Legendary blues band, The Black Keys, are heading back to Manchester next year, set to play Castlefield Bowl for the very first time. This one’s a biggie.
As the latest headliner announced for Sound of the City 2025, the soulful Ohio rock and alternative duo are returning to 0161 for the third year running, having swapped the AO Arena for Co-op Live this past May, but now they’re set to tick another huge Manc venue off their list.
Confirmed amongst plenty of other big music news released on Monday, 2 December, The Black Keys will be heading to the Bowl as part of a new UK and European tour, with many of the dates including festival slots all over the continent.
While Manchester’s annual outdoor festival has seen some big names in the past, getting an act that boasts this kind of prestige and influence is a huge coup for Sound of the City (SOTC), the lineup for which already looks pretty stacked as it is.
Legendary rock duo @theblackkeys have just announced a run of outdoor headline shows across July 2025 🕺
The Black Keys released their 12th studio album, Ohio Players, back in April: a record heavily inspired by the vibe of band members Dan Auerbach and Patrick Carney’s ongoing ‘record hang’ parties, which have become just as big a deal as their live shows themselves.
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Hailed by Rolling Stone, who wrote, “Whether they set their retro-rock wayback machine to Memphis in the Sixties, the Midwest in the Seventies, or Manchester, England, and L.A. in the Nineties, it all flows together like a beautifully paced DJ set”, their latest here took place at YES over on Charles Street.
The album itself – met with vast critical acclaim (including Audio North‘s humble opinion) – was re-released as an expanded Trophy Edition on 15 November and features collaborations with everyone from our very own Noel Gallagher to Beck, Greg Kurstin, Juicy J and more, earning another Grammy nod too.
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Even more excitingly, their latest collab on tour will see the mighty Miles Kane join them on the road for all three UK dates, meaning Castlefield Bowl will welcome the Birkenhead-born solo artists and Last Shadow Puppets star too. What a billing that is.
The other two shows held here on British shores will be at Alexandra Palace Park in the capital and over at Millenium Square as part of Leeds’ Sound of the City lineup for next year.
With a new music video for their latest single ‘Sin City’ having just debuted too, it’s well and truly going to be a Black Keys-heavy day on the office playlist.
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General admission goes live this Friday, 6 December at 9am but fans can also get exclusive presale access which will begin at the same time on Wednesday morning (4 Nov).
You can get ready to grab your tickets to see The Black Keys at Castlefield Bowl and what will no doubt be one of the biggest shows of the summer on HERE – we’ll see you there.
Meanwhile, Manchester’s month-long music series over at its iconic amphitheatre just keeps getting better, with a whole host of UK and global favourites now confirmed for SOTC 2025.
Featured Images — Larry Niehues/Press Image (supplied)/The Manc Group
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
2nd December 2024 
