Sacha Lord announces grand return of United We Stream for four Christmas shows
Starting on ‘Mad Friday’ (December 18) United We Stream will party right on through the Christmas holidays - with shows on December 19, Boxing Day and New Year’s Eve.
Manchester’s acclaimed United We Stream GM platform is returning to action this winter to raise local spirits just in time for Christmas.
In support of Andy Burnham’s new oneGM initiative, the city’s Night Time Economy Adviser Sacha Lord is planning some festive, feel-good shows to give the region’s residents “a break from the boredom”.
Starting on ‘Mad Friday’ (December 18) United We Stream will party right on through the Christmas holidays – with shows on December 19, Boxing Day and New Year’s Eve.
Proceeds raised will go towards the OneGM campaign – getting vital resources to people who require them most.
One reason organisers opted to reboot United We Stream was to give residents some much-needed joy around the holidays – but most importantly of all, they wanted to raise awareness of, and funds for, people struggling during the pandemic.
ADVERTISEMENT
The Greater Manchester Mental Health Foundation’s helpline received 2,168 calls in July compared with 1,187 in April, as coronavirus continues to take its toll on mental health throughout the region.
OneGM is aiming to turn the tide – and funds raised via United We Stream’s Christmas programme will go to this worthy cause.
ADVERTISEMENT
Lord explained: “Greater Manchester is the most resilient city region in the UK. When we are up against it, we come together to look after those most in need.
“Last week, our Mayor, Andy Burnham launched oneGM, a campaign to look after many people who need it right now. The next morning, he called me to see if I could persuade the original United We Stream team to get back together and support the campaign.
“Without hesitation, the whole team said yes. We’ve programmed 4 huge festive parties, including what will undoubtedly be the biggest NYE party in the UK. So many of us want put 2020 truly behind us, and we totally understand that for many, their mental wellbeing is at tipping point and that the holidays could be a very lonely and bleak time.”
ADVERTISEMENT
He continued: “We hope that these shows will allow you a bit of escapism for a few hours. As always, United We Stream will be completely free to watch, and I know for many that money is very tight, but if you can spare a pound or two, that would be great, and your donation will go straight to oneGM.”
United We Stream GM was launched in response to the first UK lockdown and began on April 3.
The project wrapped up 12 weeks later after raising £477,000 for 12 different good causes and local charities, with 35 fundraising events broadcast to 14.5 million people over three months.
People around the world will be able to watch the Christmas streams via the website’s event page, www.unitedwestream.co.uk, as well as via Facebook, Twitter and You Tube accounts.
The festive shows be will be produced by Parklife Festival founder Sacha with a team from Greater Manchester Combined Authority (GMCA) culture department, Badger & Combes production company and L.G. Publicity.
ADVERTISEMENT
The production team won two Prolific North awards in the summer for United We Stream: 2020 Digital Campaign of the Year and 2020 Broadcasting Programme of the Year.
A highlights reel from the first series of United We Stream can be viewed online.
Audio
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Audio
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.