The legacy of Night & Day Cafe as it turns 30 years old
We explore the history behind the iconic burgundy venue on Oldham Street that bubbled up from the depths of deep fat fryers to become a Manchester institution: Night & Day Cafe.
On a cloudy afternoon in 2017, Michael C. Hall steps out onto Oldham Street, puffs out his cheeks and stares up at the sky.
Cameras are subtly shooting the Dexter star as he paces the pavement, a pained expression etched into his features.
There’s very little commotion in the area at first. The Northern Quarter is something of a playground for creatives, and people often find themselves weaving around film crews in this part of the city. But when passers-by see which actor is in shot, they do a double-take, halt their stride, and begin prodding one another with excitable nudges of realisation.
A crowd begins to build, and before long all eyes are on Hall – with the exception of the frowning cluster of commuters near Back Piccadilly who remain stoically huddled together at the bus stop like always.
Incredibly, though, a TV serial killer strolling around the Northern Quarter in the middle of the afternoon is still only the second most surprising sight of the day.
ADVERTISEMENT
Even more jarring is the fact that one of Manchester’s most famous gig venues has completely vanished.
For the purposes of the shoot, Night & Day Cafe has been redecorated – with its iconic lettering hidden beneath unfamiliar blue lights spelling out a new name: ‘Heaven’.
ADVERTISEMENT
The venue’s disappearance deepens the starstruck state of people on the street, as they gawp ahead at what appears to be a fever dream version of Manchester.
For a brief moment, during the production of Netflix show Safe, we got a hint of what it might be like to lose Night & Day for a little while.
Then, in 2020, it happened for real.
ADVERTISEMENT
Michael C. Hall in Manchester / Image: Netflix
This legendary gig space was one of thousands of grassroots venues that had to lock its doors, for months on end, during the UK’s many lockdowns.
And now, this stalwart of Manchester’s music scene is about to celebrate a very special milestone indeed.
Over the space of three decades, staff have experienced more ups and downs than a mixing console during a sound check.
Occasionally, the good and the bad have come at the same time; with some gigs proving so rip-roaringly entertaining they triggered complaints from disgruntled, sleep-starved neighbours.
ADVERTISEMENT
But according to Night & Day’s in-house promoter Jay Taylor, this past year has ‘categorically’ been the toughest of all.
“Culturally, Manchester is completely lost without these businesses,” Jay admits, thanking the hard work of Mayor Andy Burnham (a major player behind the United We Stream virtual shows, which raised £583,000 for the sector), and the Music Venue Trust, for supporting them through to reopening this spring.
He says that Manchester has got a ‘robust, brilliant’ music scene with a ‘good future’.
Night & Day’s Pearl Anniversary has been marked with a week’s worth of events, culminating this weekend with performances from The Orielles and Hotel Lux.
It’s a fitting, marathon-style celebration for a venue that hasn’t just been part of the music scene’s furniture, but the seat on which all arts personnel feel most at home.
ADVERTISEMENT
In the years before Night & Day was welcoming punters with joyous roars and sweaty hugs, however, it was inviting them indoors with dulcet tones and a delicate squeeze of the shoulder.
The building actually began life as a funeral-wear and mourning shop – selling high-end clothing for people attending burials, cremations and wakes.
It then turned into a delicatessen, before eventually being relaunched as a chippy called Pisces.
The cafe was perfectly positioned for people-watching – and peering out from its window in the early nineties told you everything you needed to about Manchester at that time: It was the city of music.
A few doors down, the pioneering electronic group 808 State had formed at Eastern Bloc Records, and the labyrinthian vinyl store Piccadilly Records was just around the corner.
ADVERTISEMENT
The Hacienda was still open, and the vibe of Madchester was swaggering around the city; its residents revelling in the city’s renaissance as the nerve centre for nightlife.
So, when Jan Oldenburg purchased the city centre chippy in 1991, he knew what he wanted to do. He was going to plug into the electric atmosphere that was crackling through the city.
Slowly but surely, Night & Day began morphing from a humble cafe into a dual venue that doubled as a boisterous live music club.
Before long, it was the meeting place for all the city’s creatives.
“It was genius foresight,” Jay marvels.
ADVERTISEMENT
“All it takes is for one or two people with vision to kickstart a neighbourhood.”
Oldham Street developed around Night & Day in the years that followed.
Piccadilly Records moved in across the road. Quirky cafes and shops flung their doors open nearby. New nightclubs launched just a stone’s throw away. After being neglected for so long, the Northern Quarter began to mould its own identity as an alternative cultural hotspot.
The Madchester movement came and went, but Night & Day continued to buzz long beyond the mid-nineties. It was the place that had its finger on the pulse of Mancunian music and moved smoothly with the times.
