It’s rare you get to see legends in real life, especially this up close and personal, but there’s still just one key word that keeps coming to mind when we think of seeing Bruce Springsteen in Manchester at the Co-op Live last night: surreal.
We still can’t quite believe that he was here in Manchester, in the flesh, for three separate nights, but we do intend to replay it in our heads over and over again until it fully sinks in.
Springsteen, ‘The Boss’, Brucey, whatever you want to call him, there really is something to be said for someone who’s been going this long and still exerts so much energy at 75.
That goes for his desperately loyal and dedicated crowds, too. The legions that marched down ‘Thunder Road’ and back down the CityLink walking route and the Ashton canal in supreme spirits after all was said and done gave as good as they got.
We can only assume Springsteen was as incredible on the first night at Co-op Live as he was on the last. (Credit: Audio North)
From singing back every chorus to the chants of “Bruuuuuuuce!” between every single song, it was more apparent than ever that being a Springsteen fan is quite literally a way of life for these people; they know every line, every call and response, every micro-dance move and regular on-stage ritual.
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Each show is roughly three hours long, by the way – he does have an absolute treasure trove of discography to work through, in fairness.
Put simply, there’s no messing about, just non-stop rock and roll of the highest order. Well, there are some brief pauses, but for good reason…
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As a passionate political and philanthropic person throughout a career which spans more than six decades, he took the time to talk about America and the turbulent times they are once again facing.
He spoke about the craven billionaire class, poverty, uniting through art and, just as he did on night one in Manchester, Springsteen railed against a particular tyrant who happens to have found himself in the seat of power yet again back over in the States. He made sure to do this every single night.
‘Born in the U.S.A.’ (which he did decide to play, along with a plethora of the other biggest hits) now feels more like a protest song than ever. The war may no longer be in Vietnam, but there is one raging back home, and he’s even more wary of it than before.
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He thanked those in the pit and the stands for indulging him, as well as the “wonderful space” of the Co-op and its “beautiful sound” for hosting him, but we have a feeling the New Jersey poet could have said just about anything and he’d still have 23,500+ in the palm of his hands.
All that being said, it wasn’t like this was a pseudo-rally or anything like that, nor was anything of this being foisted upon the audience, but there was a real sense of a congregation gathering in the church of Bruce to take in his sermon.
His followers have often been referred to in this way, and despite only previously considering ourselves a very casual Springsteen enthusiast, having now been to a sell-out arena gig with one of the biggest Boss fans we know, we can understand why millions of people around the world idolise this absolute icon.
It goes without saying that a huge amount of applause must go to The E Street Band themselves, who are just as much a part of what makes Springsteen sets so special as he is.
From the ever-charismatic Steven Van Zandt (still hard not to see him as ‘Sil’ from The Sopranos) to Jake Clemons on sax – who has been part of the group since 2012 and shared a touching embrace with Bruce as tributes to his predecessor and uncle, Clarence, played behind them – these lot are a family.
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Our only minor gripe is that we sorely missed hearing ‘Atlantic City’, but what the concert did confirm is that much like the effect the recent Bob Dylan biopic had on us, we’re now more committed than ever to working through the Springsteen back catalogue from start to finish and seeing how obsessed we get.
To end on one final thought and echo the words of the man himself: “peace, love and freedom.”
Jimmy Bradbury, Reuben Haycocks, Aoife Anson O’Connell, and Paddy Murphy – better known together as Westside Cowboy – formed back in 2023 when they were students at the Royal Northern College of Music, so while they may not all be from Manchester, they definitely have the spirit of our city at the heart of everything they do.
After playing in different bands across the city throughout their student years, the four-piece joined forces to create Westside Cowboy – an indie rock collective credited with self-coining the genre of ‘Britainicana’.
Put simply, Britainicana is a cultural concept that mixes the hazy, mythic feel of American country and folk, with the sound of raw British punk, indie rock, and small-town life.
Westside Cowboy have released their debut album, It Goes On / Credit: Clementine Schniedermann (Press Shots – Supplied)
If that sounds like your cup of tea, then you’ll be pleased to know that Westside Cowboy have released their debut album, It Goes On, to the world today (21 August).
And the reception from critics, arguably, couldn’t be better.
Prior to the release of their debut album, the band had released two EPs, including So Much Country ‘Till We Get There in January earlier this year, and had started to make a name for themselves with their popular debut single ‘I’ve Never Met Anyone I Thought I Could Really Love (Until I Met You)’ in 2024.
They went onto make even further waves when they supported equally-rising American rock band Geese on their UK and Irish tour back in March – with many fans calling it one of the best support and main act combinations in some time.
Three singles from their debut album were shared with the world ahead of its release – ‘Kick Stones (The Boys)’ came first, followed by ‘Pin Up Boys’ and ‘Dobro’.
So, it’s fair to say the anticipation for album was high… and if the reviews are anything to go by (which we think they are), it looks like the band has very much delivered what they set out to achieve.
Westside Cowboy’s debut album It Goes On is now available to stream, or you can purchase a physical copy in a range of formats from their website here.
Take a listen👇
Featured Image – Press Shot (Supplied)
Audio
BBC Introducing LIVE is back with events across the North for grassroots music artists
Emily Sergeant
BBC Introducing’s flagship live event will return with a huge lineup of activities for aspiring musicians and music creators this autumn.
To celebrate and champion undiscovered talent across the country, BBC Introducing LIVE will include an array of live performances, immersive workshops, educational panels, and networking opportunities for grassroots artists, DJs, and music creators, all at the start of their careers.
Introducing LIVE will head across the UK, including hosting four special gigs in Leeds and a songwriting camp in Manchester.
The BBC Introducing Songwriting Camp is an invite-only event offering an ‘unparalleled’ experience for artists and creatives to develop skills and collaborate with industry professionals in a real music studio.
Then, on Saturday 28 November, BBC Introducing will host four showcases across Leeds, celebrating some of the best new music from across the UK – with independent music venues The Wardrobe, Belgrave Music Hall, and Oporto all taking part.
While up in Sunderland, following the success of BBC Radio 1’s Big Weekend there earlier this year, a special takeover event will take place at The Fire Station – with a day of panels, workshops, open mics, and an industry feedback centre planned, all designed to support and inspire the next generation of musicians and music industry professionals.
Other northern cities hosting events during this year’s programme are Gateshead, and major music city Liverpool.
Many successful artists, including the North’s very-own Sam Fender, as well as big names like Ed Sheeran, Raye, Olivia Dean, and Loyle Carner, all began their careers with support from BBC Introducing.
“Championing and nurturing artists and creatives is at heart of everything BBC Introducing does, and so I’m excited that Introducing LIVE will be returning in November for our biggest year yet,” commented Kelly Betts, who is the Editor of BBC Introducing.
“BBC Introducing will be at events, panels, and gigs across the UK giving emerging talent the opportunity to learn from industry experts, make music and connect with fellow artists.
“Music has the power to unite, inspire, and shape our culture and BBC Introducing’s flagship event will help some of the UK’s rising stars on their journey to achieve this.”
Danny Jones -
21st May 2025 
