Comprised of just three stitched together pieces of cotton, for generations now the t-shirt has functioned as a really basic way of telling the world who and what you are.
Long championed by music fans and politicos alike as a form of self-expression, over the years the humble t-shirt has become a great visual shorthand for promoting – and defending – causes close to your chest.
Now they’re being adopted by another group with a cause: the Manchester hospitality sector.
From late-night pizza parlours to gin bars, mental health coffee shops and hoagie spots, there’s now a glut of businesses in the city working with local artists to create their own design-savvy merchandise – and locals have been quick to snap them up.
It’s not all t-shirts, either. There’s beanies, caps, tote bags, jumpers, hoodies – you name it, someone in the hospitality scene has stuck a design on it and marketed it to their customers during Covid.
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But this is not a vanity project, far from it. Rather, the income stream that merch sales have brought in has been invaluable to struggling Manchester businesses over the past year and a half.
For some, it’s also served as a small act of rebellion against decision-makers they feel have let them down in their time of need.
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Interestingly, some of the earliest people to grasp this within hospitality were the staff themselves.
Bundobust
Bundobust
In October last year, a group of Manchester bartenders got together (virtually, we assume) to ask how the hell they could support and help those that weren’t in as fortunate a position within the hospitality industry.
At the time, many of their fellow employees were losing their jobs and there was only one charity that seemed to be helping them: Hospitality in Action.
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The solution? Sell some merchandise and donate the proceeds to charity.
They quickly moved to create some tongue-in-cheek MAGA-style hats that read ‘Make Bedtime Late Again’ – raising much-needed funds for struggling teammates as well as awareness for their cancel the curfew campaign.
Others were quick to follow.
Manchester’s part-time pizza parlour Crazy Pedro’s commissioned a series of murals outside their venue at the end of 2020 that became synonymous with the hospitality sector’s struggle / Image: Crazy Pedro’s.
At Atlas Bar on Deansgate, a spot renowned for having the best and biggest collection of gin in the city, bosses moved to create their own Premium Small Batch London Dry Atlas Gin as a way to bring the bar back into people’s homes.
They – like many others – also launched a range of “at home” experiences, which quickly got snapped up by customers fed up with supermarket gins.
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“The revenue has created much-needed cash flow, which certainly supported paying bills through lockdown,” acknowledges Managing Director Elaine Wrigley when we chat about the impact of the past year.
But one place in Manchester that has perhaps done more than any other on the merch front is part-time pizza parlour Crazy Pedros, part of The Liars Group.
It all began with customers buying ‘pay it forward’ vouchers, says Nick Coupland, head of marketing and social, when we catch up on how things were during that crazy time in March last year, but things quickly evolved beyond that.
The company has always sold merchandise for Pedros and has long worked with local artist Harrison Edwards on their branding across the group to come up with quirky designs, from pizza boxes that look like actual pieces of art to bespoke cans of Pedro’s Hooch.
NQ64
NQ64
But things really picked up when they started selling their politically charged ‘Buck Foris’ t-shirts in October following the Tier announcements.
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These sold out almost instantaneously, Nick tells us – adding that they saw a 400% increase in sales after releasing the designs online.
For many loyal restaurant fans, buying merch has become an easy way to support their favourite eateries through a series of lockdowns that has left much of Manchester’s hospitality in rags.
The income has been especially important to the city’s many bars and pubs without a food offering, who have spent more of the past year closed than open.
The pizza boxes at Crazy Pedro’s go far beyond the average / Image: Crazy Pedro’s
It’s not been an easy one for the sector. In fact, according to United City, from March 2020 to March 2021 Greater Manchester was only in restrictions equivalent to Tier One for a total of three weeks.
This means, in the space of a year, hospitality businesses (which account for 33% of all employment in Manchester) lost out not just on their all-important Christmas trade, but also Bank Holidays, Pride celebrations, Halloween, and more.
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It’s also perhaps unsurprising that the sudden increase in demand for restaurant t-shirts has aligned with the closing of gig venues and nightclubs.
In a way, going out for dinner has become the new “going out”, and was emphasised all too clearly at Escape to Freight Island’s chaotic KANTINA weekend, which somehow managed to create a queueing system more disastrous than Manchester Pride’s ill-fated 2019 festival.
Whatever the reason, things have certainly changed and, as ever, Manchester is pushing back.
The DIY attitude of the punk era is in vogue once again, and this time it’s Manchester’s restaurants and bars leading the charge.
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.