‘I’ve missed you, too’: The eye-catching artwork series rejoicing in Manchester’s return
Aching for his city to return, Len Grant scribbled lockdown away in the confines of his loft. The images he made are now being hung proudly aloft across Manchester.
When the UK began to wake up in summer 2020, weary denizens gained a new lease of life; eagerly debating what they’d do, where they’d go, and who’d they’d see first when ‘this was all over’.
‘What have you missed most?’ seemed to be the question we were all most keen to ask and answer.
But then, just as we started to get all our favourite things back, they were taken away again. And this time, it was much, much tougher.
The onset of Lockdown Three was the bleakest possible way to begin 2021 – ushering the public back indoors for a long, gloomy winter.
During January and February, Manchester still looked like the city we knew and loved, but it felt like another world. It was the strangest thing. We were all at home, yet painfully homesick.
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Permitted activities were mostly limited to freezing-cold strolls in the rain, and the notion of ‘what we’ve missed most’ wasn’t just a throwaway remark anymore. It had taken on a deeper, almost existential meaning.
Local photographer Len Grant found himself mulling this very question during Lockdown Three and was unable to find a single answer. He missed it all.
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He looked back over the images he’d captured from the seat of a saddle during his teeth-chattering bike rides, and every picture made him realise just how much he was aching for his city to return to life.
Like the rest of us, Len had nowhere to go and nothing to do during one of the most miserable winters on record – so he retreated to his loft and started sketching artworks of his beloved city to pass the time.
This week, those images came to life.
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Len’s 12 artworks have been proudly hung aloft as part of a spectacular outdoor artwork series celebrating the return of Manchester called I’ve Missed You, Too.
Appearing at Escape to Freight Island by Piccadilly and on Redhill Street in Ancoats, the images will also soon appear as ground floor window vinyls at the upcoming QBic Hotel (which will open on the corner of John Dalton Street and Deansgate in May).
“They were short days, dark evenings, awful weather,” Len says, remembering the early part of Lockdown Three.
“I found being stuck inside really difficult. So, I began reworking some of my old sketches – and bought a big drawing board to create them at A2 size.
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“Starting the series kept me on an even keel and supported my mental health. But what I realised I was doing was creating sketches of these places I was missing so much. Not just the physical places, but the activities we do there – going to the pubs, museums, art galleries, cafes.
“We’ve missed the impact and benefit all these places have had on us. We took them for granted, really. When they were taken away we not only missed them, we realised how these things help us interact as people.”
A homage to Mancunia, the artworks have been created using a range of different techniques including analogue and digital – hand-drawn at A2, painted in watercolour, and then dotted with colours and textures in Photoshop.
Each of the images feature familiar streets and faces – carrying a warm, dreamlike quality and even a few recurring characters.
“Some of the people in these artworks are based on individuals who have been in the environments I’ve photographed before,” Len explains.
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“One example is the woman walking past with a tote bag which says ‘2 metres’ – which is kind of appropriate to the era. Some of [the characters] come from my imagination. I draw figures in a notebook and sometimes, if I like those, they appear.
“I realised some people were appearing again and again. I quite liked that idea that you see somebody in one place and you might see them again somewhere else.
“For example, there’s a guy walking his dog in Cutting Room Square, and in the sketch of New Islington the dog appears again. There’s also a little boy chasing a pigeon in two different parts of Manchester.
“Hopefully as people look at them they’ll be able to see the little humorous things.”
‘I’ve Missed You Too’ at Escape to Freight Island, Mayfield‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.
Introducing the artwork is a short love letter to the city containing some of Len’s favourite pastimes – from tucking into Rice & Three at This & That Cafe to cutting through Royal Exchange Theatre to duck away from Manchester drizzle.
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It’s been a gruelling few months, but Len’s beloved city is back in action. And he wonders whether it’ll be different this time round.
“I’m intrigued to know how the cities will change,” Len muses.
“There’s already talk about big companies not using much office space or inviting people to work from home more often. I wonder whether that’s sustainable… and if over a period of time people will want to start working with others.
