The Chetham name holds a great deal of significance in Greater Manchester.
Whether it’s a name you’re familiar with, a name you’ve seen mentioned before, but are unsure of its importance, or a name you’re just hearing for the first time right now, there’s no denying what it means to our region.
It’s a name you’ll find simultaneously bestowed upon a former public hospital turned world-leading independent music school, a 178-year-old text publication society concerned with the history of North West England founded in 1843 and commemorated in the window of Manchester Cathedral.
It also proudly features on the front of two local statues and a mural, heavily linked to both Clayton Hall near Droylsden and Turton Tower in Bolton (as well as a popular pub in a nearby village) and most notably, of course, the oldest public library in the English-speaking world right here in Manchester.
But who does this surname actually belong to? Just who is it that we have to thank for the integral part played in shaping the cultural landscape of our wonderful city and wider community that we so frequently enjoy today?
Humphrey Chetham made his name as an English textile merchant, financier, and philanthropist.
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He was born on 10th July 1580 in Crumpsalland was the son of Henry Chetham, a successful Manchester merchant who lived in Crumpsall Hall with his wife Jane, who was the daughter of Robert Wroe of nearby Heaton.
He was educated at Manchester Grammar School, and then in 1597, was the made the apprentice to Samuel Tipping, a well-known Manchester linen draper.
In 1605, Humphrey moved from Manchester to London with his brother George.
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The pair joined forces to trade in various textiles, primarily fustian — a strong woven fabric made of linen and cotton — and the business partnership went on to become highly successful, thanks to the fact that the fabric they were trading was bought in London and then sold for a higher price in Manchester.
Having made his fortune and now a shrewd and successful businessman, Humphrey began to purchase land and property in the Manchester area in the 1620s, with his first notable purchase being the acquisition of the 15th-century manor house Clayton Hall, close to his hometown, then followed by the purchase of the scheduled ancient monument and the Grade I-listed Turton Tower, which was bought from William Orrell in 1628.
After his huge wealth and success became known to the crown, Humphrey was asked to be knighted in 1631, but he declined the honour and was subsequently fined for his refusal.
But in 1635, he was offered a job he was unable to refuse and became the High Sheriff of Lancashire.
His continuing list of titles and roles didn’t stop there either, as in 1643 he was forced into the position of General Treasurer of Lancashire, but he was said to have found this one very difficult to manage as a result of his old age and therefore turned down a second term.
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For many years prior to his death in 1653, Humphrey Chetham had attempted to make provisions for a large charitable scheme, but as time went on, he also began to obtain debts from his multiple businesses and began to fear that when he eventually passed on, parliament would take his money.
He therefore donated money to form a blue coat school for forty poor boys, which later became Chetham’s Hospital, and then the institution we know today as Chetham’s School of Music.
He also left money to establish what many would consider his greatest legacy, the iconic Chetham’s Library, founded in 1653 under his will for the education of “the sons of honest, industrious and painful parents” and for the use of scholars.
A real gem in Greater Manchester’s cultural crown, it is globally renowned as the oldest public library in the English-speaking world and has a rich history all of its own.
Chetham’s Library is known for being the regular meeting place of Karl Marx and Friedrich Engels, when Marx visited Manchester in the summer of 1845, with the research they undertook during this series of visits to the library ultimately leading to The Communist Manifesto.
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This is just one of many examples of how the library has cemented itself site of historical importance for the region, as well as further etching the Chetham name into global history.
Humphrey Chetham also left additional funds to pay for books on his death, and it’s said that more libraries were also constructed later on from this money.
And it’s from those charitable efforts and goodwill that he will always be remembered by Mancunians.
He truly did leave a lasting legacy we can still feel today.
The Last Dinner Party aren’t ‘industry plants’, they just got real good real quick – Victoria Warehouse, Manchester
Danny Jones
It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
The Last Dinner Party were buzzing to be back in Manchester (Credit: The Manc Group)
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
‘Sinner’, ‘My Lady of Mercy’, ‘Nothing Matters’ and a few clever covers were the highlights. (Credit: The Manc Group)
The new hidden Manchester cocktail bar that’s actually trying to stay secret
Daisy Jackson
There was a time a couple of years ago where ‘secret’ bars were all the rage – except they threw big launch parties and had queues outside and weren’t very secret at all.
But one new cocktail bar in Manchester has done such a good job of flying under the radar that even we, who live and breathe local food and drink, have only just discovered it.
And it’s been open for months.
This particular hidden cocktail bar has brought a little taste of Tokyo’s underground bar scene to Manchester, in both the decor and the drinks menu.
It’s a bar that’s flooded with red lighting and synth music, with a carefully thought-out drinks menu showing off Japanese whiskeys and other spirits from the continent.
Kodo has done a good job of avoiding too much attention, even though it’s not gone for the usual ‘secret bar’ tactics that most venues use.
It’s not hiding behind a launderette like The Washhouse, or a pawn shop like Dusk Til Pawn, or a completely blank door like Behind Closed Doors.
Instead, it’s hiding behind a huge, bright red door painted with a mysterious, anime-style eye, with black wisps of hair across it. Oftentimes, there’s dry ice pouring out from underneath the door.
So once you track it down there’s no mistaking that you’ve found it.
Kodo might be a ‘secret bar’ but once you work out the location, the big door makes it pretty obvious. Credit: The Manc GroupInside secret bar Kodo it’s an ode to underground Japan in Manchester. Credit: The Manc Group
On arrival, you have to ring the bell beside the door, ready for a letterbox to fling open and a pair of eyes to peer out at you.
Then you need to show an image on your phone to the mystery figure behind the door (the image changes every week) before you’re granted access to this clandestine cocktail bar.
Kodo is worth the effort though.
Inside it’s smoky and sultry, with modern red light installations overhead, a blue-lit bar, and brick walls painted with more anime-style art.
A delicious Pomelo Paloma at Kodo Manchester. Credit: The Manc GroupInside secret Manchester bar Kodo. Credit: The Manc Group
Kodo is serving some of the city’s most exciting drinks, from old fashioneds infused with shiitake mushrooms to martinis made with marmalade and yuzu sake.
It’s been open for about four months and has been busy the whole time, with word-of-mouth helping to pull in a steady stream of curious punters.
It’s working so well because all those customers who have visited have bought into the secret element – as far as we can see, no one has actually slapped the location online anywhere. That’s a bit of a miracle in this day and age.
We’ve been sworn to secrecy on the location – but check out @kodomanchester on Instagram for clues.
Emily Sergeant -
10th February 2021 
