The Warehouse Project has announced details of its opening season party this autumn, with brand new stages and a headline performance from Jungle.
And the iconic clubbing series will expand beyond the walls of Depot Mayfield this year, also taking over spaces at the Star & Garter pub, Temperance Street, the Plant Room at Freight Island, and the roof above the venue.
The opening party for The Warehouse Project 2024 season – known as Repercussion – will be headlined by Bonobo and Jungle, along with a massive bill of other talent from the electronic, house and techno worlds.
The day-to-night party takes over three rooms at the enormous building near Manchester Piccadilly, Depot, Concourse and Archive within Depot Mayfield, and will kick off the months-long programme of music that draws hundreds of thousands to the venue.
Set to take place on Saturday 14 September, Repercussion will welcome master of electronic Bonobo, fresh off his Outlier showcase at The Warehouse Project’s first ever Australia edition.
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Then British dance project Jungle will round off their enormous world tour at WHP, a couple of months after they’ll headline Sounds of the City at Castlefield Bowl.
The line-up for Warehouse Project’s main stage, Depot, also includes Peruvian DJ, producer and vocalist Sofia Kourtesis; DJ Seinfeld who is known for his sweeping emotive cuts and creative samples; the emerging Austrian-born, Manchester-based salute with an upcoming debut album via Ninja Tune; alongside the mysterious act that has burst onto the jazz-house scene berlioz (DJ); NTS radio host Tarzsa and Mancunian Rich Reason.
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Credit: Sophia J CareyCredit: Graham Joy PhotographyWarehouse Project has announced its 2024 opening party, with a headline performance from Jungle.
The unique 360° booth at Concourse is set to welcome a blend of cross-genre sets, curated by Honey Dijon.
The line-up features Major League DJz who has been referred to as “amapiano’s global ambassadors” by DJ Mag; DESIREE with her soulful cuts and deep African infused house; and Josh Caffé who has crafted an assured reputation in the underground house and techno scene.
All alongside Rhythm Section’s founder Bradley Zero, Parisian DJ/Producer and multi-instrumentalist Chloé Caillet, and The Warehouse Project’s longest-standing resident, Krysko.
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Under the archway at Archive, the city’s music venue YES takes over the stage to celebrate contemporary UK club music.
Manchester’s very own Anz is set to lead the way, alongside sets from some of underground heroes Hamdi, Bakey, Love Remain, Aletha, Tañ, and Jim Bane.
Brand new for this year at Warehouse Project will be the On The Roof stage, a loft space with rare views of the Manchester skyline from the rooftop.
Warehouse Project 2023. Credit: Supplied
The intimate space will welcome a set up hosted by Luke Una presents É Soul Cultura, who will be DJing alongside the likes of deep house pioneer Chez Damier, Chilean artist Paula Tape who returns after her Boiler Room set at Repercussion 2022 and Manchester’s own rising star, DJ and Producer, Joey T.
Luke Una’s curation for É Soul Cultura has became one of Manchester’s staple parties in recent years, throwing in an all-welcome attitude and bringing in the free party spirit into the scene.
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Extending the stage to adjoining Temperance Street, Manchester-based party collective Habitat will present their biggest street party with Dutch artist Jarreau Vandal headlining alongside JAEL and Taylah Elaine, plus Habitat residents Yung_omz, AK Gramm, Tone Rarri, and all hosted by one of Manchester’s favourite presenters Faro.
Manchester’s legendary music pub venue, Star & Garter, is set to play host to the city’s newest online community radio station Crop Radio, with a line-up of grassroots acts from in and around Manchester.
Also participating at Repercussion, the Plant Room at Freight Island is another celebration of the expansive local underground heroes. With acts from SNO, Mikey D.O.N, Levi Love, Me Gusta Collective, Sam Redmore & Joe Motion, and Shimrise.
Pre-sale ticket sales go live on Thursday 30 May from 10am.
General ticket sales go live on Friday 31 May from 10am.
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
29th May 2024 