“I think we’ll get back to where we were. We’re all kind of Zoom-ed out, now. When I get a face-to-face meeting these days, I’m so excited. It’s novel at the moment.
“I think any nervousness of going back will be short-lived.”
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Len has left his mark on the city with many major photography projects over the years – including the magnificent ‘Regeneration Manchester’ – which shows Manchester transforming over three decades.
But according to Len, there’s nothing quite like having your work exhibited outdoors.
“I absolutely love getting my work outside, people just stumble across it,” he says.
“You just get so many more people seeing it who wouldn’t ordinarily do so. I love that idea.
“I’m super excited by it, to be quite honest.”
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As beaming families wander down Redhill Street and point at the artworks sizzling in the sunshine, it’s evident that Len isn’t the only one feeling this way.
Manchester is coming back.
You can catch the new series ‘I’ve Missed You, Too’ at Escape To Freight Island at Mayfield Depot.
The artwork is also proudly displayed on the fence of Urban Splash development Waulk Mill on Redhill Street in Ancoats.
All 12 images will be showcased at the QBic Hotel from May.
You can purchase the exhibition catalogue online here.
Feature
30 years ago, the IRA detonated a 1,500kg lorry bomb on Corporation Street in the heart of Manchester – here’s the story
Georgina Pellant
Today marks three whole decades since an explosion from the inside of a lorry parked on Corporation Street shattered windows and destroyed buildings across the city centre.
Causing an evisceration that stretched for miles, when the 1,500 kilogram IRA bomb went off in 1996, it was the biggest detonation in Great Britain since the Second World War.
Following the explosion, the city fell silent – leaving rack, rubble and ruin in its wake. Famously, one red post box was left standing – today fitted with a memorial plaque in remembrance of the tragedy.
It seems scary to think that back then, most people could only stand there, watch on and worry.
The bomb caused an estimated £700 million worth of damage to Manchester’s infrastructure and economy, and over a quarter of a century later, locals still tell the stories of where they were when it went off – and of the devastation it left behind.
Notably, one resident of the Cromford Court maisonettes on top of the Arndale – a 77-year-old RAF veteran suffering from the flu – didn’t even bother to get up when the telephone warning to evacuate hit, considering himself to have survived much worse feats during his time in military service.
Having been a rear gunner in a Lancaster in the war, he reportedly told police and authorities “he was buggered if he was going to let a small bomb affect him.”
In subsequent years, Danny O’Neill has become a part of an urban legend surrounding the bomb as his staggering story has been told time and time again.
Around 90 minutes prior to the detonation, the Provisional Irish Republican Army had telephoned in warnings – meaning that around 75,000 people were able to be evacuated from the area before the bomb went off from the back of a van.
However, the bomb squad were unable to defuse it in time, leading to over 200 injuries from people still left in the area.
Thankfully, despite those injuries, there were no fatalities, and many of those reported traumas came from the shattering of thousands of windows and other damage to buildings in which unsuspecting people were getting on with their days.
Several buildings near the explosion were damaged beyond repair and had to be demolished, while many more were closed for months for structural repairs, and this prompted the biggest regeneration of Manchester city centre ever – something that is still continuing to this day, arguably at a more rapid rate than ever.
The city lay dormant for days after the explosion, as people came to terms with what had happened and kept their distance. Many moved out of the centre for a period of time, while many more simply decided not to visit for fear of another incident.
It was a desolate place, eerily quiet, and in need of some serious TLC.
According to Home Office statistics, an estimated 400 businesses within half a mile (0.8 km) of the 1996 blast were affected, 40% of which did not recover.
Credit: Manchester Libraries
Market Street – near the explosion and at that time the second-busiest shopping street in the UK – was considered by some a “fearful” place, and one that was to be “avoided like the plague”.
The prospect of pulling Manchester’s bustling city centre out of its darkest depression was not casually approached by those in charge.
It was acknowledged as a mammoth task from the get-go, but Greater Manchester has never let anything get in its way. Despite how steep the hill is that we’re standing at the base of, we always manage to reach the peak, ready to go again.
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.