The Cure frontman and songwriter Robert Smith has called out Ticketmaster over their ridiculous prices and admin fees, which are pricing music lovers out of being able to see their favourite bands.
It was only on Wednesday that he criticised the ticket operator’s ‘Platinum’ tier, labelling it a “greedy scam” and now following news of fans being hit with extortionate admin fees and additional charges, Smith said he has been left “sickened” by the whole “debacle”.
Taking to Twitter in response to countless fans sharing their scandalous experiences, the 63-year-old insisted “I am sickened as you all are… To be clear: the artist has no way to limit them.”
Having arisen from the band’s decision to use Ticketmaster‘s ‘Verified Fan’ system in an effort to combat scalpers and ticket touting, Smith went on to insist he has asked for justification and that he will keep people posted if gets any serious updates.
As mentioned, The Cure opted to use the new system to help combat the increasingly obstructive scalping culture pervading live music and hopefully help more fans get their hands on tickets.
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However, the unfortunate result of this system is that instead of people having to resort to buying them for resellers at a massively marked-up price, the original face value of tickets is just being hugely inflated by the company’s ‘facility charges’, ‘service’ and ‘ordering processing fees’.
Countless Cure fans have since jumped on social media to complain about the cost of their tickets on their current US tour dates, despite the band having intentionally set the price to just $20 following long-running frustrations over gig-goers either missing out or being priced out.
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In some cases, the original ticket has more than doubled as a result of Ticketmaster’s fees.
Ticketmaster has come under fire quite regularly of late for unpopular business practices like these, facing multiple lawsuits and even a Senate hearing in America over “unprecedented” claims of fraud that forced legitimate ticket holders to be banned from a Bad Bunny concert in Mexico City.
Having merged with Live Nation back in 2010, the parent organisation was hit with an “antitrust investigation” by the US Justice Department for potential abuse of power. In 2019 they were found to have repeatedly violated a 10-year decree to refrain from ‘monopolistic practices’ and famously went on to be wrapped up in the Astroworld Tragedy.
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The Blackpool-born rock legend has now confirmed that resale company “StubHub has pulled listings in all markets except [New York], Chicago, Denver (i.e. sites that have laws protecting scalpers)”, going on to add that like with premium tiers, if people didn’t buy from scalpers these issues wouldn’t arise.
It goes without saying that music for is everyone — it shouldn’t be a case of people having to take make themselves skint to listen to their favourite artist.
Featured Image — Robert Smith (via Instagram)/NME (via YouTube)
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Popular grassroots music festival to return to hidden Manchester street with new fringe events
Emily Sergeant
Manchester’s much-loved grassroots music festival is back next month, and this year, there’s some new fringe events too.
Set across a handful of popular venues up on Deansgate Mews – including The Lion’s Den, Low Four Studios and The Mews Bar – Deansgate Mews Festival is returning for its sixth year this late May bank holiday weekend.
More than 40 music artists will be performing on a mix of outdoor and intimate indoor stages.
But that’s not all, as in what’s set to be an exciting new chapter for 2026, the festival is expanding beyond its core programme with the launch of the first-ever Mews Fest Fringe too.
Popular grassroots music festival Mews Fest returns this late May bank holiday / Credit: Supplied
The inaugural Mews Fest Fringe will be hosted in a large unit within Great Northern Warehouse, which will be transformed into a ‘vibrant’ hub celebrating music, art and independent culture.
Designed as a platform for Manchester’s creative community, the festival space will welcome artists, designers, collectors, and creative entrepreneurs to showcase and sell their work while connecting with festival-goers.
At the Fringe event, you can expect everything from record sellers and vinyl collectors, to vintage clothes, arts and crafts makers, independent creatives, and even bands selling merchandise.
This year there’s also the addition of the Mews Fest Fringe / Credit: Supplied
Already known for its strong grassroots ethos and growing reputation, Mews Fest continues to champion local talent and independent culture – but now with the addition of the Fringe event, the stage is set for its most ‘ambitious and inclusive’ edition to date.
Oh and the best bit? Both festivals will be free to attend, with no need to book tickets beforehand.
Mews Fest and Mews Fest Fringe will take over Deansgate Mews next month on late May bank holiday weekend from Friday 22 – Monday 26 May.
Featured Image – Supplied
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Fans stunned as indie band The Reytons announce Co-op Live gig
Daisy Jackson
The Reytons have just announced their biggest shows to date – and fans can’t quite believe the size of venue they’ve gone for in Manchester.
The indie group will be playing at Co-op Live later this year as part of their very first world tour.
It’s comfortably the biggest indoor music venue in the UK, and will be the largest gig on the entire tour, which also includes shows at Alexandra Palace, plus venues across North America, Europe, Asia and Australia.
The Reytons have most recently been out touring with a headline slot at Tramlines Festival in Sheffield, as well as pulling Gary Neville up to play with them on stage.
The Rotheram-formed group recently announced their fourth studio album ‘A Love Letter To A Broken Town’ – due for release in July.
Frontman Jonny Yerrell said: “I honestly feel like this album is the best we’ve ever done!
“A lot of bands and artists like to change direction later in their careers, but that’s just not us. We absolutely love the style of music we make, the social commentary aspects and the people who turn up to jump around with us. Why would we change?
“Expect more, just bigger and better with a few surprises on the side!”
This latest announcement for The Reytons sees them booking an incredibly ambitious jump in venue size – the 23,500 capacity Co-op Live, compared to last year’s 5,000 capacity Aviva Studios.
And now a load of fans are bickering online about whether they’ll be able to sell it out, with one person writing: “Everyone said they wouldnt sell out sheffield arena, clifton park, tramlines or wembley arena… they sold out all 4. I know 3 are local shows but people will travel to see them as well as proven by the Wembley gig.”
Another said: “People will follow them, doesn’t matter where they go. When it sell out, ill make sure to come let you know.”
Even their own press release described it as an ‘against all odds’ rise to success, describing the band as ‘UK music’s biggest underdogs’.
Tickets for The Reytons world tour, including their Co-op Live gig in Manchester, will go on sale at 10am on Friday 24 April HERE.