You could see his distinct and unshakeable smile from space and recognise that softly-spoken voice anywhere. September’s Manc of the Month is none of other than Oldham’s very own Brian Cox.
The world-renowned physicist is the proud holder of an MBE and an acclaimed member of the Royal Society Fellowship whose fascinating but accessible work in science and particle physics, specifically, has seen him become a beloved TV personality and pop-culture icon.
Brian Cox: the physicist and celebrity astronomer
He’s been a familiar face on our TV screens for over a decade now. From Wonders of the Universe and Wonders of Life to Forces of Nature, Stargazing Live and more, Brian Cox has helped bring the world of science to millions watching at home.
His TV appearances aren’t just limited to documentaries though. He’s been on everything from late-night talk shows and Dr Who to becoming one of the very few Brits to appear on the controversial Joe Rogan’s podcast. He truly is the Carl Sagan of the 21st century.
The 54-year-old might share his name with another familiar TV face, but there’s no mistaking his quiet yet captivating ruminations for anyone else. Have you ever ever heard him explain time?
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Speaking of podcasts, his award-winning show, The Infinite Monkey Cage Podcast – co-hosted by comedian Robin Ince – is now into its 24th series and has become one of the most successful audio series not just in the UK but on podcast platforms across the globe.
The informative but entertaining concept has become a live show and has featured special guests such as astronomy colleague Neil deGrasse Tyson, Sarah Pascoe, Eric Idle and many, many more.
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The former musician
Though many people will have seen his face on the box or heard him on the radio in the past decade or so, there are plenty that are still unaware he has been on the airwaves long before he was the science guy.
Yes, that’s right, before he was Britain’s favourite brainbox, Mr Brian Cox was a rather successful musician in not one but two bands throughout the mid to late 80s and well into the 90s.
First came Dare, a rock band formed in his native town of Oldham by former Thin Lizzy keyboardist, Darren Wharton; they went on to record two albums during his time in the band. Look out for the guy in the back.
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Beginning his studies shortly after, he then took another run at music fame by joining pop-rock and dance outfit D:Ream in 1993. Having contributed on two albums, the group eventually disbanded in 1997 playing with them until 1997 and he began his journey to becoming an instantly recognisable pop physicist.
Cox had already secured a first in physics from his alma mater back in 1995 and in 1998, not long after leaving the music biz, he got his PhD in High Energy Particle Physics for his work at the Hadron Elektron Ring Anlage (HERA) in Hamburg.
An academic through and through
All that being said, his various entertainment exploits have never stopped him from making a direct impact on the world of academia, as he remains a Professor of Particle Physics in the School of Physics and Astronomy at the University of Manchester, running courses every year.
During the pandemic, specifically, he also did his part to keep students, kids and those stuck at home in general engaged with his Lockdown Learning and Lecture series. Very cool and very digestible; we might be back to walking free and learning normally but they’re still well worth giving a watch.
Just a year before he was made a lecturer at UoM in 2005, Brian even had the privilege of working on the Large Hadron Collider at CERN in Switzerland (you know, the Big Bang machine), acting as a senior physicist and co-spokesperson for a key research and development project between 2004 and 2009.
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He played an important role in the ATLAS experiment which is still running and investigating everything from the Higgs Boson particle discovered in 2012, to dark matter and even alternate dimensions. In case it wasn’t abundantly clear at this point, the bloke is very smart.
In fact, Cox’s influence on the UK’s intellectual reputation across the globe and efforts to improve interest in subjects like physics is so strong that in 2016, he was recognised by the Royal Society and named the Professor for Public Engagement in Science.
Still making moves in Manchester
It’s not an exaggeration when we say Brian has already done a lot for both UK and global science, especially in helping bring it further into the public eye. But more importantly for us Mancunians, he’s continued to be an active and important presence in the 0161 area.
As well as continuing to lecture hundreds of domestic students at the university that helped launch his career, his international and celebrity appeal draws thousands of applicants from all over the world to the Russell Group institution every year.
Moreover, his ‘Brian Cox: Horizons’ World Tour – which expands on his intellectual, highly entertaining and often comedic lecture format with an immersive audio-visual experience – came to Manchester earlier this week, much to the delight of his fans.
Taking the stage in front of thousands of people at massive arenas like the AO, he and podcast partner Ince dive deeper into astronomy and cosmology in a way that brings you closer to some of the most mind-boggling concepts in the universe.
Better still, even amidst a world tour, he somehow managed to find the time to speak to global news outlets on the biggest news in science, such as the stunning new images captured by the James Webb Space Telescope.
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Danny Jones -
23rd September 2022 
