Noel Gallagher is not only one of the greatest songwriters of a generation, but perhaps one of Britain’s best-ever; he’s certainly in the top five of all time from Greater Manchester, but did you know how the story behind how one of his best (you heard) songs, ‘Dead In The Water’ came to be?
Or rather, do you know how one little radio performance produced one of his best vocal performances to date? Keep reading…
In case you’ve never heard the haunting ‘Dead In The Water’, taken from Noel Gallagher’s High Flying Birds LP three, Who Built The Moon?, it is very much just that: an almost ghostly and preciously quiet, acoustic song that became a cult favourite on the LP and even more beloved live track.
But this tune was never even supposed to be on the album; the deep cut, which was only ever played live a few times during concerts prior to its being released to the world, was taken from a radio show on Irish station RTÉ 2FM – and Noel didn’t even know it was being recorded.
Played during 2015, and it barely even needed ‘mastering’ before being released in 2017.
As explained by RTÉ’s Damian Chennells, Noel was promoting the previous album, Chasing Yesterday (his sophomore HFB outing and just second solo album up to that point), and during the session in the studio, Damian decided to hit record on an otherwise behind-the-scenes moment.
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You can actually hear him going back and forth with the sound engineer at the start of the track – one he’d only just finished writing the night before – before he actually starts playing and the rest, as they say, is history.
We love the notion that the piano player didn’t even know what he was doing until Noel started playing.
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Taped and ultimately tracked thanks to a spur-of-the-moment decision made in 2FM Studio 8 at the national free-to-air network’s radio centre in Dublin, Oasis and High Flying Birds fans, as well as lovers of Noel and music in general, got one of the most beautiful stripped-back listening experiences imaginable.
Returning to Ireland some time later, and just four years prior to getting Oasis back together for the Live ’25 world tour show that is now well underway, he performed it once again for The Late Late Show, which goes out on RTÉ One and RTÉ Player.
Some might argue he sounds even better this time around, but just as he says in the interview above, there is something truly special and unfiltered about that first raw and ridiculously good live recording.
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From 2015 to 2021, and even present day, the story behind the original ‘Dead in the Water’ recording is fascinating.
Many have even speculated that the chatter recorded at the start and played to crowds on just a handful of occasions may have even foreshadowed the eventual reunion, as it seems to feature discussion surrounding Liam
The radio tech himself said in the recent retrospective interview of his own, he felt in the moment that “this song is an Oasis B-side” and was the only one played on the day that could easily slip onto one of their records.
As for Who Built The Moon?, a.k.a. HFB3, the album never featured ever B-sides of its own; instead, it just had one extra bonus track right at the very end of the 48:46 run-time – ‘Dead in the Water (live at RTÉ 2FM Studios, Dublin)’.
So there you have it: one of Noel’s most emotional, in-the-zone/lost-in-the-moment vocal performances in history, and one that so many still rate right up there with his very bits of music, may never have been if it wasn’t for ‘Damo’. So thanks, mate, I guess…
Are there any other tracks like ‘Dead in the Water’ where you love the back-story almost as much as the song itself? Bonus points if they’re by Greater Manchester artists.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
3rd September 2025 
