Thirty-something years after they first met at the University of Manchester, Ed Simons and Tom Rowlands, better known by their legendary electronic alias, The Chemical Brothers, returned to where it all began to kick off the Halloween weekend at the AO Arena.
Spending their formative years in the midst of the ‘Madchester‘scene, the globally renowned group got the ball rolling on their DJ career by showcasing their skills and enthusiasm for acid house and techno at house parties across the city and former club nights like Naked Under Leather at the long since closed Old Steam Brewery on Oxford Road.
For the pair of precocious producers, it was their uni days when they reached their music maturity; fast forward 30 years and here we are: ten studio albums and six Grammy Awards later, waiting for them to emerge from the smoke in a venue with equally iconic status.
With the arena floor filled from back to front and fans packed shoulder to shoulder across both tiers, the big-beat dance duo launched into a sensational set with two of their biggest hits, ‘Go’ and ‘Do It Again‘, signalling to the crowd that there’s been no slowing down even after all these years.
The Chemical Brothers made their Manchester homecoming gig at the AO Arena one to remember (Credit: The Manc Group)
In typical Chemical Brothers style, the visuals accompanying the music helped create a fully immersive audio-visual experience and almost alternate reality — at least for a couple of hours, anyway.
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With Japanese-inspired dancing figures, painted ominous faces and mesmerising artwork splashed across gigantic screens, lasers flying across the audience and disco balls sending blinding beams of light in every direction, there was mind-bending pageantry with every track.
Stopping halfway through their practically pulverizing set, the superstar DJs turn up the lights and raise their hands in worship of the loyal fan base they’ve built over the past three decades.
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The former Glastonbury headliners went on to showcase some material from their new album, For That Beautiful Feeling, seamlessly blending new and old tracks and reinforcing the fact that regardless of age or the electronic scene looking very different these days, they are still well and truly at the very top of their game.
WARNING: FLASHING LIGHTS — and lots of them.
A massive room full of ravers celebrating one of the best to ever do it.
After grooving their way through two hours of psychedelic visuals, deafening bass and plenty of reverb, 28,000 sore eardrums made their way to the exit already wondering when The Chemical Brothers will make their next homecoming appearance.
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One thing’s for sure, you’ll find us first in line next time they do.
If you ever wanted to learn more about how these two legends of the genre got their start and how Manchester served as their proving ground all the way back at the beginning, you can check our recent interview with Ed Simons himself, who made it apparent just how much love they still have for this city.
And last but not least, be sure to keep up to date with all the latest Manchester music news over on The Manc Audio.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
The Manc Audio -
28th October 2023 
