Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
ADVERTISEMENT
Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
ADVERTISEMENT
As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
Audio
A ‘disco for grown ups’ party is coming to Manchester this year
Thomas Melia
A disco party for ‘grown ups’, centred around 70s, 80s and 90s music, is making its way to Manchester this year.
The wildly popular Discos for Grown Ups will be heading to town in May, encouraging some serious boogie action with its playlist of soul, disco, pop and dancefloor from across the decades.
The night out has been created for those who feel ‘too old to go clubbing, but still love to dance’, with people your own age, and with a sensibly early finish time.
When the night is still young but you might not be, you can let loose under a light and laser show featuring the fabulous Discos for Grown Ups stage dancers.
Whether you’re a ‘Material Girl’ who craves the spotlight or or a shy dancer who comes out of their shell after catching a case of ‘Night Fever’, this night will be spoiling you with its array of tracks.
Credit: Supplied
Discos for Grown Ups was founded by Simon Stanford after discovering there was nowhere for a ‘grown up’ to go that played the music he loved.
Simon Stanford from Discos for Grown Ups says: “We are really looking forward to bringing our Discos for Grown Ups 70’s 80’s 90’s Disco Party back to the O2 Ritz Manchester this year.
“Our first show was an incredible night of dancing and sold out very quickly, so we can’t wait to bring our full production with dancers, lights and lasers back – it’s going to be another amazing night of boogie!”
Expect a night of fun-filled dancefloor bangers spanning three golden decades of music.Credit: Supplied
Self Esteem drops new single along with huge UK tour full of double headers
Danny Jones
Rising Northern star Self Esteem has just dropped the new single from her forthcoming new album along with a bunch of big new UK tour dates, including two nights right here in Manchester.
The singer-songwriter, also known simply as Rebecca Lucy Taylor, has seen her popularity skyrocket in the last few of years, winning BBC Music’s Introducing ‘Artist of the Year Award’ back in 2021 and being nominated for the Mercury Prize less than 12 months later.
Fast forward to 2025 and not only has she recieved plenty of critical acclaim for her first two records but her live presence on stage has also been heavily praised and now the 38-year-old is gearing up for her next album cycle.
Announcing her latest single, ‘If Not Now, It’s Soon’, which has quickly selected as BBC Radio 1’s ‘Hottest Record’, the new track has also dropped along with 14 major UK tour dates, with a string double headers in multiple cities.
Born and bred in Rotherham but with strong ties to nearby Sheffield, her journey began as one half of folk pop duo Slow Club. They formed back in 2006 but split in 2017 as both she and bandmate Charles Watson parted ways to pursue their respective solo projects.
Set to release her third studio LP A Complicated Woman on 25 April, these latest tour dates are some of the biggest she’ll have ever played – including a massive Yorkshire homecoming gig at the Utilita Arena which will be a momentous show for our friends The Sheff to make the most of.
Discussing the new project, Taylor says: “Personally, you have to wait and one day you’ll get somewhere less painful. But the world will hopefully get somewhere less painful too. It’s about hope, perseverance and patience.”
As for those who’ve been lucky enough to get an premature listen of the album in full, the early reviews are looking seriosuly strong.
Described by The Guardian as “her best yet”, it features the likes of Nadine Shah, Moonchild Sanelly and Sue Tompkins from Life Without Buildings; Meatball and even Lancashire actor, Julie Hesmondhalgh, best known for playing Hayley Cropper in Coronation Street. Now that’s what we call a feature.
Self Esteem comes for a two massive nights at Manchester Academy on Saturday and Sunday, 27-28 September later this year.
Her previous raft of dates for A Complicated Woman Live – an ambitious quasi-theatrical experience of the album in person and on stage at The Duke of York’s in London – sold out in a flash, and you can expect plenty of that same production value when it comes to her upcoming concerts.
Fans get an exclusive pre-sale code for all UK and Ireland dates by pre-odering the album before 1pm GMT on Tuesday, 25 March 2025, and as for general admission, you’ll have to join the queue like the rest of us when they go live (still TBC).
In the meantime, you can join us in being as obsessed with her other recent release as we are:
Emily Sergeant -
26th June 2023 
