Graeme Park on Hacienda’s legacy, United We Stream and the next episode for UK nightlife
Even Hacienda legend Graeme Park endured a tough 2020. But with United We Stream ringing in the New Year, he believes there might be hope for live music yet.
“I look at my life in chapters – and each chapter has its highs and lows,” Graeme Park explains.
When you’ve been in the music business as long as he has, compartmentalising your story in this way is probably the best approach. It makes it easier to pick out all the important moments from a kaleidoscopic catalogue of clubbing memories.
Still, wherever Park goes, there’s always one chapter he’s asked about most: The time he spun records at the greatest party on Earth.
“The Hacienda chapter was incredible,” Park tells us.
“It was the original British superclub and always will be. One thing you can always rely on, whether you’re in Sydney or some obscure beach resort in Uruguay, someone will come up to you and go: “Oy! Parky! ‘Aciendoooorrrrrr!
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“Always, always, always.”
The nine years he spent working at Manchester’s hazard-coloured nightclub are the best-known bits of Graeme Park’s biography. But as the DJ points out, it was a venue that played a huge part in other people’s stories, too.
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“People fell in love at The Hacienda,” Park remembers.
“People got divorced because of The Hacienda. People conceived their children after going to The Hacienda. Some people apparently conceived their children in The Hacienda, if rumours are to be believed!”
Paving the way for Park’s residency at the world-renowned nightclub was a prologue that featured three influential moments.
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The first was the day he got hired at a record store. It was the “job that everybody else wanted”, Park remembers, as he got to hear all the new music being released and play whatever he liked.
The second was when he “reluctantly agreed” to be the DJ after the record shop owner bought a local nightclub (“I never wanted to be a DJ, I played in bands,” Park explains).
And the third came much later – when Park stepped up to fill The Hacienda’s Friday slot for a few weeks in 1988 (a time which would later be remembered as the ‘summer of love’ when house music truly took off in Manchester).
The rest is history. Even now, almost 24 years after the party finished, the music of Madchester is still ringing in Park’s ears.
“It was a privilege and honour to be a part of it,” he states.
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“I was a massive Factory Records fan in the 80s, and I used to visit The Hacienda to see bands like Crispy Ambulance and A Certain Ratio – so to end up being part [of The Hacienda] was a dream come true.”
But all good things come to an end. The Hacienda, a club that infamously never made any money despite its huge popularity, fell into decline in 1997 and was eventually demolished before being converted into flats.
Post-Hacienda, Park embarked on a series of new adventures – playing to enormous crowds all around the world, launching a merchandise range, and even teaching music part-time.
He even travelled down the other end of the M62 and played at Cream in Liverpool (“I couldn’t have done both [Hacienda] and Cream at the same time; they’d have lynched me!” Park jokes).
The DJ’s career has spanned the best part of four decades. And his most recent chapter, 2020, has also been an important one. Albeit for very different reasons.
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Like so many other live performers during the past eight months, Park has found work very hard to come by – playing just five socially-distanced outdoor gigs since March.
Coronavirus has essentially muted most live music across the world, and it’s been a challenging period for everyone in the industry.
“90% of my income has just gone,” Park says, frustratedly.
Until gigs are back on, he’s been paying the bills with his part-time music lecturing – a role he was considering quitting not too long ago.
Park explains: “Three or four years ago, I said to my wife: ‘I don’t really need to be doing this lecturing any more.’
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“I was doing quite well and it wasn’t that much money a month. It was less than half I got for a gig.
“But she talked me out of it. She said: ‘You never know what’s around the corner.’
“It’s a bloody good job I didn’t. It’s my only income now. And it all disappears in a day on bills.”
Image: Katie Hall
In between lectures, Park has been trying to get the music scene going again – campaigning to Shadow Minister for Cultural Industries Tracy Brabin and Withington MP politician Jeff Smith for change.
The DJ says the sight of shoppers flocking to retail stores whilst the entertainment sector has stayed shut has been frustrating – with the industry arguably proving in summer it could indeed be ‘COVID safe’.
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“All the socially distanced events I did, they worked,” Park claims.
But still, whenever coronavirus cases in the UK rose at any stage during 2020, live entertainment and events were promptly put under lock and key.
“It’s frustrating because if you produce the evidence that says your industry isn’t going to be able to operate, you take it on the chin,” Park explains.
“But that evidence hasn’t been shown to anyone.
