In a coup for the city’s clubbing scene, a huge venue in Manchester has been shortlisted as one of the best of its kind in the UK by this year’s DJ Mag awards.
Depot Mayfield, the home of Manchester’s infamous party series The Warehouse Project, is the only club in the north of England to make the shortlist – sitting alongside London venues Fabric, KOKO and Printworks, and Glasgow nightclub SWG3.
First opened in 2019, the 10,000 capacity venue has been home to some huge events – including MIF and Skepta’s mind-blowing futurist rave DYSTOPIA987 and Manchester Pride’s inaugural music event Pride Live, as well as innumerable shows for WHP over the past few years.
With three separate stages – Depot, Concourse and Archive – it has been home to an eclectic run of Warehouse Project shows, attracting ravers and gig-goers of all musical persuasions.
Image: WHP MCR
Image: WHP MCR
Now it has been recognised as one of the best large venues in the UK as part of the annual DJ Mag awards, widely considered to be one of (if not the) biggest authorities on the UK dance music scene.
ADVERTISEMENT
The award ceremony takes place this December 15 in London’s The Steel Yard, in what is the first IRL award show since the Covid-19 pandemic lockdowns of 2020 and 2021.
This year marks the 16th edition of the awards, an annual celebration of UK talent. Positioned as a counter-balance to the global Top 100 DJs poll, DJ Mag’s Best Of British awards are a chance to shine a spotlight on the homegrown talent that continues to place the UK scene at the forefront of electronic music.
The 2022 nominations are split across 22 categories, and the awards show in December will also see the return of three editorial choice categories, Outstanding Contribution, Innovation & Excellence and Game Changer.
Also shortlisted in this year’s awards is Manchester’s ‘Baddest of them all’ producer and DJ Interplanetary Criminal, whose BOTA remix with Eliza Rose went viral this year and hit number one in the UK singles charts this September.
Interplanetary Criminal is up for two awards this year – Best Producer and Best Track – showing that Manchester is still at the forefront of the UK music scene, decades after its Hacienda heydays.
You can see the full list of DJ Mag’s 2022 awards and nominations below.
Best DJ
Anz Djrum Palms Trax Patrick Topping Tiffany Calver
Congo Natty Dance System Interplanetary Criminal Loraine James M1onthebeat
ADVERTISEMENT
Breakthrough Producer
Breaka CeeBeaats Meg Ward Nia Archives Soul Mass Transit System
Best MC/Vocalist
Bandokay MC Chickaboo Ivorian Doll Knucks Novelist
Breakthrough MC/Vocalist
ADVERTISEMENT
Bemz Chinx (OS) Iceboy Violet Jim Legxacy ShaSimone
Best Label
AD 93 ec2a Phantasy Sound Trick XL Recordings
Breakthrough Label
All Centre Over/Shadow Pretty Weird Sondela Recordings Time Is Now [Shall Not Fade]
ADVERTISEMENT
Best Album
DJ Q ‘Est. 2003’ [Local Action] Hagan ‘Textures’ [Python Syndicate] Hudson Mohawke ‘Cry Sugar’ [Warp] Kelly Lee Owens ‘LP.8’ [Smalltown Supersound] TSHA ‘Capricorn Sun’ [Ninja Tune]
Best Compilation
PinkPantheress ‘to hell with it (Remixes)’ [Parlophone] V/A ”Club Entry’ Vol. 1′ [Borne Fruits] V/A ‘Hospital Mixtape: Lens’ [Hospital Records] V/A ‘Luke Una Presents É Soul Cultura’ [Mr Bongo] V/A ‘Touching Bass presents: Soon Come’ [Touching Bass]
Best Track
ADVERTISEMENT
Eliza Rose & Interplanetary Criminal ‘B.O.T.A. (Baddest Of Them All)’ [Warner Records x One House] Hamdi ‘Skanka’ [DUPLOC] Joy O ‘pinky ring’ [XL Recordings] LF System ‘Afraid To Feel’ [Warner Music] Nia Archives ‘Baianá’ [HIJINXX / Island]
Best Remix/Edit
KH ‘Looking At Your Pager’ [Ministry of Sound/Three Six Zero] Michael Bibi ‘La Murga (Michael’s Midnight Mix)’ Nick León ‘Xtasis feat. DJ Babatr (Pearson Sound Remix)’ [TraTraTrax] Tessela ‘Hackney Parrot (Bailey’s Techno Tool)’ Tirzah ‘Tectonic (FAUZIA Remix)’ [Domino]
Best Rap Album/Mixtape
CB ‘A Drillers Perspective 2’ [mayowahd] FLOHIO ‘Out Of Heart’ [AWAL] Horrid1 x Sav’O ‘Violent Siblings’ [CGM Records] Jeshi ‘Universal Credit’ [Because Music] Loyle Carner ‘hugo’ [EMI]
ADVERTISEMENT
Best Rap Track
Darkoo ‘Always feat. Black Sherif’ (Prod. by Albert kweku Koranteng) [Atlantic Records UK] Giggs x Tiny Boost ‘The Family’ (Prod. by RichMadeRecords) [Self-released] Kojey Radical feat. Lex Amor ‘War Outside’ (Prod. by Swindle & Kztheproducer) [Asylum Records UK] LD x C1 ‘Hillside Demons’ (Prod. by JS OTP & Hilzz) [24 Hour Ent] Nemzzz ‘2MS’ (Prod. by Wydsonni) [Motown Records UK / EMI]
