Matty Healy might be one of the biggest frontmen on the planet right now but he’s also one of the most controversial figures in the music industry too, as those watching Glastonbury found out after Rina Sawayama called him out live on stage in front of thousands.
The 32-year-old singer, actress and model was performing on the Woodsies on Saturday, 24 June, when she decided to dedicate her song ‘STFU!’ to The 1975 singer, songwriter and guitarist following a number of offensive remarks he made or was involved with on a recent US podcast episode.
Healy, 34, appeared on The Adam Friedland Show back in February, during which he made a series of comments that many labelled inappropriate and racist, such as watching a porn genre which degrades Black women as well as joining in speculating about rapper Ice Spice’s ethnicity and discussing her body.
The Wilmslow-bred musician also went on to laugh when the hosts mocked the artist with attempts at Chinese, Hawaiian and Japanese accents, to which Sawayama — who was born in Japan before moving to London as a child — responded by screaming “I’ve had enough!” to the Glastonbury crowd.
Rina Sawayama shames label-mate Matty Healy for his racist remarks live at Glastonbury.
As you can see in the clip below, the recent John Wick 4 star said, “I wrote this because I was sick and tired of these micro-aggressions. This goes out to a white man that watches ‘ghetto gaggers’ and mocks Asian people on a podcast.”
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She then went on to say, “He also owns my masters” — with Sawayama and The 1975 both belonging to Dirty Hit Records, of which Healy was creative director and is one of multiple shareholders — before adding defiantly, “I’ve had enough!” before being met with rapturous cheers and applause for the crowd.
It is worth noting that Healy’s role as a director has since ended in the time since the podcast controversy, with online records showing that his contract in that capacity was terminated after five years back in April, though it’s unclear if the decision is linked.
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Elsewhere in the podcast, Healy also suggested that Harry Styles of “queerbaiting” fans and also made jokes about women’s synchronising while on their periods, which also upset many people, fans or otherwise. Regarding his Ice Spice comments, he apologised on stage this past April.
Nevertheless, The 1975’s 2018 single ‘Sincerity is Scary’ seems fitting here, as many still feel that there wasn’t much genuine remorse in his apology, especially given his comments in an interview with The New Yorker a month later where he said, “it doesn’t actually matter.”
He went on multiple-award winning musician insisted, “Nobody is sitting there at night slumped at their computer, and their boyfriend comes over and goes, ‘What’s wrong, darling?’ and they go, ‘It’s just this thing with Matty Healy.’ That doesn’t happen.”
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He even went so far as to say, “If it does [offend people], you’re either deluded or you are, sorry, a liar. You’re either lying that you are hurt, or you’re a bit mental for being hurt. It’s just people going, ‘Oh, there’s a bad thing over there, let me get as close to it as possible so you can see how good I am.”
Neither Healy nor Dirty Hit are yet to issue a response following Rina Sawayama’s comments at Glastonbury but it’s certainly sparked quite the discussion online surrounding a public figure who is well-accustomed to being amongst the headlines for his antics, being on or off-stage.
'I'm not the biggest 1975 fan but he's absolutely mugged him off here'. 😂https://t.co/jx9S7zGXdy
Featured Image — Rina Sawayama/The 1975 (via Instagram)
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Liam Gallagher says he’s ‘ready’ to make a surprise appearance at the World Cup final
Danny Jones
Liam Gallagher has said that he is “ready” to play at the World Cup final should England make it all the way to the last two later this month.
He may have just been having some fun on social media as usual, but you never know – after all, we never actually thought we’d see him and his brother reconcile, but look how that turned out…
In his words, he may have “Irish blood”, but the Manchester-born Britpop and rock icon has an English heart, and after one person online said it’d only be right for him to fly out for the conclusive fixture if Thomas Tuchel’s side make it all the way, he gave a typically off-the-cuff response:
You could argue there’s not much in this besides an impromptu comment from a famously keyboard-happy lead singer, but stranger things have happened.
For instance, it may have come after a gradually increasing barrage of old tweets, pestering and a bit of positive peer pressure in full view of the public eye, but we did at long last get to witness an Oasis reunion with the ‘Live ’25’ world tour; however surreal it felt, it’s soon set to be relived in a documentary.
