The Alan, one of Manchester’s newest hotels, is giving away hundreds of rooms for just £1.
The hospitality newcomer has transformed the old Princess Street Hotel into a design-led space that blends the building’s existing industrial details with luxury touches like marble and velvet.
The striking six-storey hotel has a bar and restaurant on the ground floor, with an open kitchen and pop-up event space.
There are 137 rooms at The Alan, ranging in size from ‘the standard’ to the Alan Suites. Each one features high ceilings, warm textures and shades of blush pink, sage green and taupe.
The Alan is giving away rooms for £1. Credit: Supplied
Every room comes with an Emperor-sized bed, 200 thread Egyptian cotton bedding, 50″ Samsung Smart TVs with Google Chromecast, fast WiFi and Audio Pro Bluetooth speakers.
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And now, to give Mancs a chance to experience the building’s makeover, The Alan will be giving away overnight stays for just £1.
There’ll be 365 rooms up for grabs for a quid – to enter, all you need to do is sign up to The Alan’s newsletter to be entered into the raffle.
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The Alan in Manchester. Credit: Supplied
The winners of the raffle will be chosen on Friday 15 April, and sent details of how to book their £1 room.
The Alan opened back in February, showing off a beautiful new interior, including a huge patchwork floor in the lobby made up of different slabs of marble.
Interior design agency Red Deer, which worked on the project, said it wants to ‘counter-act the wastefulness of the construction industry, creating intriguing touchpoints that celebrate the inherent value found in old materials that may be classed by some as ‘defective’ or ‘broken’’.
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Bathrooms in The Alan suites. Credit: Supplied
The Alan is championing local businesses in both its rooms and its communal spaces, with Ancoats Coffee Co and Bohea Teas stocked in the rooms and Pomona Island and Cloudwater beers behind the bar.
Its new restaurant and bar space serves an all-day seasonal menu, headed up by Iain Thomas, formerly of the Edinburgh Castle.
Iain has worked in kitchens since he was 16 and will use some ingredients from his own allotment in his menu, which features dishes like Cheshire beef tartare with confit egg yolk, salt-baked celeriac, and lamb fat cabbage.
The Butcher’s Quarter provides the meat for the larger plates, from grass-fed sirloin steaks to free-range pork and Gatehouse Farm lamb chops.
Interview | Chatting with the Manchester-based visual artist for the 2026 BRIT Awards
Danny Jones
BRITs Week 2026 is well and truly underway, and with the annual awards ceremony set to finally land in Manchester this week – the debut being just one of at least two years of the event in our part of the country – the city is teeming with art, music, colour and so much energy.
One of those people responsible for all that buzz is locally-based visual artist, Alex Giles. He’s been commissioned by Universal Music to create bespoke artwork to appear across their events during BRITs Week, including their exclusive artist showcase, BRIT Awards after-party and the invitations.
From creating some of the first-ever digital adaptations of his work to preparing himself for seeing a glorious physical re-creation in the form of a VERY big sculpture.
With the partnered War Child charity gigs now well underway across the UK, and people already planning their days before arrival at the arena, we spoke to Alex about what has been nothing short of a whirlwind few months for him.
Straight off the bat, how did the sort of project come around?
So I was working on an installation project in Ibiza for a private client, and you know, there’s no sort of union for artists, so we have to sort of create our own contacts and our own bonds.
I feel very grateful to have a lovely network of people like that, mainly through Instagram. Anyway, I was chatting to someone that I’ve become good pals with, an artist called Matt Dosa, who actually did the artwork in a similar context a couple of years ago.
Essentially, they asked if I could put together a sort of deck of my work and some initial ideas, and then out of the blue, I got the call back saying, “Yeah, we’d love you to jump on board and produce something for us.” It all happened really quickly and unexpectedly.
What a rush that must have been!What’s it like be wrapped up in the BRITs buzz since?
Yeah, but that’s often the way with artistic opportunities: something comes from nowhere. The initial race was to get the design sorted, so that was where all of the focus went to start with – which is a fairly familiar world for me – but this week it’s got even more surreal.
You know, I can immerse myself in a task and think about just that alone, but now it’s got to this stage, I’ve got this continuous low-level kind of… Well, I don’t know whether it’s anxiety, excitement, or just a bit of butterflies, but there’s definitely something going on, haha.
One of the main things I’m really excited about is just seeing my work displayed in so many different ways that I wouldn’t normally do; I’m a two-dimensional artist, I make paintings, so seeing it come to life in 3D, graphic packages and in various digital formats is really exciting.
Yeah, so for those yet to see any of it, what exactly can you tell us about the project and how it’s going to take shape in different forms?
The idea was that Universal Music Group [UMG] wanted to ask an artist to create something that is their visual presence throughout Manchester for the BRITs.
So it needed to be something that was instantly recognisable, something that could be repeated, something with a bit of pattern to it so it can be scaled, but then also something instantly kind of recognisable, and the word that was used a lot at the very beginning was iconic.
It had to be quite clear; there was a lot of back and forth, and I think at first I was maybe complicating things or overthinking things, as you can imagine for something this big, but eventually we started to refine it, and we got something really nice out of it.
Probably the most exciting thing is that there’s going to be a huge eight-foot sculpture of it [the core design] being made to go in the foyer of the Kimpton Hotel. There are flags, there’s loads of printed graphics, you know, little details like beer coasters and menus – it’s just going to be everywhere.
Incredible, and obviously, you’ve lived in Manchester for a long time now, so how special does it feel to play a part in such a big moment for the city?
You know, I’ve been here for 17 years, and it’s a special place that’s deserving of it. I’ve worked in the creative industries for nearly two decades now, and we’re very proud of what we do up here.