ADVERTISEMENT
Anyone who was anyone in the sector could often be found inside.
When local bands weren’t luring in rowdy crowds by night, the venue opened as a gallery space in the daytime – with free music magazines stocked inside.
If members of the music industry needed to hold a meeting, they’d head down to Night & Day.
The venue also developed a reputation for its uncanny ability to catapult careers into the spotlight.
For bands and artists, a slot on that stage was the first step on the path to success.
For music fans, every event potentially offered them front row seats at witnesses to the next big thing. There was a carrot permanently dangling from the doorway marked ‘I was there’.
On the long list of artists to have graced the Night & Day stage over the years include The Courteeners, Slow Readers Club, Elbow, Kasabian, Paulo Nutini, Arctic Monkeys, Manic Street Preachers, The Enemy, Blossoms and many, many more.
As well as being a fixture in Michael C. Hall’s aforementioned Safe, the venue was also directly referenced in award-winning drama Lost (by rockstar character Charlie Pace).
Night & Day is a Manchester institution. That’s undeniable. What’s less clear is how it became so popular in the first place.
“It’s the best venue on Earth,” according to Jay.
ADVERTISEMENT
Many in Manchester would be inclined agree. But there’s no single right answer as to why.
“It’s got personality and feels independent,” Jay points out, indicating to the no-frills attire and simple set-up of chairs, tables and a stage.
“But we’ve also got a very wide selection of drinks served at a beautiful long bar.
“The technical specs are good, too. The venue promises a really good experience for bands.
“There’s grafters in here. I think people can see the work that goes into it.”
ADVERTISEMENT
It’s that last part – graft – that perhaps comes closest to explaining the staying power of Night & Day.
Promoters have spent thirty years working tirelessly to bring a diverse range of acts to the stage, defying those who have pigeon-holed the venue as a ‘white indie’ spot.
“Our aim is to stand in that venue and watch different things happen,” says Jay.
“We look at the things [and new artists] that make us excited.
ADVERTISEMENT
“Lots of thought goes into it – from the gig bookings to the club nights.”
One of the warning signs that an older venue may be entering its twilight is when the crowd thins out – leaving only the regulars from yesteryear. But Night & Day continues to remain fresh in an ever-evolving, fast-moving world of modern music.
Younger fans have regularly piled in through the doors to see the next wave of talent coming through the ranks; including DJs, bands and solo singers.
“Everyone always asks me about my greatest memories over the years, but my favourite bit is when a show’s happening, usually around 9.30pm,” Jay muses.
“Everyone’s had a drink, the mood in the room is brilliant, and the main headline act is just starting.
ADVERTISEMENT
“It’s happened a few times when I’ve been stood watching from the back of the room – where everything all just comes together perfectly.
“There’s nothing better.
“At that moment… everything is as exactly as it’s supposed to be.”
Feature
Famous films and TV shows that were shot around Manchester
Daisy Jackson
The streets of Manchester are often taken over and transformed by huge productions for TV shows and for blockbuster films
It’s a pretty common occurrence in the city to stumble across a huge set, whether it’s New York-style taxis cruising through the Northern Quarter or stunt men dangling from the top of buildings.
It’s also quite common to be settling down in the cinema, or at home with Netflix, and being greeted by an unexpectedly familiar scene on the screen.
In recent years, eagle-eyed viewers were kept busy trying to spot all the local locations scattered across smash hit Netflix drama Stay Close.
But there have been plenty of other instances where our hometown of Manchester has been a calling point for Hollywood films and hit series.
The Manchester Film and TV map has itineraries, behind-the-scenes information, and exclusive experiences to enhance their cinematic journey through Greater Manchester.
Bobby Cochrane, Film Office Manager at Screen Manchester, said: “Every day we are privileged to explore Manchester’s magnificence as we open the city up to producers from all corners of the globe. We then enjoy the greatest job satisfaction when locations we have secured appear in all manner of genres across a spectrum of platforms.
“This new map is a brilliant initiative, which will allow visitors to get up close and personal with some of the places where their on-screen heroes have played out their roles. We were delighted to help curate the information included and look forward to being able to add a whole host of new locations in the future thanks to a rich pipeline of productions filmed in the city releasing throughout 2025 and beyond.”
And in the meantime, here are some of the biggest films and television series that were shot here in Manchester so you can explore without leaving your couch.
Peaky Blinders
Peaky Blinders scenes filmed on Mangle Street in the Northern Quarter. Credit: Netflix UK
Cillian Murphy and co have frequently popped up to Manchester to film scenes of the hit gangster series – despite the Peaky Blinders actually living in Birmingham.