“That’s because the evidence doesn’t exist. Maybe that’s an argument for another time.”
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In a year that will surely go down as one of the most difficult Park – or any musician – has ever experienced, there has been at least one small and delicious crumb of comfort.
In spring, we got United We Stream – a gig platform set up by Greater Manchester’s night time economy adviser and Parklife/Warehouse Project founder Sacha Lord.
Back in April, Lord assembled some of the best DJs and musicians – including Park – to beam gigs into living rooms around the world.
It was an enormous success – raking in 7 million viewers during its initial run and raising £477,000 for 12 regional charities and good causes.
The project wound down in summer to focus on rebuilding the sector, but in November it was confirmed that United We Stream would return for four shows over the Christmas holidays – including a massive 24 hour stream on New Year’s Eve.
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“I did the two Hacienda house parties in March and April, including a 12 hour stream on my own which was amazing,” Park says.
“When they [United We Stream] approached me for the New Years Eve party, I just couldn’t say no.”
Park is assembling his Hacienda Classical project exclusively for the occasion – producing live orchestral renditions of the Hacienda’s flagship floor-stompers (‘Blue Monday’, ‘Voodoo Ray’, ‘Move Your Body’ etc).
There’s a limit on the number of musicians permitted inside the studio due to COVID, so some “technical wizardry” is being used to bring the full orchestra together – as the choir and solo singers perform their parts from home.
Once the final note is played, Park will then rush up to the DJ decks for a solo set.
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“There are so many great DJs on before me and after me, and it’s a fair assumption that house will be the predominant sound [on the night],” Park explains.
“So, I’m already planning on dropping a few surprises – just to make people smile.
“My biggest thrill that I get these days is digging deep into archives and finding tracks people have forgotten about… stuff people haven’t heard for 20 years but will remember as soon as they drop.”
Park’s always had an eclectic taste in music – dating right back to his teenage days working in the Midlands record store.
During those shifts, he would play a diverse range of tunes – which is what convinced the store owner to make Park have a go on the decks at his new nightclub.
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After realising people liked his music selection – and that he could actually mix – Park never looked back.
“I just play what I like and always have,” he puts simply.
“Sometimes it’s difficult to explain this to some half cut woman who clambers up to the DJ box and says: ‘But if you play it, everyone will go crazy’.
“And I’m like: ‘Yeah, but I absolutelyhate it.
“I don’t care how big it is.”
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Image: Katie Hall
Park has been given the prestigious honour of ringing in the New Year at United We Stream’s show on the 31 December.
“I’m seeing in 2021 in the UK – GMT midnight – so I’ve got one of the best DJ slots,” he reveals.
“Well, I say ‘see in the new year’. This time it’s going to be more like ‘good riddance last year.’”
Of course, Park is well aware that life won’t magically return to normal at the stroke of midnight.
“I think that masks, hand sanitiser and social distancing are still going to be around when we start opening up live venues again,” he admits.
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“Coronavirus isn’t just going to go away because of the vaccine. It’ll take time. It’ll be back to normal with certain caveats.
“Some live venues will never open again. Some people will have lost their jobs and won’t be able to go out for a while.
“Promoters are reviewing fees in the circumstances as well, saying: ‘I don’t know if I can afford this anymore’.
“Things will be different.”
Image: Ant Mulryan
With clubs closed for so long, many have attempted to recapture the euphoria of live shows and nights out by propping up their camera phones against walls and beaming live sets to YouTube or Facebook.
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But according to Park, United We Stream is one of the few to do it properly.
“One thing that really does my head in is that the internet is full of tedious looking blokes playing records now,” Park says.
“They’re all playing the same thing. You think: ‘Why am I watching this?’”
“The key [to streaming] is keeping it special.
“United We Stream is the perfect example. It’s going to be something else.
“It’s a huge, huge lineup. And visually, it’ll be fantastic.”
2020 has left the live music industry on the ropes. But nonetheless, Park is impressively calm and optimistic.
“It’s in my nature to be positive,” he states.
“I’ve got lots of great things to be thankful for in life. I know this cannot be forever.
“The sooner everyone follows the guidance fully, the sooner we’ll be back.”
There’s still a long road ahead, but in time, we might just look back at United We Stream NYE as the moment everything started to get a little better…
Celebrate New Year’s Eve by watching a massive 24-hour set from Hacienda legends – including Graeme Park – live via United We Stream here.
