The Chetham name holds a great deal of significance in Greater Manchester.
Whether it’s a name you’re familiar with, a name you’ve seen mentioned before, but are unsure of its importance, or a name you’re just hearing for the first time right now, there’s no denying what it means to our region.
It’s a name you’ll find simultaneously bestowed upon a former public hospital turned world-leading independent music school, a 178-year-old text publication society concerned with the history of North West England founded in 1843 and commemorated in the window of Manchester Cathedral.
It also proudly features on the front of two local statues and a mural, heavily linked to both Clayton Hall near Droylsden and Turton Tower in Bolton (as well as a popular pub in a nearby village) and most notably, of course, the oldest public library in the English-speaking world right here in Manchester.
But who does this surname actually belong to? Just who is it that we have to thank for the integral part played in shaping the cultural landscape of our wonderful city and wider community that we so frequently enjoy today?
Humphrey Chetham made his name as an English textile merchant, financier, and philanthropist.
ADVERTISEMENT
He was born on 10th July 1580 in Crumpsalland was the son of Henry Chetham, a successful Manchester merchant who lived in Crumpsall Hall with his wife Jane, who was the daughter of Robert Wroe of nearby Heaton.
He was educated at Manchester Grammar School, and then in 1597, was the made the apprentice to Samuel Tipping, a well-known Manchester linen draper.
In 1605, Humphrey moved from Manchester to London with his brother George.
ADVERTISEMENT
The pair joined forces to trade in various textiles, primarily fustian — a strong woven fabric made of linen and cotton — and the business partnership went on to become highly successful, thanks to the fact that the fabric they were trading was bought in London and then sold for a higher price in Manchester.
Having made his fortune and now a shrewd and successful businessman, Humphrey began to purchase land and property in the Manchester area in the 1620s, with his first notable purchase being the acquisition of the 15th-century manor house Clayton Hall, close to his hometown, then followed by the purchase of the scheduled ancient monument and the Grade I-listed Turton Tower, which was bought from William Orrell in 1628.
After his huge wealth and success became known to the crown, Humphrey was asked to be knighted in 1631, but he declined the honour and was subsequently fined for his refusal.
But in 1635, he was offered a job he was unable to refuse and became the High Sheriff of Lancashire.
His continuing list of titles and roles didn’t stop there either, as in 1643 he was forced into the position of General Treasurer of Lancashire, but he was said to have found this one very difficult to manage as a result of his old age and therefore turned down a second term.
ADVERTISEMENT
For many years prior to his death in 1653, Humphrey Chetham had attempted to make provisions for a large charitable scheme, but as time went on, he also began to obtain debts from his multiple businesses and began to fear that when he eventually passed on, parliament would take his money.
He therefore donated money to form a blue coat school for forty poor boys, which later became Chetham’s Hospital, and then the institution we know today as Chetham’s School of Music.
He also left money to establish what many would consider his greatest legacy, the iconic Chetham’s Library, founded in 1653 under his will for the education of “the sons of honest, industrious and painful parents” and for the use of scholars.
A real gem in Greater Manchester’s cultural crown, it is globally renowned as the oldest public library in the English-speaking world and has a rich history all of its own.
Chetham’s Library is known for being the regular meeting place of Karl Marx and Friedrich Engels, when Marx visited Manchester in the summer of 1845, with the research they undertook during this series of visits to the library ultimately leading to The Communist Manifesto.
ADVERTISEMENT
This is just one of many examples of how the library has cemented itself site of historical importance for the region, as well as further etching the Chetham name into global history.
Humphrey Chetham also left additional funds to pay for books on his death, and it’s said that more libraries were also constructed later on from this money.
And it’s from those charitable efforts and goodwill that he will always be remembered by Mancunians.
He truly did leave a lasting legacy we can still feel today.
30 years ago, the IRA detonated a 1,500kg lorry bomb on Corporation Street in the heart of Manchester – here’s the story
Georgina Pellant
Today marks three whole decades since an explosion from the inside of a lorry parked on Corporation Street shattered windows and destroyed buildings across the city centre.
Causing an evisceration that stretched for miles, when the 1,500 kilogram IRA bomb went off in 1996, it was the biggest detonation in Great Britain since the Second World War.
Following the explosion, the city fell silent – leaving rack, rubble and ruin in its wake. Famously, one red post box was left standing – today fitted with a memorial plaque in remembrance of the tragedy.
It seems scary to think that back then, most people could only stand there, watch on and worry.
The bomb caused an estimated £700 million worth of damage to Manchester’s infrastructure and economy, and over a quarter of a century later, locals still tell the stories of where they were when it went off – and of the devastation it left behind.
Notably, one resident of the Cromford Court maisonettes on top of the Arndale – a 77-year-old RAF veteran suffering from the flu – didn’t even bother to get up when the telephone warning to evacuate hit, considering himself to have survived much worse feats during his time in military service.
Having been a rear gunner in a Lancaster in the war, he reportedly told police and authorities “he was buggered if he was going to let a small bomb affect him.”
In subsequent years, Danny O’Neill has become a part of an urban legend surrounding the bomb as his staggering story has been told time and time again.
Around 90 minutes prior to the detonation, the Provisional Irish Republican Army had telephoned in warnings – meaning that around 75,000 people were able to be evacuated from the area before the bomb went off from the back of a van.
However, the bomb squad were unable to defuse it in time, leading to over 200 injuries from people still left in the area.
Thankfully, despite those injuries, there were no fatalities, and many of those reported traumas came from the shattering of thousands of windows and other damage to buildings in which unsuspecting people were getting on with their days.
Several buildings near the explosion were damaged beyond repair and had to be demolished, while many more were closed for months for structural repairs, and this prompted the biggest regeneration of Manchester city centre ever – something that is still continuing to this day, arguably at a more rapid rate than ever.
The city lay dormant for days after the explosion, as people came to terms with what had happened and kept their distance. Many moved out of the centre for a period of time, while many more simply decided not to visit for fear of another incident.
It was a desolate place, eerily quiet, and in need of some serious TLC.
According to Home Office statistics, an estimated 400 businesses within half a mile (0.8 km) of the 1996 blast were affected, 40% of which did not recover.
Credit: Manchester Libraries
Market Street – near the explosion and at that time the second-busiest shopping street in the UK – was considered by some a “fearful” place, and one that was to be “avoided like the plague”.
The prospect of pulling Manchester’s bustling city centre out of its darkest depression was not casually approached by those in charge.
It was acknowledged as a mammoth task from the get-go, but Greater Manchester has never let anything get in its way. Despite how steep the hill is that we’re standing at the base of, we always manage to reach the peak, ready to go again.
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Emily Sergeant -
10th February 2021 
