The beauty of dance music, more than anything else, is its power to bring us together.
The right mix, dropping at the right moment, can create a real sense of unity on the dancefloor, a moment of abandon where you dance side-by-side as one with people from all walks of life and feel free to express yourself without inhibitions.
Still, it’s surprisingly quite rare to see much about dance fans who live with disabilities – that viral video where Steve Aoki launched a cake into a crowd surfing, wheelchair-bound fan’s face aside.
It’s even rarer to hear about artists with disabilities enjoying life from the other side of the decks – but that’s exactly what 20-year-old DJ Jake Smith is doing.
Jake DJs in the VIP tent at Creamfields. / Image: Jake Smith DJ
Jake pictured partying with friends. / Image: Jake Smith DJ
A DJ for around about six years now, he’s played sets at nightclubs in Ibiza and at the legendary UK dance music festival Creamfields and even had national airplay for his track ‘So Real’ on Radio 1.
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“I used to dream about having one of my tracks played on BBC Radio 1,” he told The Manc.
“I listen to Radio 1 every week and it was an honour to have a track broadcast on one of the biggest radio stations in the world.
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“I won’t ever forget my first-ever play on Radio 1-the buzz will stay with me for a while haha. This just proves that if you have a disability, you can still achieve anything like anyone else.”
A student of music production at South and West Cheshire College, he doesn’t just mix – but makes his own tunes too.
He also lives with cerebral palsy, a condition that can affect movement and coordination that is caused by a problem with the brain that can develop before, during or soon after birth. Not that he’s letting that stop him from pursuing his dreams.
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Jake poses backstage with one of his biggest musical inspirations, techno DJ Patrick Topping. / Image: Jake Smith DJ
Jake tells us he has a team of PA’s and a supportive family who help him with daily tasks, whilst his dad and manager support him with attending gigs and festivals.
Having first fallen in love with dance music after listening to bangers in the car with his dad, he decided to give DJing a try for himself, only to find “a real passion and joy in music.”
Here in Manchester, he’s played some of the city’s coolest music venues – including Yes, Joshua Brooks and Stage & Radio, whilst in his hometown of Cheshire, he’s played the VIP tent at Creamfields, Nu Flava, and supported K Klass at Chester 7’s.
He’s also played nightclubs in Ibiza like Plastik and Ocean Beach, and had a number of his mixes played on Kiss FM radio – having initially won a 30-minute mix competition, he was soon invited back by the station to play again.
Video:Jake Smith DJ
Speaking to The Manc on how he feels when he plays out live, Jake said: “It’s like nothing else.”
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“I love performing live to an audience, the feedback you get from people is always amazing.
“To see the energy in the crowd and people dancing and having a great time to my mixes is really uplifting.”
Asked what he thinks of Manchester’s crowds in particular, he added: “The audiences in Manchester always bring so much energy to the gigs. The atmosphere is incredible.”
“Everyone is always up for a good time.”
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Inspired by artists like Danny Howard, Hannah Laing, Sorley and Patrick Topping, Jake tells us that he is currently working on some of his own new music which is yet to be released.
Jake poses alongside Manchester production and DJ duo Mark Richards and James Eliot, AKA Solardo. / Image: Jake Smith DJ
Asked what advice he would give to anyone else wanting to get involved in the music industry, he’s full of enthusiasm.
“Go for it! Work hard and if things don’t work out the first time… don’t give up. Most importantly have fun.”
Jake has created a mix for The Manc Audio‘s new weekly Mini Mix Friday series which you can listen to below.
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This summer, he plans to head over to Ibiza again and says that Creamfields ‘may also be on the cards’. To keep up with where he will be this season, make sure to check out his social pages – as this is where he’ll announce any upcoming gigs.
Feature image – Jake Smith DJ
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Georgina Pellant -
28th May 2022 
