The beauty of dance music, more than anything else, is its power to bring us together.
The right mix, dropping at the right moment, can create a real sense of unity on the dancefloor, a moment of abandon where you dance side-by-side as one with people from all walks of life and feel free to express yourself without inhibitions.
Still, it’s surprisingly quite rare to see much about dance fans who live with disabilities – that viral video where Steve Aoki launched a cake into a crowd surfing, wheelchair-bound fan’s face aside.
It’s even rarer to hear about artists with disabilities enjoying life from the other side of the decks – but that’s exactly what 20-year-old DJ Jake Smith is doing.
Jake DJs in the VIP tent at Creamfields. / Image: Jake Smith DJ
Jake pictured partying with friends. / Image: Jake Smith DJ
A DJ for around about six years now, he’s played sets at nightclubs in Ibiza and at the legendary UK dance music festival Creamfields and even had national airplay for his track ‘So Real’ on Radio 1.
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“I used to dream about having one of my tracks played on BBC Radio 1,” he told The Manc.
“I listen to Radio 1 every week and it was an honour to have a track broadcast on one of the biggest radio stations in the world.
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“I won’t ever forget my first-ever play on Radio 1-the buzz will stay with me for a while haha. This just proves that if you have a disability, you can still achieve anything like anyone else.”
A student of music production at South and West Cheshire College, he doesn’t just mix – but makes his own tunes too.
He also lives with cerebral palsy, a condition that can affect movement and coordination that is caused by a problem with the brain that can develop before, during or soon after birth. Not that he’s letting that stop him from pursuing his dreams.
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Jake poses backstage with one of his biggest musical inspirations, techno DJ Patrick Topping. / Image: Jake Smith DJ
Jake tells us he has a team of PA’s and a supportive family who help him with daily tasks, whilst his dad and manager support him with attending gigs and festivals.
Having first fallen in love with dance music after listening to bangers in the car with his dad, he decided to give DJing a try for himself, only to find “a real passion and joy in music.”
Here in Manchester, he’s played some of the city’s coolest music venues – including Yes, Joshua Brooks and Stage & Radio, whilst in his hometown of Cheshire, he’s played the VIP tent at Creamfields, Nu Flava, and supported K Klass at Chester 7’s.
He’s also played nightclubs in Ibiza like Plastik and Ocean Beach, and had a number of his mixes played on Kiss FM radio – having initially won a 30-minute mix competition, he was soon invited back by the station to play again.
Video:Jake Smith DJ
Speaking to The Manc on how he feels when he plays out live, Jake said: “It’s like nothing else.”
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“I love performing live to an audience, the feedback you get from people is always amazing.
“To see the energy in the crowd and people dancing and having a great time to my mixes is really uplifting.”
Asked what he thinks of Manchester’s crowds in particular, he added: “The audiences in Manchester always bring so much energy to the gigs. The atmosphere is incredible.”
“Everyone is always up for a good time.”
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Inspired by artists like Danny Howard, Hannah Laing, Sorley and Patrick Topping, Jake tells us that he is currently working on some of his own new music which is yet to be released.
Jake poses alongside Manchester production and DJ duo Mark Richards and James Eliot, AKA Solardo. / Image: Jake Smith DJ
Asked what advice he would give to anyone else wanting to get involved in the music industry, he’s full of enthusiasm.
“Go for it! Work hard and if things don’t work out the first time… don’t give up. Most importantly have fun.”
Jake has created a mix for The Manc Audio‘s new weekly Mini Mix Friday series which you can listen to below.
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This summer, he plans to head over to Ibiza again and says that Creamfields ‘may also be on the cards’. To keep up with where he will be this season, make sure to check out his social pages – as this is where he’ll announce any upcoming gigs.
Feature image – Jake Smith DJ
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Georgina Pellant -
28th May 2022 
