“One of the most remarkable institutions of which Manchester, or indeed any city or town, can boast.”
This is how one newspaper described the now-demolish theme park and zoo that Manchester once held dear.
Known as Belle Vue Zoological Gardens, for 150 years the park was one of the most successful entertainment destinations in the UK.
It survived war, hosted rock legends, and was a truly iconic landmark for many.
Founded in 1836, at its peak, the zoo occupied over 165 acres of land and attracted around two million visitors a year. People traveled from all over the country to wonder at the elephants, monkeys, and camels.
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Privately financed, Belle Vue also boasted some brilliant fairground rides and rollercoasters in its amusement park – which ultimately became an equally tempting attraction as time went on.
And that wasn’t all. People would also come to sing along to their musical idols in The King’s Hall, dance the night away with their first love, marvel at the circus and see Speedway champions racing to glory on the stadium tracks.
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Belle Vue really did have everything, and as a result of this, became known as “Showground of the World”. But who was behind this private northern tourist attraction?
Belle Vue Zoological Gardens was the brainchild of entrepreneur and part-time gardener John Jennison.
Born in 1793 in Bulwell, Nottingham, he moved to Macclesfield as a child with his family the Jennsions’ before returning to Stockport following his father’s death in 1826.
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Interestingly, Belle Vue wasn’t the Jennisons’ first foray into commercial business ownership. Prior to opening the park, John had developed and opened his own garden to the public – later adding cages of British birds, pheasants and macaws afternoticing visitors displaying interest in the garden’s native birds.
A brewhouse was even added to the plot of land too, whilst the family house was later converted into a pub called the Adam and Eve.
The Jennisons were doing well, but with what they had, there was little room for expansion.
John was approached by businessman George Gill and encouraged to lease Belle Vue – then a public house in 35.75 acres of open land between Kirkmanshulme Lane and Hyde Road in Manchester.
The land was isolated and had been used for the digging of lime, but John saw its potential.
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After taking out a six-month trial lease,he soon extended to a 99-year lease and relocated his family from Stockport. They traveled light, with a handcart filled with belongings and a handful of birdcages containing parrots and other birds.
And the rest, as they say, is history.
Belle Vue first opened as a ‘pleasure garden’ in 1836, containing lakes, mazes and hothouses, as well its beloved aviary.
Still, the Jennisons decided that their zoological collection had to be expanded as a matter of priority and by 1839, elephants, lions, and other exotic African animals had been added.
Fierce competition came from other attractions like the Vauxhall Gardens in Collyhurst, and the Manchester Zoological Gardens in Higher Broughton, meaning that Belle Vue was not an instant success. Jennsion. however, persevered.
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Between the closure of a neighbouring zoo at Higher Broughton and the opening of the Longsight train station, more visitors soon began trickling in.
Before long John, inspired by a visit to the Great Exhibition in 1851, began to rapidly expand – and plenty of other popular attractions were subsequently added, including a racecourse in 1847.
By the late 1860s, Belle Vue was a hugely profitable business and had become iconic draw – across not just the northwest, but the whole of the UK.
But John was forced to take a back seat to his sons when it came to the day-to-day running of the attraction after he was diagnosed with cancer that began to quickly spread.
Ultimately, he passed away as a result of his illness in 1869 – leaving his family to sell Belle Vue for £250,00 (equivalent to £14.4 million in today’s money) to Harry George Skipp and Belle Vue (Manchester) Ltd in 1925.
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In 1956, the park was sold again – this time to Leslie Joseph and Charles Forte – with Forte gaining sole control in 1956.
Drawing its final breath in September 1977, the zoo’s owners decided they could no longer afford its upkeep, having suffered a loss of £100,000 that year. Still, somehow it remained open on summer weekends until 1980 – officially closing for the very last time in 1982.
As quoted in Stackhouse & Hyams’ book – Belle Vue: Manchester’s Playground – published in 2005: “When it closed, Belle Vue left a gaping hole in the heart of the region that has never been completely replaced. It gave people a focal point, something to be proud of, a place where they could take their families and be sure of a great day out at a reasonable cost.”
But for all Mancunians with a special place in their hearts for the attraction, the legacy of Bell Vue still lives on.
Feature
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
Blossoms’ wonderful Wythenshawe Park show proved they’re ready to headline the big leagues
Danny Jones
Ok, full disclosure: as a fellow Stopfordian, this review was always going to be heavily biased, but I still wholeheartedly believe that Blossoms are some the best performers on the British music scene right now and, as far I’m concerned, their Wythenshawe Park gig was yet more proof of that.
The landmark show was their biggest to date with roughly 30,000 people packed into a Greater Manchester field for what was just the second year of the Wythenshawe Park gigs which looks destined to be a must-visit annual Manchester music event.