I work in the film industry as well, and there’s always a bit of a groan amongst Manchester crew when, you know, a load of people come up from London to do a job instead of hiring Mancunians, but any myths about the North are always dispelled quite quickly.
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Yeah, no one can question our work ethic. What is it about Greater Manchester that inspires you?
I’ve been thinking about this a lot recently. Inspiration for me is like through osmosis: it’s a gradual thing, and it sort of steadily shapes who I am and my creative output.
I can’t just pinpoint any one specific thing about Manchester, but it’s a place that has had a profound effect on who I am, what I like, and what I like doing. I’ve enjoyed the fruits of Manchester to the full – probably a little bit too hard at times, hence these dark circles under my eyes!
Ha, glad to hear it. What about that ‘music being universal’ brief – how do you go about being referential in your work, or do you create it for yourself and just hope it connects with others?
That’s a really nice question, actually. So the audience always starts with me; I feel like if I’m producing something that I like, then hopefully others will also like it. It can be tricky at times NOT to try and second-guess what your audience might like. I think a lot of artists do that in all disciplines.
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But yeah, I have to be quite strict now, and make what feels right to me, because if I like it, then I can talk about it and present it with pride. I think with that, it will eventually find its own audience.
Love that – now, I know it’s a hard question, but if you had to sum the visual style of this work in just three words, what would they be?
Oh, come on, haha! Erm… OK, well I’m going start with that word that kicked it all off: iconic. I’m going to put the word ‘fruity’ in the middle – you know it’s bright and juicy – and I’m going to say the word accessible to finish it off.
Iconic, fruity, and accessible – I was never guessing that one, haha. As for the night itself, which famous faces are going to make you double-take?
Well, I know Pulp are up for an award, and so I’m from the era of, you know: being glued to the Brits and, you know, the whole Michael Jackson-Jarvis Cocker saga, etc. I think that’s a pretty iconic moment in British history, so I’d love Pulp to because I think Jarvis has always got something very interesting to say.
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For sure, and how do you think the spectacle of the BRIT Awards has changed over the years?
I think the shape of performance has changed a lot in the last decade. People really put on big shows, don’t they? Like it’s not it’s no longer just, you know, a backdrop with the band name on it, it’s pyrotechnics, dancers, massive visual effects, and so much more.
Last but not least, which of those big performances from that unreal lineup are you most looking forward to seeing?
I think, deservedly, up for an Achievement Award: Mark Ronson. I think that’s going to be great, and I’m looking forward to seeing Wolf Alice, too.
It’s not necessarily the kind of gig that I would go to, to be honest – I love electronic and a lot of older music a lot – but I’ve actually got tickets to see Mogwai on Friday as well, so it’s set up to be a very energetic weekend.
It was a pleasure chatting with Alex, and we definitely caught the extra tailwind of his enthusiasm, as if we weren’t buzzing enough already.
Like the man himself, a few members of our Audio North team will be at the 2026 BRIT Awards themselves, and we can’t wait to see all the glitz and glamour in the flesh.
Stay tuned to our socials over on Instagram, as well as our usual The Manc pages, to make sure you don’t miss a second of the coverage.
Happy BRITs Week, and for those of you going to Co-op Live on the night, soak it all in!
What a busy week we've got – board game festivals, new foodie openings… oh, and The @BRITs comes to our city this weekend for the first time ever too. 🎶🐝🏆
Six by Nico to close popular Manchester location as it ‘evolves’ into something new
Emily Sergeant
Unique restaurant concept Six by Nico has announced that it’ll be closing one of its most popular locations in Manchester.
Six by Nico is famed for its six-course tasting menu inspired by a different theme, destination, or concept that changes every six weeks – with the brand now having around 15 restaurants based in across 12 cities in the UK.
Launching in Manchester in Spring Gardens back in 2019, Six by Nico has gone from strength to strength ever since, opening a second site off Deansgate in 2023.
But despite this success, both nationwide and in Manchester, Six by Nico has sadly announced this week that its popular Spring Gardens site would be closing down as it is and ‘evolving into something entirely new for the city’.
Owner Nico Simeone took to Instagram last night to share the news of Spring Gardens’ impending closure, and explained what the future holds for the site.
“As Six by Nico approaches its tenth year, I look to reimagine one of our most successful restaurant locations, Six by Nico Springs Gardens, into something entirely new for the city,” Nico said in his Instagram statement.
“This hasn’t been a small decision. Spring Gardens has been one of our strongest and most loved restaurants. I’m incredibly proud of what we’ve built there, the team behind it and the loyalty Manchester has shown us over the years.
“Six by Nico will always stand for immersive storytelling, six-course journeys and transporting guests somewhere new. That continues, and we’re investing further into Manchester through our Deansgate location and beyond.”
Six by Nico is closing its popular Manchester location as it ‘evolves’ into something new / Credit: The Manc Group
The founder also then went on to say that he’s realised there’s another side of his cooking that he hasn’t shared, and it’s one that he feels is ‘more stripped back’ and ‘personal’.
“That’s where Lennox begins,” Nico continued.
Giving an insight into what the future holds for the Spring Gardens restaurant, the statement adds: “Spring Gardens won’t disappear. It will evolve. A new restaurant brand is being built in that space from the ground up. A different energy. A different style. A different way of cooking.”
The announcement that Six by Nico would be closing its concept at the Spring Gardens site has amassed dozens of comments on social media.
Anyone ‘curious’ to to know ‘what Lennox really is and what it will become’ is encouraged to sign up online at www.lennoxrestaurant.co.uk, and follow the journey on Instagram at @lennoxrestaurant.
Daisy Jackson -
12th April 2022 
