Original Hacienda resident DJ Paulette has been awarded DJ Mag Top 100 DJs 2022 Lifetime Achievement gong.
The Manchester-based DJ has been given the award in recognition of her pivotal role at the center of a number of significant moments in European electronic music history over the past thirty years.
A DJ, radio and TV host, A&R and PR for over 30 years, whilst still in her twenties Paulette made history as the Hacienda’s first female DJ resident – first coming on board to play the club’s gay night, Flesh Nites, with organizers bringing her in after seeing just one DJ set, which happened to be her debut.
She stayed for four and a half years, progressing to resident along the way, then moved down to London to play at the Garage club nights at Heaven, followed by residencies at Brighton’s The Zap Club and the Ministry of Sound.
Later, in 2004, she lived in Paris for some time and has also done some stints in Ibiza, but today she can be found in her hometown of Manchester – the place where she was born and raised.
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Speaking to DJ Magabout her heady career, she described how her first ever DJ gig came about, saying: “Fast-forward six years of buying records and whatever and a friend of mine knew somebody who was putting on a party at the No.1, and she’d spent all the money on the promo.
“She didn’t have any money to pay a name DJ, and was told about somebody who had lots of records who could do it. She must’ve been so fucking desperate!”
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DJ Paulette first started off in music working for Manchester Piccadilly 261 radio station, aged 18, as a cub reporter but has since gone on to do great things – including helping the Roni Size & Reprazent ‘New Forms’ album win the Mercury Prize.
Moving down to London in the mid-90s, she got a PR job at Mercury Records to supplement her DJing income.
Speaking about that time in her life, she told the magazine: “Everything that happened for Roni Size Reprazent, and also 4hero who were nominated for the Mercury Music Prize, came off the back of the press campaign and their live gigs.”
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“It’s very rare to translate a good press campaign for some dance music singles to the Mercury Prize, it has to cross them over into the nationals and broadsheets everywhere.
Image: DJ Paulette
“Obviously they had to perform live, I would never take credit for their creativity, but without that press campaign… there were so many other bands who were really great live, but they didn’t have the press.”
She would then go on to win a gold record for the Reprazent PR campaign after they sold 100,000 copies of ‘New Forms’ and were nominated for two Brit awards.
It’s a well-deserved accolade for the Manchester music legend, who is also on the cusp of releasing a new tell-all book – detailing her amazing 30-year career and shining a light on discrimination within the dance music world.
Titled Welcome To The Club: The Life And Lessons Of A Black Woman DJ, Paulette says it will tell the ‘candid story’ of her hugely successful DJ career, which has seen her hold high profile residencies at some of the best parties in the world, including the Hacienda, Ministry of Sound and Queen Club in Paris.
Described as both a memoir and a “call to arms”, Welcome To The Club will feature contributions from some of her fellow UK DJs including Dave Haslam, Gilles Peterson, Jamz Supernova, Sonique, Smokin Jo, Norman Jay and Jaguar.
It’s sure to be filled with some amazing stories. She is, after all, a true dance music icon and has been at the heart of the global house scene for many years.
Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
The Manc -
31st October 2022 