For starters, not only is being the second name chosen to headline this still relatively new event after Noel bloody Gallagher quite the achievement, but playing to what felt like an entire town full of people on your home turf is the kind of stuff usually reserved for, you know, GOATs…
Now, we’re not going to be so bold as to claim they’re at that point in their careers already, however, when you’re collecting the kind of support acts they are, playing to crowds this big and making music lovers of all ages sing about a giant fibreglass gorilla called Gary, you’re clearly doing something right.
🚨 Be advised: GMP are on the lookout for an eight-foot fibreglass Gorilla – first name Gary, second name trouble. 🦍
He was last spotted on stage as @BlossomsBand were playing absolute bangers at Wythenshawe Park.
Let’s kick off with the supports, shall we? That’s one of the best things about this Live From Wythenshawe Park series: these dates are closer to mini-Manc festivals than they are standalone gigs, and with such an impressive roster of so-called ‘warm-up’ acts, we were truly spoiled rotten.
From more fledgling artists like The Guestlist and Ttrruuces, fast-rising up-and-comers like Seb Lowe and The K’s, to UK veterans like Shed Seven and the always sensational indie stars Inhaler, it was a stacked lineup spanning several generations.
Before Inhaler got the crowd bouncing and ready from Blossoms, we even got special appearances from two incredible female voices during Shed Seven’s set as Issy Ferris and fellow Manc music royalty Rowetta took the stage for some supreme harmonies and what felt like a bit of a Sunday service moment.
But then it was time for the big guns and it really does feel like they’re among that calibre now. They’ve smashed Leeds, Glastonbury, Kendal – they even turned the Plaza and Edgeley Park back in Stockport into fully-fledged music venues – and they look more at home than ever on the big stages.
Blossoms’ Wythenshawe Park gig felt almost like a coming-of-age gig. (Credit: The Manc Group)
It feels mad to think that these lot have been going for 11 years when you first think about it, but when you actually sit back and look at the regular stream of top-quality indie bangers they’ve been putting out every couple of years, it starts to click into place.
Perhaps it’s because they’re still young men and have decades of releasing new music to come but they’re no longer the new kids and they haven’t been for ages – in fact, they’ve released some of the most popular contemporary releases in the genre consistently for a long time now.
Even in the final promo for their now landmark Wythenshawe Park concert, they did a spoof version of ‘Gary’ where one of the lines simply said ‘Honey Sweet’s a tune’ and, you know what, they’re right but the list goes much further than that.
‘Getaway’, ‘There’s A Reason Why’, ‘I Can’t Stand It’, ‘Your Girlfriend’, ‘What Can I Say After I’m Sorry?’ and on and on it goes. We heard them all in their very best iterations, with the band’s on-stage production now at a new level and Tom Ogden’s frontman chops up their with the best right now.
One thing we really enjoyed as a group of old mates from SK was that the set wasn’t the hits either; we got to roll back the years and enjoy the tracks from that debut album when we first started getting excited about a new band coming out of our hometown.
The big extended versions of ‘Blow’ and ‘Cut Me and I’ll Bleed’, in particular, felt rather special.
Blossoms also treated Wythenshawe to some seriously good solos and breakout instrumentals. (Credit: The Manc Group)
But then you look at where the style has gone since then and you genuinely have to just step back and applaud their evolution since that breakout record.
It’s very hard for any band to find that balance of developing their sound and actually changing whilst still managing to nail that instantly recognisable feeling that lets you know it’s one of their songs but they always seem to manage.
Whether it’s those surviving 80s influences that have stood them in good stead since the start, those poppy keyboard riffs from Myles that help keep every tune as catchy as the last, they can collaborate with the likes of Jungle and CMAT whilst still sounding unmistakably like themselves. It’s quite the skill.
That’s why they very quickly went from the one current band from Stockport that people could name to one of the most recognisable modern names in British music with hordes of fans all over, not just Greater Manchester. Just look at the energy coming off that crowd, not to mention the sheer size of it:
Now, all that is simply to say that, at this point, if you’re still someone who only knows ‘that first one’ and is under the presumption that Blossoms are another indie band who fell into that trap of all their songs sounding pretty similar, you’re wrong and the sea of fans at Wythenshawe Park will tell you the same.
Whether you’ve been there from day one and have watched these lads, well, blossom into fully graduated performers and festival-toppers like this currently very sappy Stopfordian, or you got hooked after dozenth irresistible indie anthem, we’re sure you’re all in agreement: they’re proper headliners.
‘Charlemagne’ will forever be a favourite but make no mistake, they’ve come on leaps and bounds in every department since it helped launch their career, and even if it is still their biggest song when they’re headlining the likes of Glasto one day (you heard us), it’ll still sound incredible.
In fact, who cares: here it is from another angle – we’re off to do a bit of research about some reunion people are talking about…