Feature
Five Manchester artists we’ve been listening to this month | May 2025
Danny Jones
Oh, hey, didn’t see you there. Come looking for more top Manc tunage, have we? You’re in luck, because Greater Manchester just keeps pumping out top bands and artists all the time, hence why we do this.
If you’re new around these parts, first of all, welcome and secondly, the whole thing is very simple: every month, we round up some of the best talents coming out of 0161 and talk about why we like them. I know, groundbreaking stuff, right?
They don’t have to be born and bred in Manchester, but they do need to have made this their music home – the first the correct career decision they made, the second being working their way into our ears.
So, now all the housekeeping is done and dusted, let’s dive into some delightful new Manchester music, shall we?
Five Manc bands and artists we’ve been listening to recently
1. IST IST
This month we’re starting off with one of those Manchester bands that may not be new but still crop up for us at regular intervals to remind us of two things: first of all, that they’re brilliant and secondly, that they should have featured on our regular round-up of artists a long time ago.
We’re talking about IST IST, who returned with another live, multiple LP-spanning compilation (plus some extras) this past March, which we’ve had on plenty over the past month. It goes without saying that they sound brilliant live, and we feel bad for only just remembering how good and prolific they’ve been.
You always get plenty of New Order, but also White Lies and Editors; Future Islands, The National and lots of other baritone-driven bands that bring that element of melodrama to layer over the instruments themselves. ‘You’re Mine’ might be their biggest track, but ‘The Kiss’ and ‘Exist’ are also favourites.
2. Robbie Cavanagh
Now, we all know that country music is having a real moment right now and we, for one, couldn’t be happier about it, to be completely frank. Though arguably simplistic at times, it’s soulful, often impressively pared-back, and when something does impress you lyrically or technically, it sticks.
With that in mind, we recently realised that award-winning songwriter Robbie Cavanagh has been on somewhat of a comeback since 2023, and we hadn’t noticed until painfully recently. Returning after a six-year hiatus – bar some little ditties during lockdown – his latest project has some of his best work yet.
Fully tilting from folk into country and folk, the stunning vocalist belatedly blew us away with the bluesy single ‘Helpless’ and a gorgeous new collaboration with solo artist, Abby Gundersen (equally talented sister of Noah), but please still start with his 2016 Mahogany Session, where it arguably all began.
Named after Manchester city centre’s famously eclectic indie emporium, Afflecks Palace have never quite blown up in the way they way we thought they would when we first came across them years ago, but there’s still plenty of time and we’ll be damn it if they don’t deserve more regular listeners.
You’ll also be glad to know that, despite the name, they aren’t one of those trite, overly performative bands who wear a stereotypical Manc-ness on their sleeve that we sometimes come across; they’re just good and deserve a lot more recognition for their contribution to the neo-pysch genre.
As for where to start, we’ll admit we prefer their first album; ‘Forever Young’ is noodley and catchy, ‘Everything Is an Attempt to Be Human’ has those shoegazey guitars, but it just doesn’t get better than the incomparable ‘Pink Skies’, which still makes us feel some type of way – we just can’t quite describe.
We just love it. ‘Nu-Madchester’, or whatever you want to call it, its distinct sunniness never fails to tickle a part of our brains.
4. Findlay
Next up is Stockport singer-songwriter Findlay, who released more new music this past February, and has been making indie pop that ropes in plenty of other influences for more than a decade now.
That being said, she’s always experimenting with her sound, as her collabs with Blossoms, Miles Kane, Bill Ryder-Jones, Joris Delacroix have shown, and this latest iteration seems to have her tapping into everything from almost 50s and 60s female soul singers to slow electronic and more.
We love the smooth sexiness and sheer ambition of her latest single, ‘Stay Kinky’ and ‘Waste My Time’ always feels like a late-night chiller fit for music video set in a dingey bar, however, we still have a soft spot for her debut, ‘Your Sister’, with the riff that’s almost reminiscent of ‘Blockbuster’ by Sweet.
Last but not least, it’s the second time we’re featuring a returning artist and it comes in the form of young Alex Spencer, whose journey from busking around the streets of Greater Manchester to sold-out headlines shows and featuring on the likes EA Sports FC 25 (yes, FIFA) is a truly remarkable one.
The charming and still fresh-faced local lad from Droylsden is nothing short of proof that hard work and determination can pay off, and those ‘Bucket List’ dreams really are within reach. Obvious talent aside, this teenager has grafted his arse off and we couldn’t be more proudof how far he’s come already.