For the most recent series, huge sets and crews were spotted in Castlefield, while in previous years dramatic gun fights have been filmed around London Road Fire Station and on Mangle Street in the Northern Quarter.
Even Tommy Shelby’s massive mansion is up north – Netflix uses Arley Hall in Cheshire to double up as his pad.
Some of the most iconic moments in the drama were filmed here, like the horse auction at Victoria Baths, and the political rally outside the Stockport Plaza.
Pride and Prejudice
Pride and Prejudice at Lyme Park. Credit: BBC
Ah yes – Colin Firth in a wet shirt. A truly memorable moment of British television.
This legendary scene was filmed at Lyme Park in Cheshire as part of the BBC’s 1995 retelling of Pride and Prejudice.
So famous has wet Colin become, it’s been referenced in several of his films since, including Love Actually, Bridget Jones, and St Trinian’s.
Colin aside, it’s a stunning setting for the period drama, with the National Trust mansion rising high above the lake.
Captain America
Captain America scenes shot in the Northern Quarter
It’s not every day you see a Marvel superhero strolling past the cafes and bars in the Northern Quarter – but that’s exactly what happened back in 2010 when Captain America came to town.
The hero is seen sprinting through 1940s New York in a dramatic chase scene, complete with explosions… because Marvel.
It was a massive operation to dress the sets, with fake shop fronts installed, posters stuck up and even temporary street lights added in.
The Crown
The Crown scenes in Manchester. Credit: Netflix UK
Stevenson Square was completely transformed into Manhattan for the season four finale of The Crown, which showed Princess Diana’s trip to New York.
A fleet of yellow taxis and vintage cars rolled through the Northern Quarter, surrounded by American street signs, traffic lights, and even trash cans.
Elsewhere in the episode, the city centre’s streets were used for basketball games, hospital visits and more, right across Back Piccadilly, Dale Street, and Peter Street.
Stay Close
The Refuge in Stay Close. Credit: Netflix UK
It’s the Netflix show people haven’t stopped talking about this month, as another of Harlan Coben’s thrillers has been converted for TV.
Stay Close was filmed all over Greater Manchester and the north west, including Blackpool and parts of Lancashire.
There were multiple locations in Manchester city centre itself though, like the above hen do scene in The Refuge, a stag do in the The Edwardian hotel, and multiple scenes filmed inside Impossible.
It’s a Sin
It’s A Sin outside Clampdown Records in Manchester. Credit: Channel 4
It’s A Sin is one of Channel 4’s most sensational dramas of all time, following the lives of a group of gay men living through the early years of the HIV and AIDS pandemic.
The heart-breaking series was written by Russell T Davis, an adopted Manc who also shot his groundbreaking Queer as Folk in the city.
Although It’s A Sin is mostly set in London, it was a familiar Manchester setting that was used for ‘The Pink Palace’ where the characters lived.
Clampdown Record’s cheerfully retro signage didn’t even need updating for the 1980s programme.
The Stranger
The Stranger filming on St Peter’s Square. Credit: Netflix UK
The Stranger was another smash-hit success for Netflix and author Harlan Coben.
Its locations in Manchester included the arched walkway at St Peter’s Square, a stunning house in Didsbury, the cafe near Manchester Cathedral, and even The French inside the Midland Hotel, which was the scene of a karaoke sing-song.
Cold Feet
The cast of Cold Feet in Castlefield. Credit: ITV
Cold Feet is a Manchester TV show through and through – the stars are seen all over the city centre ever since it started in 1997.
From drinking in the pub (both The Swan With Two Nicks and The Woodstock feature) to getting married outside the Great Northern, watching Cold Feet gives Mancs serious deja vu.
The above scene was shot by the canals in Castlefield.
Featured image: Netflix UK / BBC
Feature
Celebrating 30 remarkable years of AO Arena – one of Manchester’s BIGGEST music hot spots
Thomas Melia
The AO Arena is the home of core memories in Manchester, and is about to celebrate a monumental 30 years of creating magical music moments.
Over the last three decades, the AO Arena has been pulling in massive acts across a variety of genres, scales, demographics and styles of entertainment.
It’s hosted some of the world’s biggest tours and been a nurturing place for homegrown talent to perform their first-ever arena-level shows.
From head spinning and record breaking performances in 2008 with the company ofKylie Minogue to hundreds of comedy shows (a hundred of them courtesy ofPeter Kay alone) this live music space really has welcomed some golden moments and continues to do to this day.
Manchester has been a pioneer city for the Northern music scene, and there’s no denying AO Arena has played a major part in transporting this scene to some unreal heights.
To celebrate the venue’s 30th birthday, we chatted with director of operations Miriam Stone, and although her name may not be familiar to a lot of you, we wouldn’t have the incredible memories we hold so dearly without her.