This reply comes as a response to LG’s initial post on X, in which he wrote: “It’s hard work that singing Harry Kane cmon ENGLAND cmon WONDERWALL.”
It also isn’t the only time he stoked the fire of this still only pie-in-the-sky idea, either, as after another user similarly asked if he’d fly out and sing it at the final, he simply responded, “Oh I’ll show Harry how it’s done.”
He’s not the only one to have made a rather big public proclamation this tournament, either.
The England and Man United legend set himself up for a fall.
As for the 53-year-old musician, he also jokingly quipped at the expense of those less keen on the idea with just as straightforward a clap-back: “Stop crying your heart out.”
Now, obviously, we’re taking this one with a big pinch of salt (enough to season ‘some lasagneee’, you could say), but who knows? There’s been plenty of big and strange showbiz stuff happening at this year’s competition in North America.
Maybe we all need to just keep tagging the Burnage boys, FIFA, England and the official World Cup page as much and hope for at least some kind of Oasis-centric surprise.
Come on, just imagine how much this would go OFF if even one of the Gallagher brothers was in the crowd, let alone this unthinkable hypothetical…
Kings of Leon at Co-op Live, Manchester – blinding in every way
Daisy Jackson
Will Kings of Leon ever lose their ability to sell out enormous arenas in the UK? Based on the cup-slinging, sat-on-shoulders, full-pelt-singing crowd that rushed the Co-op Live on Saturday night – nope.
The American rockers are back out on a short tour, but rather than plugging a new album, this feels like a greatest hits, remember-how-good-we-are-live tour.
It’s a setlist that will please those of us who loved their twangier, garage-rock earlier albums, Youth & Young Manhood and Aha Shake Heartbreak, with live highlights including The Bucket, Molly’s Chambers, Four Kicks, and King of The Rodeo (my personal favourite).
But there’s plenty of their more recent, stadium-worthy rock anthems thrown in too, like the inescapable Sex On Fire. Love it loathe it, you can’t deny its impact when played in a venue of adoring fans.
Kings of Leon arrived in Manchester on 4 July, and dress for the occasion. Jared Followill strolls on stage in a faded, cropped Stars and Stripes tee. Caleb Followill opts for double denim. Nathan Followill is behind the kit in a ‘wife-beater’ vest.
They look every bit the all-American rock band. They must stick out like sore thumbs wandering around the UK between tour dates.
Less impressive is the slightly maddening stage design. The band spend much of the night silhouetted against enormous banks of blinding lights. If you’re looking straight at the stage, it’s like staring directly into the sun for two hours, or accidentally walking into a scrum of paparazzi just as Taylor Swift arrives. Once you accept that you’ll spend the evening partially blinded, though, there’s very little to fault.
Musically, they’re immaculate. Every song sounds as polished as the record, but never sterile. They make it all look absurdly easy, which is hardly surprising given they’ve been playing together for more than 25 years.
Nathan’s especially nonchalant – in the middle of intricate drum fills, he’s chewing bubble gum as if he’s waiting for a bus rather than holding together one of rock’s biggest bands.
There’s an instinctive chemistry between the Followill family members that’s impossible to manufacture. Unlike the Gallagher brothers, who always seem on the verge of putting each other in a headlock, Kings of Leon perform with complete harmony. Every glance and transition feels effortless, the product of decades spent sharing stages together.
The band have been changing their setlist throughout the tour, but nobody expected a heartfelt rendition of America The Beautiful. Unsurprisingly, it’s the only song of the night the British crowd doesn’t sing along to, and it even draws a few boos before the band move swiftly on.
There are reminders throughout of where they came from. Caleb’s unmistakable Tennessee drawl still gives the songs that loose, bluesy Southern character that first set them apart, even as arenas sing every word back to them. During ‘Use Somebody’, he happily hands the chorus over to the crowd with a simple, “Alright, you sing it then,” barely needing to touch the microphone.
When the set finally ends, the band don’t rush off. They linger on stage, tossing guitar picks and sweat-soaked handkerchiefs into the crowd, waving from every corner of the stage and soaking it all in with broad smiles.
After all these years, they still look genuinely grateful to be there. For a band who’ve been doing this for more than two decades, it’s reassuring to see the novelty hasn’t worn off.
Danny Jones -
26th June 2023 
