For fans of old-school indie and noughties contemporary rock, you do not want to miss the one because The Enemy are not just back making music but they’re heading out on a pretty big UK tour and, of course, they’ll be stopping right here in Manchester.
The Enemy first reformed back in 2022 for a limited run of shows, but it turns out the Coventry-formed trio were satisfied with a one-off reunion and a fifth studio album officially being worked on, the fierce Brit rock throwbacks have announced a series of pretty large UK tour dates.
Following on from some hugely successful comeback performances at TRNSMT, Isle Of Wightand a headline slot at Godiva Festival 2023, not to mention the instantly hit ‘Indie Til I Die’ shows last year – including an absolute stormer at Victoria Warehouse – they returning for more.
One of the few bands to make their way back to the live music circuit fully intact, with all three members still performing together, nothing has changed other than a few more grey hairs.
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If you weren’t there at the outset, The Enemy’s debut LP We’ll Live And Die In These Towns (2007) was one of the most seminal domestic releases of its time, with songs like ‘You’re Not Alone’ going on to become indie anthems of the era.
To be honest, we’d argue their sophomore outing Music For The People just two years later is the better album, with tracks such as ‘Be Somebody’, ‘Elephant Song’ and ‘No Time for Tears’ still in plenty of our playlists to this day – but, you know, each to their own.
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The point is, we’re very glad these lads are back and having played with everyone from Oasis and The Killers to even The Rolling Stones, we’d wager lots of other music lovers are too.
Set to play New Century Hall in Manchester as well as the legendary Leadmill in Sheffield, Beckett Students’ Union in Leeds, Rock City in Nottingham and more, it’s going to be a big tour.
We're absolutely buzzing to be back on tour & in some of our all time favourite venues.
We'll be trying out new material for the first time in years ahead of the new album we're making, we're all really excited to try some new tunes and see what you think whilst we finish it!
Frontman Tom Clarke, who has put out two solo records of his own in past years, said of the announcement: “We’ve been working long days in the studio recording new material, so we’re really excited to get out on the road again.
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“The plan is to experiment with some of the new tunes, maybe different ones on different shows to see how the crowds react and which ones connect with fans, and let that guide the track listing on the record which is nearing completion.”
Co-songwriter and bass player, Andy Hopkins, added: talking about the upcoming tour: “My favourite part of being in a band is having those nights with the fans where the atmosphere is electric – I think this tour is going to be really special for the 3 of us.
“It’ll be the first time we’ve been back to some of these cities in a long time, in venues we absolutely love and have been really important to us on the way up – Electric Ballroom was the first venue we ever played in London supporting The Fratellis, I drove us there with all the amps & guitars in my Fiesta!”
The Enemy come to New Century, one of our favourite live music venues in all of Greater Manchester, on Saturday, 1 November.
Pre-sale has already been snapped up in the blink of an eye, which is no surprise whatsoever, but general admission will go live from 10am this Friday, 28 February.
Featured Images — Emilie Cotterill (supplied)/Audio North
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
So when he saunters straight through the crowd to his smaller stage to mix tracks solo, flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
26th February 2025 
