4th March 2018 is a date that Olivia Bartlett will never forget.
It was the date that the then-17 year old took what she thought would be her last step, as she leapt off a bridge over a major road in Stockport and plunged 40ft to the ground in an attempt to end her own life.
But unlike the five others who’d jumped from the very same spot before her that week, Olivia survived.
The former trainee hairdresser from Gorton suffered a catalogue of horrific injuries from her fall – including serious damage to her head and spine, along with 15 other broken bones – and underwent two operations at Salford Royal, leaving her bed-bound for two weeks, before being subsequently diagnosed with bipolar disorder, anxiety and depression, and spending three months in a specialist facility to improve her mental health.
The hospital staff told her it was “a miracle” she was still alive.
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“[Struggles with] my mental health started at a young age, but I didn’t want anyone to know what I was going though daily.” Olivia told us.
“It was a battle everyday, especially with the thoughts I was getting [and] I was just so embarrassed [that] I didn’t tell anyone, [nor did I] understand why I even felt the way I did,
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“I didn’t even understand about mental health then.”
Olivia admits that her life “changed dramatically” after that day, and she has sadly suffered both short-term and long-term effects from the incident, ranging from apprehensions and embarrassment about going outside and re-integrating back into society shortly after being discharged from hospital due to “[having] all my hair shaved, as my head injuries were really bad to the point [that] you could see my skull”, to suffering with long term back pain – which makes walking and standing a challenge – the devastating decision to give up her job as a result of injuries, and even the loss of “a lot of friends and social circle”, who she believed just did not understand how to handle the severity of her mental health struggles and diagnosis’.
In December 2019, she also suffered the devastating loss of her uncle Paul to suicide, which she said “broke me, as he [had] seen everything I went through [and] was married [with] two children”.
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And it was then that she just knew she “didn’t want anyone else to go through what I had”.
Nowadays, Olivia – 21, who’s family and boyfriend of three years are supporting her “every step of the way” – is keen to advocate that “mental health matters” and that it should be prioritised just as much as our physical health, and it was this very urgency to promote better care that saw her story go viral on social media last year.
Olivia goes back to that same bridge as much as she can, but not to jump – to stop others from doing so.
She does this by regularly decorating the bridge with handwritten messages of support, words of encouragement, and vital contact numbers for anyone who may find themselves in the same position as she did all those years prior, in the hopes of proving that “better days will come”.
It was an act that, once shared to Facebook, saw her receive widespread support from all across the globe, with messages from strangers still coming in to this day.
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The viral post also miraculously reunited her with the man who she credits with “saving my life”.
Olivia continued: “During my recovery, I learned so much about mental health… [and] I thought I needed to do more to make sure people never feel like this again, [so] now I go to the bridge I jumped off to put notes and try and keep up with it as much as I can.
“If it stops just one person from doing [what I did], it would mean the world to me – I just want to help others [and] no family should go through what mine did”.
“I try to do everything I can for mental health, but sometimes I feel like I’m not doing enough,” Olivia admitted.
“I want to do more as it’s very important to me [and] mental health will always be a part of my life, so now that I have learnt how to deal with it, I want to help everyone I can.
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“No one should feel like this, and some people just need help dealing with their mental health issues”.
Olivia also expressed some concerns with the level of after-care she received following the incident, which she is keen to rectify, explaining that: “The hospitals didn’t do anything with me after, no talks, no therapy – I had to make myself better, but some people aren’t as strong to think like that.
“There’s not enough help for mental health and it’s so upsetting to see, but if my story gets out there, it might help others”.
As part of her reflection process, nearly four years after the attempt to take her own life, Olivia has now realised the importance of speaking out, especially after coming up against several negative comments as a response to her social media posts.
“I want to tell everyone that things do get better and so will you.” she said.
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‘I’m living proof of that, and it’s okay not to be ok, and mental health is normal [so] don’t worry that you are different to others. Try your hardest to be positive, even though it is so hard to do, and remember that there are people out there that love you.
“I also want to say to everyone to please just please be kind.
“I have had a lot of negative comments saying lots of sick things, but if I wasn’t as strong as I am, that could have broken me and I could do it again, so please just be kind [because] you could say horrible things to the wrong person someday, and you would be the reason they’re not here anymore.
“Most of all, I just want to tell everyone to stay strong”.
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If you or anyone you know is struggling right now, please know that you are never alone and there are many different places you can reach out to for support right here in Greater Manchester.
Suffering in silence never need be the way.
Manchester Mind – An organisation that has supported people in Manchester for over 30 years. Most services are now available over the phone, by email or video call. The number is 0161 769 5732 and the opening hours are Mon – Fri 10am – 2pm.
The GM Mental Health NHS Foundation Trust – The local NHS helpline is open 24/7 which you can call any time, day or night, if you feel your mental health is beginning to suffer: 0800 953 0285.
Andy’s Man Club – A group dedicated to starting conversations about mental health, assuring people that it’s ok to talk. You can contact them by email on: [email protected].
CALM – The Campaign Against Living Miserably supports people via phone and webchat. You can call 0800 58 58 58 or speak to a support worker online. Open 5pm to midnight.
Samaritans – The Manchester & Salford Samaritans offer emotional support by telephone and email. The phone lines and email support are available 24/7. Call 116 123 or visit the website.
The Manc Group is also here to help too.
There are real people behind our platforms, and our DMs are always open, so we encourage you to drop us a message should you ever need a chat and we will be more than happy to help point you in the right direction towards the best help possible.
We got this, Manchester.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Emily Sergeant -
28th January 2021 
