Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
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Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
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As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
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Hilary Duff announces massive Manchester gig on first world tour in nearly 20 years
Danny Jones
Noughties throwback, Hilary Duff, is continuing her contemporary comeback trail by announcing a brand-new world tour, including a massive arena gig right here in Manchester.
That’s right, Lizzie McGuire herself is returning to the UK with new music.
In all seriousness, child star Hilary Duff has gone on to have quite the career, but it feels like it’s been forever since we’ve had fresh music from her, which is why her next album and huge run of tour dates around the globe feels like such a big deal.
Ahead of her sixth studio release, lucky… or something, dropping this month, the American popstar has now confirmed nearly 50 upcoming dates in support of the record; she also still managed to give us a very Disney Channel reveal video.
Yes, heading out on the road across North America, Europe, the UK and Ireland, as well as Australia and New Zealand, Hilary Duff has announced a total of 47 gigs so far.
With no other live shows confirmed in mainland Europe yet, Great British and Irish fans can be glad of the five shows locked in for the UK leg.
Having said that, with the 38-year-old enjoying a real renaissance of late, we wouldn’t be surprised to see more added to the newly confirmed ‘lucky me’ tour.
As mentioned, with her latest LP scheduled to launch on 20 February, we got her most recent track just a few short weeks ago.
Following the lead single from the project, ‘Mature’ – also released this past November 2 – you can see the music video for her ‘Roommates’ down below.
The song is also produced by her husband, Matthew Koma.
This newest outing is the first Hilary Duff album in over a decade, following 2015’s Breathe In. Breathe Out; it’ll also be nearly two of them since her last world tour, having last played Manchester all the way back in 2007.
As for her shows, following a number of performances in late 2025 and this year already, she’ll be playing throughout the calendar and well into early 2027.
You can see the rest of the European tour dates thus far down below.
Hilary Duff UK and IE tour dates – September ’26
6 – Dublin, IE – 3Arena
8 – Cardiff, UK – Utilita Arena Cardiff
10 – London, UK – The O2
Thursday, 12 – Manchester, UK – AO Arena
13 – Glasgow, UK – OVO Hydro
For tickets to see her here in Manchester at the end of this summer, early access can be enjoyed by Three mobile members from 10am on Tuesday, 17 February, or via the venue’s own presale window from the same time next Thursday, 19 Feb.
As for general admission, tickets will then go live at 10 the following Friday (20 Feb), and you can get ready to grab yours HERE.
SING TO ME PAOLO! 🎤🛵💅
Superstar @HilaryDuff brings 'the lucky me tour' to Manchester!
Featured Images — Press shots (supplied via AO Arena)
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Gig Review | Mika shines at the AO Arena in Manchester on the first night of his world tour
Aimee Woodcock
Mika’s Manchester stop on his ‘Spinning Out’ global tour was a vibrant, high-energy celebration of all things pop.
Not happy with just walking on stage – this is Mika we’re talking about – he made his entrance on a spinning hamster wheel, bathing the AO Arena in kaleidoscopic lights.
Opening with ‘Modern Times’ and ‘Eleven’ from his latest discography before leaning into one of the classics, ‘Relax, Take it Easy’, the atmosphere inside the packed arena felt charged.
His stamina was something that stood out from the get-go, delivering every track with that signature Mika flair, accompanied by choreography and a live band that matched his energy – no mean feat.
The production leaned heavily into colour and movement, with swirling visuals and playful stage design that mirrored the tour’s theme of motion and momentum with nods to themes of LGBTQ+ rights.
Working through this current album, and after a quick outfit change, we were treated to an a cappella intro to another classic, ‘Lollipop’ with Mika dressed in a full pink suit (and shoes).
Between songs, Mika’s easy rapport with the crowd added warmth and intimacy to the arena-sized performance.
He shared anecdotes and playful banter, encouraging the crowd to sing along, uniting the fans.
Highlights included a rendition of ‘Grace Kelly’, which sparked one of the loudest reactions of the night, and a heartfelt performance of his more reflective ‘Happy Ending’ offered a welcome contrast to the glittering pop anthems.
Emily Sergeant -
26th June 2023 
