressing rooms and crew facilities.
Andy Burnham and Blossoms attended the AO Arena today to celebrate the completion of its £50m transformation. Credit: SuppliedBlossoms placed their handprints in cement and spoke at the AO Arena today to celebrate the completion of its £50m transformation. Credit: Supplied
AO has also announced it is extending its naming rights partnership of the 21,000 capacity, 30-year-old venue all the way into 2030.
The AO Arena’s £50m transformation includes a new VIP entrance, a members only bar and restaurant, a brand new lower concourse, an improved focus on customer safety measures, and full wall wraps highlighting the venue’s iconic milestones.
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On the concourse, there’ll be a brand new food and drink offering, including handcrafted burgers, salt and pepper chicken and accompanying vegan options including smash meat-free burgers with vegan smoked applewood and vegan loaded fries, as well as vegan bratwurst with sauerkraut in a vegan brioche bun topped with crispy onions and served with vegan chilli cheese sauce.
Over the years, the AO Arena has welcomed the biggest names in music and sport, such as Prince, Elton John, New Order, The Rolling Stones, Madonna, Billie Eilish, Oasis, Dua Lipa and The Courteeners, plus of course Peter Kay’s record-breaking 50+ date residency (which is still ongoing, by the way…), and has also played host to The Commonwealth Games, The Davis Cup, boxing bouts with Mike Tyson, Anthony Joshua, Ricky Hatton and much more.
Visited by more than one million people each year, the AO Arena is promising this will be its best year yet, raising tens of thousands of pounds and giving hundreds of hours to local community projects.
And coming up this year alone there’ll be more Peter Kay Live, The 1975, Bill Bailey, Niall Horan, Ne-Yo, and plenty more to be announced.
Major international girl group tipped for reunion tour after teasers at big UK arenas
Danny Jones
A major international girl band appear to be gearing up for a big reunion tour following a number of teasers popping up at some of the largest arenas around the country – including here in Manchester.
In case you haven’t already guessed it from the thumbnail, we’ll give you another hint: there used to be six of them, though it remains to be seen how many will be returning…
Yes, the once-huge all-female pop group, The Pussycat Dolls, looks set to reunite once again, though the full lineup and exact nature of the shows are yet to be fully verified.
They were a big chart-topping act throughout the noughties, and some of the famous faces are still doing bits in around showbiz today; they’ve been away for a long time, but Co-op Live and more have just fans getting ready to “loosen up their buttons”.
Sharing the big digital advert splashed at the top of the venue on Wednesday, 11 March, Co-op couldn’t have made it any easier for fans to guess.
Choosing one of the most obvious lyrics turned puns and asking Mancs, “Don’t Cha Wish you knew who we’re announcing tomorrow (Thurs, 12 Mar)”, it didn’t take any time at all for people to figure it out.
With the comments across social media platforms now filled with people sharing gifs of their old performances and dance routines, or simply sharing their general excitement, the hype train is already well and truly on the way.
The O2 in London also appear to be readying their announcement, though Co-op Live will have the luxury of being the biggest venue on the list at a capacity of 23,500.
And then, as if things weren’t already blatant enough, the Pussycat Dolls’ official page has also shared a short clip ahead of the inevitable reveal featuring the words, “PCD Forever”, along with pointing them towards a website listed under the same name.
Now, the last time they performed was not long before the pandemic, with most of the original lineup performing on The X Factor, releasing their first new song in over a decade, ‘React’, which was supposed to signal the start of a reunion.
However, the planned comeback tour was ultimately cancelled in January 2022, and we hadn’t heard much else since – until now. Fans are crossing fingers that they get at least a trio of Nicole Sherzinger, Ashley Roberts, Carmit Bachar, Kimberly Wyatt, and Jessica Sutta, but we’ll find out very soon.
They’re not the only big female artist set for a big Manc date this year – and, fortunately, this one’s already been confirmed.
Gig Review | The ‘West End Girl’ heads up North – Lily Allen at Aviva Studios in Manchester
Lonnie Bowes
Last night at Aviva Studios, the home of Factory International, Lily Allen performed the first of two intimate theatre shows in Manchester – here’s our review…
As part of her ‘West End Girl Tour’, Allen is performing in more considered spaces up and down the country alongside the bigger sold-out venues you might normally expect.
It’s a refreshing change of pace. Seeing a pop star slow things down and lean fully into theatre, something that perfectly aligns with the drama that’s surrounded her in recent years.
Supporting the show was a special ‘Dallas Minor Trio’: an orchestral string group that elegantly warmed up the crowd, taking on instrumental Allen classics, including ‘F**K You’ and ‘LDN’ to set the tone nicely, with a screen behind them as the patient Manchester crowd settled in and enjoyed an early singalong.
When the lights dimmed, Allen emerged through the curtains and opened with the tour’s namesake, ‘West End Girl’. From the moment she stepped onto the stage, she asserted herself firmly in the space – a set designed to resemble her own small apartment.
This is when the real show began. As Allen moved through the performance, the set behind her transformed from song to song, adding to the theatrical feel of the evening.
During ‘Madeline’, she appeared armed with a feather duster, fully committing to the domestic setting, while for ‘Relapse’, she dramatically spills the contents of her handbag across Factory International‘s adjustable floor.
Anyone who has listened to Allen’s recent material will know she’s been keeping all the receipts on her ex (can’t remember his name).
Credit: Henry Redcliffe (supplied via Factory International)
Elsewhere in the set, Allen delivered standout performances of ‘Pussy Palace’, ‘Nonmonogamummy’ and ‘Beg for Me’, songs that leaned fully into the confessional tone of the evening.
Each track landed with a mix of sharp humour and raw honesty, with Allen balancing moments of biting lyricism with the kind of self-aware storytelling that has long defined her songwriting.
By the end of the night, the performance felt less like a traditional pop concert and more like a piece of confessional theatre.
In the intimate surroundings of the Aviva Studios space, Lily Allen proved that sometimes scaling things down can make a story feel much bigger – and that her ability to turn personal chaos into compelling performance remains as sharp as ever.