Comprised of just three stitched together pieces of cotton, for generations now the t-shirt has functioned as a really basic way of telling the world who and what you are.
Long championed by music fans and politicos alike as a form of self-expression, over the years the humble t-shirt has become a great visual shorthand for promoting – and defending – causes close to your chest.
Now they’re being adopted by another group with a cause: the Manchester hospitality sector.
From late-night pizza parlours to gin bars, mental health coffee shops and hoagie spots, there’s now a glut of businesses in the city working with local artists to create their own design-savvy merchandise – and locals have been quick to snap them up.
It’s not all t-shirts, either. There’s beanies, caps, tote bags, jumpers, hoodies – you name it, someone in the hospitality scene has stuck a design on it and marketed it to their customers during Covid.
ADVERTISEMENT
But this is not a vanity project, far from it. Rather, the income stream that merch sales have brought in has been invaluable to struggling Manchester businesses over the past year and a half.
For some, it’s also served as a small act of rebellion against decision-makers they feel have let them down in their time of need.
ADVERTISEMENT
Interestingly, some of the earliest people to grasp this within hospitality were the staff themselves.
Bundobust
Bundobust
In October last year, a group of Manchester bartenders got together (virtually, we assume) to ask how the hell they could support and help those that weren’t in as fortunate a position within the hospitality industry.
At the time, many of their fellow employees were losing their jobs and there was only one charity that seemed to be helping them: Hospitality in Action.
ADVERTISEMENT
The solution? Sell some merchandise and donate the proceeds to charity.
They quickly moved to create some tongue-in-cheek MAGA-style hats that read ‘Make Bedtime Late Again’ – raising much-needed funds for struggling teammates as well as awareness for their cancel the curfew campaign.
Others were quick to follow.
Manchester’s part-time pizza parlour Crazy Pedro’s commissioned a series of murals outside their venue at the end of 2020 that became synonymous with the hospitality sector’s struggle / Image: Crazy Pedro’s.
At Atlas Bar on Deansgate, a spot renowned for having the best and biggest collection of gin in the city, bosses moved to create their own Premium Small Batch London Dry Atlas Gin as a way to bring the bar back into people’s homes.
They – like many others – also launched a range of “at home” experiences, which quickly got snapped up by customers fed up with supermarket gins.
ADVERTISEMENT
“The revenue has created much-needed cash flow, which certainly supported paying bills through lockdown,” acknowledges Managing Director Elaine Wrigley when we chat about the impact of the past year.
But one place in Manchester that has perhaps done more than any other on the merch front is part-time pizza parlour Crazy Pedros, part of The Liars Group.
It all began with customers buying ‘pay it forward’ vouchers, says Nick Coupland, head of marketing and social, when we catch up on how things were during that crazy time in March last year, but things quickly evolved beyond that.
The company has always sold merchandise for Pedros and has long worked with local artist Harrison Edwards on their branding across the group to come up with quirky designs, from pizza boxes that look like actual pieces of art to bespoke cans of Pedro’s Hooch.
NQ64
NQ64
But things really picked up when they started selling their politically charged ‘Buck Foris’ t-shirts in October following the Tier announcements.
ADVERTISEMENT
These sold out almost instantaneously, Nick tells us – adding that they saw a 400% increase in sales after releasing the designs online.
For many loyal restaurant fans, buying merch has become an easy way to support their favourite eateries through a series of lockdowns that has left much of Manchester’s hospitality in rags.
The income has been especially important to the city’s many bars and pubs without a food offering, who have spent more of the past year closed than open.
The pizza boxes at Crazy Pedro’s go far beyond the average / Image: Crazy Pedro’s
It’s not been an easy one for the sector. In fact, according to United City, from March 2020 to March 2021 Greater Manchester was only in restrictions equivalent to Tier One for a total of three weeks.
This means, in the space of a year, hospitality businesses (which account for 33% of all employment in Manchester) lost out not just on their all-important Christmas trade, but also Bank Holidays, Pride celebrations, Halloween, and more.
ADVERTISEMENT
It’s also perhaps unsurprising that the sudden increase in demand for restaurant t-shirts has aligned with the closing of gig venues and nightclubs.
In a way, going out for dinner has become the new “going out”, and was emphasised all too clearly at Escape to Freight Island’s chaotic KANTINA weekend, which somehow managed to create a queueing system more disastrous than Manchester Pride’s ill-fated 2019 festival.
Whatever the reason, things have certainly changed and, as ever, Manchester is pushing back.
The DIY attitude of the punk era is in vogue once again, and this time it’s Manchester’s restaurants and bars leading the charge.
Feature
Liam Broady is on the comeback – here’s why you need to watch out for him at Wimbledon
The Manc
Local tennis player Liam Broady is quietly rising back up the ranks on the ITF Tour, and here’s why we think you should watch out for him come Wimbledon 2026 this summer.
He is physical proof that the ATP Tour ranking means so much to a player’s career.
The Stockport-born tennis player has suffered many injury setbacks since turning pro in 2014. With a host of ankle and back injuries plaguing his playing career, he has had to turn to the ITF (International Tennis Federation) Tour to climb the rankings once again.