Best Radio Show
Emma Jean Thackray, Worldwide FM Ellie Prohan, KISS FM Felix Joy Breakfast Show, SWU Pure Spice with DJ Manara, BBC Asian Network Soup To Nuts, NTS
Best Large Club
ADVERTISEMENT
Depot Mayfield, Manchester fabric, London KOKO, London Printworks, London SWG3, Glasgow
Best Small Club
Colour Factory, London Night Tales, London Strange Brew, Bristol Sub Club, Glasgow Ulster Sports Club, Belfast
Best Club Event
Club Blanco Distant Planet PXSSY PALACE Teletech Small Talk
ADVERTISEMENT
Best Festival
Houghton Festival Naked City Festival Otherlands Music & Arts Festival Outlook Festival UK Queen’s Yard Summer Party
Best Boutique Festival
Field Maneuvers Freerotation KALLIDA Festival No Bounds Festival Watching Trees Festival
Underground Hero Recognising the champions of grassroots music communities
ADVERTISEMENT
Double O & Mantra Jeremy Sylvester Lo Shea Man Power Sarah McBriar
Feature image – WHP MCR
Audio
The Last Dinner Party aren’t ‘industry plants’, they just got real good real quick – Victoria Warehouse, Manchester
Danny Jones
It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
The Last Dinner Party were buzzing to be back in Manchester (Credit: The Manc Group)
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
‘Sinner’, ‘My Lady of Mercy’, ‘Nothing Matters’ and a few clever covers were the highlights. (Credit: The Manc Group)
The Wombats are set to return with a new album, a UK tour and an unreal pair of North West support acts
Danny Jones
British indie legend The Wombats are back with a new album and a limited UK tour – plus, they’re bringing two very good Northern bands along with them as the support acts.
Announcing their sixth studio album on Friday, 11 October, The Wombats are set to return with new music after two years since their first UK number one and will be hitting the road for a select few dates including London, Manchester and Leeds, but this tour looks to be all about the North.
Well, strictly our very specific part of the region, to be more precise – a.k.a. the best place for music on the entire planet. Yeah, you heard us…
We’re not ready for how good the lineup is going to be and neither are you.
As you can see, the all-North Western affair will see the veterans of the genre flanked by Manchester’s very own alternative four-piece, Everything Everything, who we’ve now seen so many times that we’re genuinely starting to lose count.
They’ve not dipped in all those years either – not even a little bit.
But to make things even better, the support roster is completed by none other than fellow Scousers and much-loved indie icons: the ever-rising Red Rum Club, who will be making their AO Arena debut after smashing their hometown arena earlier this year.
You can’t really call them warm-up acts when they’re all this good, can you?
Set to play here in Manchester on Saturday, 22 March, 2025 before wrapping up the small handful of gigs at the First Direct in Leeds a few days later, these are what we’d consider must-not-miss shows.
Tickets for the tour go on sale at 10am on Saturday, 19 October but you can access pre-sale by pre-ordering their latest record.
Speaking of the new album, Oh! The Ocean is the band’s sixth studio LP to date and is set to release on 21 February March, with the lead single ‘Sorry I’m Late, I Didn’t Want To Come’ having just dropped.
Discussing a family trip that inspired the new album, frontman Matthew ‘Murph’ Murphy says: “I’ve been to many beaches and seas and coasts over the years but, for some reason, it felt like the first time I had ever seen it and was truly present.
“There was this revelation that I had been living a life caught up in my own head […] It was really a potent experience. […] The album offers up some internal questions like: why are my head and body disconnected all the time? Why am I incapable at times of seeing any form of beauty in the world or in others? Why do I expect the world to conform to my will? Why do I never stop and smell the flowers?”
The single itself is a great taster of what’s to come and we can’t wait to hear the rest – nor can we wait to see The Wombats and two other North West favourites all in one night.
You can check out our chat with Everything Everything HERE or the Red Rum Club boys down below.
Georgina Pellant -
30th November 2022 
