Just days after COVID-19 found its way into the fabric of British society, medical experts presented a sobering conclusion: This virus would not be going away on its own any time soon.
The government scrambled to slow the spread by locking everything down, and whilst this proved something of a success, scientists continued to warn that the reprieve was only temporary.
Our only route back to normality, we were routinely reminded, was a vaccine.
An arduous nine months followed; littered with mass closures and tier systems enforced by hastily-written legislation.
People were forced to make lifestyle changes and sacrifices like never before, with little else to do but cross our fingers and wait for the cure.
The chimes for 2021 had barely finished ringing out before vaccine sites right around Britain were administering jabs left, right and centre.
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Britain, suddenly, had multiple pathways back to the blissful pre-COVID days.
But some people decided they didn’t want to take either.
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Recent surveys have revealed that as many as 14% of people would consider refusing the offer of a proven coronavirus jab – believing that fighting off the infection naturally is a better way to combat the illness.
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An alarming amount of misinformation has spread across social media as a result – and one doctor has now stepped forward to dispel the myths.
Dr Michael Barnish, Head of Genetics & Nutrition at REVIV Global Ltd – a worldwide health and wellness organisation with a HQ right here in Manchester – explained that he “wanted to share some information on what vaccines are and why people should not be frightened of, or against them.”
In Barnish’s words, vaccines are designed to “generate an immune response” that will protect us from future exposure to a particular disease.
The key concept behind vaccination is herd immunity – whereby if the majority of people have immunity, then the virus or bug cannot infect others easily and will die off easier.
“Vaccination offers the opportunity to eradicate particular diseases across the entire population, protecting the individual and the community,” explains the doctor.
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“Vaccination can also help reduce the occurrence of other diseases as well. Children that are routinely vaccinated against meningitis have the added benefit of a reduced risk of acute lymphoblastic leukaemia, the most common childhood cancer.
“Similarly, the measles vaccine actually helps protect from other dangerous infectious diseases, such as rubella and mumps and therefore the vaccinated immunity would be more advantageous than naturally made immunity following this dangerous infection.”
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For some, taking vaccines appears to be a no-brainer. But naysayers have argued that jabs can cause side-effects due to the presence of toxins and damaging ingredients in particular solutions.
“Like any medical intervention [vaccines] do have risks,” explains Dr Barnish.
“However, they are usually minor and short lived.”
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For Dr Barnish, the greater concern is the misinformation being spread about inoculations.
“Unfortunately, the possibility of side effects, alongside media-fuelled fraudulent research has created a growing population of anti-vaccination people,” he says.
“If current anti-vaccination trends continue, the number of measles cases, this year, will be the highest in decades.
“Vaccines are vigorously tested and most those routinely given have large amounts of safety data over many years.”
There have been occasions in history when vaccines have proven less robust than experts had initially hoped – such as the 2018 flu vaccine turning out to be just 23% effective.
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And with the COVID jab being developed at record speeds, some have rushed to the conclusion that the necessary checks might have been skipped; or the vaccine itself could miss the mark.
But Dr Barnish doesn’t think so.
“These are absolutely warranted concerns and I think everyone should question and educate themselves fully when it comes to their health or immunity,” he says.
“However, the laboratories and science institutions of the world collaborating and working together on a vaccination, sharing important findings about the virus with each other on a mass scale, really for the first time, I have every faith that this collaboration and teamwork [has created an] effective and safe vaccination for COVID-19.
“We live in a safety obsessed world and creating vaccines is no exception. A vaccine is only ready when it is deemed safe and effective.”
With the most serious risks – such as severe allergic reactions – apparently being extremely rare, Dr Barnish concludes that the benefits of vaccination far outweigh the risks; claiming they are essential to the wellbeing of the wider world.
The doctor summarises: “Vaccination plays such an important role in the fight against infectious disease with little risk to us as children or adults, whether in early-life, travelling abroad or protecting your body from seasonal flu attacks.
“No vaccination will be given to the population if it causes any harm.
“They are created to help us, not harm us.”
Learn more about the work that Dr Barnish and REVIV do for Manchester by visiting the REVIV website.
Feature
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.