He last featured in this round-up back in April 2024 but even in the time between then, he’s released plenty and developed even further as musician, so much so that we’re not going to suggest which songs to try; instead, you can watch our most recent interview with him and relive his last year or so with us.
I’m Alex Spencer and This is my journey so far!
8 years of my music journey summed up in 1 minute 55😅 Thankyou to everyone who’s followed my journey so far, to anyone new or to anyone who doesn’t know my story, I made this video to show where it all started and how I got here❤️ pic.twitter.com/Hi3W7MHMxX
So, the next time you hear someone foolishly complaining that the Greater Manchester music scene ‘isn’t what it once was’, you can go right ahead of show them these bands and artists.
In fact, you could just point them in the direction of this very page and Audio North, in general, as we do this round-up every month and plenty more every week, meaning you’re headphones never dry up.
For instance, you can check out which Manchester bands and artists we were listening to back in April, both new, current and old, down below. We’ll see you again very soon.
Bruce Springsteen’s unforgettable final night at Co-op Live in Manchester – just wow…
Danny Jones
It’s rare you get to see legends in real life, especially this up close and personal, but there’s still just one key word that keeps coming to mind when we think of seeing Bruce Springsteen in Manchester at the Co-op Live last night: surreal.
We still can’t quite believe that he was here in Manchester, in the flesh, for three separate nights, but we do intend to replay it in our heads over and over again until it fully sinks in.
Springsteen, ‘The Boss’, Brucey, whatever you want to call him, there really is something to be said for someone who’s been going this long and still exerts so much energy at 75.
That goes for his desperately loyal and dedicated crowds, too. The legions that marched down ‘Thunder Road’ and back down the CityLink walking route and the Ashton canal in supreme spirits after all was said and done gave as good as they got.
We can only assume Springsteen was as incredible on the first night at Co-op Live as he was on the last. (Credit: Audio North)
From singing back every chorus to the chants of “Bruuuuuuuce!” between every single song, it was more apparent than ever that being a Springsteen fan is quite literally a way of life for these people; they know every line, every call and response, every micro-dance move and regular on-stage ritual.
Each show is roughly three hours long, by the way – he does have an absolute treasure trove of discography to work through, in fairness.
Put simply, there’s no messing about, just non-stop rock and roll of the highest order. Well, there are some brief pauses, but for good reason…
As a passionate political and philanthropic person throughout a career which spans more than six decades, he took the time to talk about America and the turbulent times they are once again facing.
He spoke about the craven billionaire class, poverty, uniting through art and, just as he did on night one in Manchester, Springsteen railed against a particular tyrant who happens to have found himself in the seat of power yet again back over in the States. He made sure to do this every single night.
‘Born in the U.S.A.’ (which he did decide to play, along with a plethora of the other biggest hits) now feels more like a protest song than ever. The war may no longer be in Vietnam, but there is one raging back home, and he’s even more wary of it than before.
He thanked those in the pit and the stands for indulging him, as well as the “wonderful space” of the Co-op and its “beautiful sound” for hosting him, but we have a feeling the New Jersey poet could have said just about anything and he’d still have 23,500+ in the palm of his hands.
All that being said, it wasn’t like this was a pseudo-rally or anything like that, nor was anything of this being foisted upon the audience, but there was a real sense of a congregation gathering in the church of Bruce to take in his sermon.
His followers have often been referred to in this way, and despite only previously considering ourselves a very casual Springsteen enthusiast, having now been to a sell-out arena gig with one of the biggest Boss fans we know, we can understand why millions of people around the world idolise this absolute icon.
It goes without saying that a huge amount of applause must go to The E Street Band themselves, who are just as much a part of what makes Springsteen sets so special as he is.
From the ever-charismatic Steven Van Zandt (still hard not to see him as ‘Sil’ from The Sopranos) to Jake Clemons on sax – who has been part of the group since 2012 and shared a touching embrace with Bruce as tributes to his predecessor and uncle, Clarence, played behind them – these lot are a family.
Our only minor gripe is that we sorely missed hearing ‘Atlantic City’, but what the concert did confirm is that much like the effect the recent Bob Dylan biopic had on us, we’re now more committed than ever to working through the Springsteen back catalogue from start to finish and seeing how obsessed we get.
To end on one final thought and echo the words of the man himself: “peace, love and freedom.”