Noel Gallagher is not only one of the greatest songwriters of a generation, but perhaps one of Britain’s best-ever; he’s certainly in the top five of all time from Greater Manchester, but did you know how the story behind how one of his best (you heard) songs, ‘Dead In The Water’ came to be?
Or rather, do you know how one little radio performance produced one of his best vocal performances to date? Keep reading…
In case you’ve never heard the haunting ‘Dead In The Water’, taken from Noel Gallagher’s High Flying Birds LP three, Who Built The Moon?, it is very much just that: an almost ghostly and preciously quiet, acoustic song that became a cult favourite on the LP and even more beloved live track.
But this tune was never even supposed to be on the album; the deep cut, which was only ever played live a few times during concerts prior to its being released to the world, was taken from a radio show on Irish station RTÉ 2FM – and Noel didn’t even know it was being recorded.
Played during 2015, and it barely even needed ‘mastering’ before being released in 2017.
As explained by RTÉ’s Damian Chennells, Noel was promoting the previous album, Chasing Yesterday (his sophomore HFB outing and just second solo album up to that point), and during the session in the studio, Damian decided to hit record on an otherwise behind-the-scenes moment.
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You can actually hear him going back and forth with the sound engineer at the start of the track – one he’d only just finished writing the night before – before he actually starts playing and the rest, as they say, is history.
We love the notion that the piano player didn’t even know what he was doing until Noel started playing.
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Taped and ultimately tracked thanks to a spur-of-the-moment decision made in 2FM Studio 8 at the national free-to-air network’s radio centre in Dublin, Oasis and High Flying Birds fans, as well as lovers of Noel and music in general, got one of the most beautiful stripped-back listening experiences imaginable.
Returning to Ireland some time later, and just four years prior to getting Oasis back together for the Live ’25 world tour show that is now well underway, he performed it once again for The Late Late Show, which goes out on RTÉ One and RTÉ Player.
Some might argue he sounds even better this time around, but just as he says in the interview above, there is something truly special and unfiltered about that first raw and ridiculously good live recording.
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From 2015 to 2021, and even present day, the story behind the original ‘Dead in the Water’ recording is fascinating.
Many have even speculated that the chatter recorded at the start and played to crowds on just a handful of occasions may have even foreshadowed the eventual reunion, as it seems to feature discussion surrounding Liam
The radio tech himself said in the recent retrospective interview of his own, he felt in the moment that “this song is an Oasis B-side” and was the only one played on the day that could easily slip onto one of their records.
As for Who Built The Moon?, a.k.a. HFB3, the album never featured ever B-sides of its own; instead, it just had one extra bonus track right at the very end of the 48:46 run-time – ‘Dead in the Water (live at RTÉ 2FM Studios, Dublin)’.
So there you have it: one of Noel’s most emotional, in-the-zone/lost-in-the-moment vocal performances in history, and one that so many still rate right up there with his very bits of music, may never have been if it wasn’t for ‘Damo’. So thanks, mate, I guess…
Are there any other tracks like ‘Dead in the Water’ where you love the back-story almost as much as the song itself? Bonus points if they’re by Greater Manchester artists.
Manchester institution ‘a little emotional’ after receiving a visit from rock icon Hayley Williams
Daisy Jackson
Rock icon Hayley Williams has been spotted shopping at Manchester institution Afflecks.
The legendary independent retail emporium said it was ‘feeling a little emotional’ after its halls were graced with rock royalty.
And not only did the Paramore frontwoman and acclaimed solo singer-songwriter come for a browse, she even gave Afflecks a shout-out on stage later that night.
Hayley Williams headlined two solo shows at Manchester Academy on Monday and Tuesday this week.
The shows are in support of her third studio album, Ego Death at a Bachelorette Party.
And despite being known globally as one of music’s best lead vocalists, this is actually Hayley Williams’ first solo tour (her previous dates were cancelled because of Covid).
While on stage in front of fans last night, she said: “I’ve learnt some Mancunian, and I’ve been to Afflecks!”
It sounds like she’s as lovely as she is legendary, with Afflecks saying that the star hung around to chat and take photos.
Sharing photos of the star inside the building, Afflecks wrote: “So a very special visitor stopped by Afflecks yesterday…
“A huge thank you to Hayley Williams for taking the time to visit us, say hello, and pose for a photo. She was so super lovely, kind, and welcoming, and to top it all off she even gave Afflecks a shout-out during last night’s show.
“Safe to say we’re feeling a little emotional about it. Thank you again Hayley for supporting Manchester’s small businesses.”
Secret stages, surprise sets and non-stop sunshine – here’s what went down at Parklife 2026
Clementine Hall
Parklife 2026 has officially wrapped up, and dare we say it might have been the best one yet?
Well, that’s it folks. One of the biggest weekends on Manchester’s musical calendar has been ticked off, and what a time we had.
The rolling hills of Heaton Park welcomed thousands of ravers who two-stepped from the moment the gates opened until the final vibrations echoed from the speakers.
So, while we nurse our sore feet and slap on the aftersun, let’s reflect on Parklife 2026 and catch you up on what you might have missed.
Images: The Manc Group
For once, the weather actually delivered.
Blue skies and glorious sunshine stuck around all weekend, giving festival-goers the perfect excuse to stay out from open to close and making Heaton Park look more like Ibiza than north Manchester. We’re exaggerating, of course, but you get the picture.
While headline sets from pop princess Zara Larsson and grime MC Skepta drew huge crowds, some of the biggest moments happened away from the main stages.
Images: The Manc Group
After all, when else can you watch Manc icon Bez DJing on a rooftop at a secret garden party? It truly was a sight to behold.
The festival introduced three brand-new secret stages this year, which we think were a fantastic addition. Our favourite was the Bossmans Tent – an exclusive stage hidden behind the facade of a corner shop, where festival-goers had to enter through a fridge to discover the music inside.
Of course, it wouldn’t be a festival without a few cheeky surprise sets thrown into the mix. Enter Aitch.
At this point, the Manchester rapper is basically a Parklife resident, popping up each year to surprise crowds with a song or two. This year, our hometown hero joined Bou on stage, sending fans into a complete and utter meltdown.
Images: The Manc Group
The city was also well represented through a number of stage takeovers across the weekend. Ghosts of Garage, the Manchester-born brand that has built a loyal following across the region, brought together a host of local DJs on Sunday for a takeover that felt like a celebration of the city’s thriving dance music scene.
One of the most anticipated additions for 2026, the new Panorama stage was a real standout. Featuring a belting 100m LED screen, huge dance platforms and behind-the-booth access, there wasn’t a quiet moment there all weekend – and it’s not hard to see why.
Sheffield DJ Silva Bumpa drew one of the busiest crowds of the weekend at Panorama, creating relentless energy from start to finish. Fans were packed shoulder-to-shoulder as one of the UK’s fastest-rising names delivered a set worthy of all the hype.
Danny Jones -
3rd September 2025 