Interview with Miriam Stone, Director of Operations at AO Arena
There have been lots of acts who have made AO Arena their home for the night or for a couple of nights with their various tours and shows, who’s been your favourite to see live?
That is the question that people ask a lot. If you imagine over 130 shows a year, for 18 years, that’s a lot of shows. Tina Turner always stands out as being one of the most incredible events that we ever did, partly because you look at the stage and go, that’s Tina Turner. She had these big, massive heels, and went striding out to the audience, incredible!
Prince was the one that made me cry. We had three weeks notice that we were doing Prince’s concerts, and because of my age and where he sat in my life, that made me cry. That was amazing. Those two shows just make me sit back and take a breath.
Kylie Minogue has played more than 30 shows at AO Arena. Credit: Supplied
Living legends and rock royalty alike have stepped out and played shows here over the years, have there been any pinch me moments in your career that still leave you feeling starstruck to this day?
Billy Bragg. He was always one that made me laugh and made him laugh, I suppose it’s who you grew up listening to, isn’t it? Spice Girls were an interesting one too, because I was too old for the Spice Girls, when they were first around and but when they had their reunion tour, and I stepped out again and had a listen, there was just that swooping moment.
It’s the audiences, almost as much, if not more, than the artists, because when you have that many people all singing all at the same time its magical. When Coldplay did an arena tour I’d never seen seats behind the screen and stage sold before. That’s how much people wanted to be in that room and that crowd, because they all wanted to sing their heart out.
Spice Girls at AO Arena. Credit: Supplied
I had my first ever concert experience here at AO Arena, my first ever show was Ariana Grande all the way back in 2014, who was the first artist you saw play here?
The first concert I worked here was Richard Ashcroft in 2006 followed very quickly by Christina Aguilera, two massive shows!
What are some of the strangest requests the team have received from a performer?
Most of those requests go to the promoter. We’ve had artists install doors and temporary walls to cut off certain parts of the room. We have a we have a wire that runs around the dressing room walls, because some artists like to style the dressing rooms the same everywhere they go. Most artists have a curtain that they then would normally bring a framework to hang things on to make the room more homely but in our venue, they don’t need to. They can just clip it around the walls. Whatever it is that makes the artists feel the most comfortable, we’ll do it.
What’s the most surprising event that you’ve ever held here?
The World Taekwondo championships, Disney on Ice the day after, and then, Cirque du Soleil was coming in the day after that, Oh my God!
We had to start building ice which we then covered up with wood, carpet and plastic so that we could then build the Taekwondo mats all on top of that, we did the Taekwondo on top of the ice. As soon as the event finished, we whipped it all out, carried on making the ice, did the ice show, brought in mini diggers, to break the ice up,and then loaded in Cirque du Soleil. I suppose those back-to-back days showed a really good range of the of the kind of events that we do.
David Haye at AO Arena, highlighting just the range of events this entertainment space can do. Credit: Supplied
We’re only in the first few weeks of 2025 but I know music lovers like myself will be buzzing to fill up their concert calendars, what artists can we expect to see at the arena so far this year?
We’ve got, again, that range of things, from James Blunt to Toto to Sean Paul and Ashanti. Olly Murs, The Lumineers, Twenty One Pilots, Busted head to head with McFly, Lynnyrd Skynnyrd, Parkway Drive and Deacon Blue.
As Director of Operations for AO Arena, you will have spoken to plenty of attendees that have walked through the door and into this incredible live entertainment arena, which seat/view have people said is the best?
I mean that changes depending on your taste. When it comes to tennis some people want to be on the net line in 103 and 114. 108 and 109 are just brilliant, if you’re struggling for tickets, the front rows of the upper tiers are brilliant with a great view. The good thing about the front rows of of 102, 103, 114 and 115 is that you can feel like you’re part of the standing floor, but you still get your own seat.
You’ve worked in the music industry for more than a decade so you will be more than aware of how much planning goes into events and concerts, but if you could pick three individuals to play a special one night only show at AO Arena who would you choose?
If I could have David Bowie here, then, then that I could end my career! Billy Connolly, I have never laughed so much as I have watching him, people talk about crying laughing, I was almost sobbing laughing. And finally, The Dalai Lama, I’ve got this photo of him holding my hand, if they could come back and I could do that again, that’s a once in a lifetime, opportunity.
Another living legend, Madonna performed at AO Arena, opening her European leg of her ‘Invention World Tour’. Credit: Supplied
AO Arena turns 30 on 15 July 2025 and to celebrate they want you to submit your favourite pictures and memories in return for a chance to win free tickets, more info HERE.
The Manc -
26th November 2021 