He is currently placed at 283* on the ATP (Association of Tennis Professionals) Tour after reaching two semi-finals in the space of a month.
With wins on two of Portugal’s hard courts in Faro and Santo António, the 32-year-old has climbed from rank 303 at the start of the year to under the threshold in less than three months.
His hard work on outdoor courts is paying off as his seeding is slowly improving, and his opponents are becoming less of a challenge.
For the unititated, the ATP ranking is decided by a points system that determines your playing level, and therefore who you can possibly draw, with lower seeds getting tougher games as they need more points, and vice versa.
These point tallies factor into every win, loss, serve, and shot as it propels you up or down the table.
With an injury over Christmas, the Stopfordian Team GB player came back stronger for the start of the annual tournament calendar and now looks to be in fighting form on the ITF Tour.
He’s definitely had to tackle some obstacles over the years, both on and off the court…
Competing solely on outdoor hard courts to gain his fitness levels back is necessary, but the grass courts – his speciality – will come around with time and consistent form, with Wimbledon being his home tournament and his highlight of the competitive calendar.
His career best ranking was 93, after becoming the first British wildcard entry to beat an ATP top five player in 2023 when defeating Casper Rudd on Wimbledon’s centre court.
His win against the Norwegian in round two sent him into the top 100 rankings for the first time, and into the shining spotlight alongside British tennis stars.
The adverse effects of time away from the tour are clear to see with Broady’s peaks and dips in the table below; this means taking a hit to player motivation, game-to-game momentum and teamworking within doubles pairs.
Liam Broady’s career rankings progression chart. (Credit: ATP Tour)
It is a likely situation for players to neglect their doubles career without the added stress of injury, so if they are to arise, it does not just impact individual physicality levels but also communication between doubles pairs.
A fellow British player with similar injury problems is Emma Raducanu, who rose to fame with a shocking US Open grand slam win as a qualifier. Since her win, she has had multiple surgeries, which saw her plummet down WTA (Women’s Tennis Association) standings due to time spent off court.
The issues that come with injury upsets can make a career really difficult to reclaim, even at a young age; tour rankings can be brutal on game time and match opponents, such as Broady’s Wimbledon draw against Holland’s Van De Zandschulp and Raducanu’s recent draw against American no.3 Anisimova.
We hope to see Team GB’s athletes fit and ready to fight on tour, and we have a strong feeling we’ll see native talent Broady back in the spotlight where he belongs.
Gig review | KEO at the O2 Ritz in Manchester – Sometimes you just KNOW…
Danny Jones
Fontaines D.C., Turnstile, Wunderhorse, Sleep Token, Neck Deep; sometimes it only takes a few listens and a live show to KNOW that a band is going to catch fire and go on to be huge – for Audio North and KEO, it only took a few.
But having now seen KEO for a third time, collectively, we’re more convinced than ever that they’re going to be massive.
Sadly, a prior engagement meant that we just missed catching the support act, Tooth (though we did hear great things rumbling around the eager young crowd), but there was no chance we were going to miss this lot show off how very good they are at what they do.
And there was absolutely no chance they were going to disappoint us, either…
We first caught this fast-rising post-grunge outfit live in action at Kendal Calling last year, where they somehow turned a daytime slot on the Woodlands stage into a moody mid-evening mosh.
They had even less fully produced and officially released music out then, but then we had the pleasure of watching them at The Key Club in Leeds this past October, and they were even better; punchier, more graduated at their game, and their fandom seemed plenty strong already.
As it turns out, that same progression proved true in Manchester, as KEO played their biggest headline show to date, and that same cult following only appeared more fervent than ever.
They might be based down in the capital, with roots in Portugal, brothers Finn and Conor having grown up there, but they certainly know a thing or two about how to please a Northern audience.
Of course, we’re sure they go off just as hard down in the capital – in fact, we’re certain they do – but the response they got from two sold-out rooms full of Yorkshire folk and us equally discerning Mancs felt like they had well and truly passed the litmus.
With flying colours, may we add.
Everything from the raw ’90s rock feel to the aesthetic hits just right. (Credit: Audio North)
It’s also worth noting that these London lads have built up this hype like very few ever manage to do: by developing a sterling live reputation right from the off and putting top-notch shows first.
For those unaware, they only just released their first five-track EP, Siren, back in June 2025, yet they’ve been packing out venues and festival stages pretty much since day dot, with die-hards growing their love for the band via performance and initially only learning the lyrics through social clips and snippets online.
While some have questioned why they’ve been chosen to headline this year’s Neighbourhood Festival here in Manchester city centre before they’ve even dropped a debut album, you only need to hear the entire Ritz screaming back the lyrics to ‘I Lied, Amber’, ‘Thorn’ and ‘Hands’ to know they fit the bill.
Frontman Finn pours so much unbridled power and emotion into his vocals, guitarist Jimmy Lanwern didn’t even need to look to know that his riffs were ripping the roof off, and they’ve quickly moved far beyond the early Wunderhorse parallels – they’re their own beast just waiting to be fully woken.