Original Hacienda resident DJ Paulette has been awarded DJ Mag Top 100 DJs 2022 Lifetime Achievement gong.
The Manchester-based DJ has been given the award in recognition of her pivotal role at the center of a number of significant moments in European electronic music history over the past thirty years.
A DJ, radio and TV host, A&R and PR for over 30 years, whilst still in her twenties Paulette made history as the Hacienda’s first female DJ resident – first coming on board to play the club’s gay night, Flesh Nites, with organizers bringing her in after seeing just one DJ set, which happened to be her debut.
She stayed for four and a half years, progressing to resident along the way, then moved down to London to play at the Garage club nights at Heaven, followed by residencies at Brighton’s The Zap Club and the Ministry of Sound.
Later, in 2004, she lived in Paris for some time and has also done some stints in Ibiza, but today she can be found in her hometown of Manchester – the place where she was born and raised.
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Speaking to DJ Magabout her heady career, she described how her first ever DJ gig came about, saying: “Fast-forward six years of buying records and whatever and a friend of mine knew somebody who was putting on a party at the No.1, and she’d spent all the money on the promo.
“She didn’t have any money to pay a name DJ, and was told about somebody who had lots of records who could do it. She must’ve been so fucking desperate!”
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DJ Paulette first started off in music working for Manchester Piccadilly 261 radio station, aged 18, as a cub reporter but has since gone on to do great things – including helping the Roni Size & Reprazent ‘New Forms’ album win the Mercury Prize.
Moving down to London in the mid-90s, she got a PR job at Mercury Records to supplement her DJing income.
Speaking about that time in her life, she told the magazine: “Everything that happened for Roni Size Reprazent, and also 4hero who were nominated for the Mercury Music Prize, came off the back of the press campaign and their live gigs.”
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“It’s very rare to translate a good press campaign for some dance music singles to the Mercury Prize, it has to cross them over into the nationals and broadsheets everywhere.
Image: DJ Paulette
“Obviously they had to perform live, I would never take credit for their creativity, but without that press campaign… there were so many other bands who were really great live, but they didn’t have the press.”
She would then go on to win a gold record for the Reprazent PR campaign after they sold 100,000 copies of ‘New Forms’ and were nominated for two Brit awards.
It’s a well-deserved accolade for the Manchester music legend, who is also on the cusp of releasing a new tell-all book – detailing her amazing 30-year career and shining a light on discrimination within the dance music world.
Titled Welcome To The Club: The Life And Lessons Of A Black Woman DJ, Paulette says it will tell the ‘candid story’ of her hugely successful DJ career, which has seen her hold high profile residencies at some of the best parties in the world, including the Hacienda, Ministry of Sound and Queen Club in Paris.
Described as both a memoir and a “call to arms”, Welcome To The Club will feature contributions from some of her fellow UK DJs including Dave Haslam, Gilles Peterson, Jamz Supernova, Sonique, Smokin Jo, Norman Jay and Jaguar.
It’s sure to be filled with some amazing stories. She is, after all, a true dance music icon and has been at the heart of the global house scene for many years.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
The Manc -
31st October 2022 
