Founded in 1836, at its peak, the zoo occupied over 165 acres of land and attracted around two million visitors a year. People traveled from all over the country to wonder at the elephants, monkeys, and camels.
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Privately financed, Belle Vue also boasted some brilliant fairground rides and rollercoasters in its amusement park – which ultimately became an equally tempting attraction as time went on.
And that wasn’t all. People would also come to sing along to their musical idols in The King’s Hall, dance the night away with their first love, marvel at the circus and see Speedway champions racing to glory on the stadium tracks.
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Belle Vue really did have everything, and as a result of this, became known as “Showground of the World”. But who was behind this private northern tourist attraction?
Image: Wikimedia Commons
Belle Vue Zoological Gardens was the brainchild of entrepreneur and part-time gardener John Jennison.
Born in 1793 in Bulwell, Nottingham, he moved to Macclesfield as a child with his family the Jennsions’ before returning to Stockport following his father’s death in 1826.
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Interestingly, Belle Vue wasn’t the Jennisons’ first foray into commercial business ownership. Prior to opening the park, John had developed and opened his own garden to the public – later adding cages of British birds, pheasants and macaws afternoticing visitors displaying interest in the garden’s native birds.
A brewhouse was even added to the plot of land too, whilst the family house was later converted into a pub called the Adam and Eve.
The Jennisons were doing well, but with what they had, there was little room for expansion.
Jennison and Newiss Collections / Chetham’s Library Online ArchivesManchester History / Chetham’s Library Online Archives
John was approached by businessman George Gill and encouraged to lease Belle Vue – then a public house in 35.75 acres of open land between Kirkmanshulme Lane and Hyde Road in Manchester.
The land was isolated and had been used for the digging of lime, but John saw its potential.
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After taking out a six-month trial lease,he soon extended to a 99-year lease and relocated his family from Stockport. They traveled light, with a handcart filled with belongings and a handful of birdcages containing parrots and other birds.
Belle Vue first opened as a ‘pleasure garden’ in 1836, containing lakes, mazes and hothouses, as well its beloved aviary.
Still, the Jennisons decided that their zoological collection had to be expanded as a matter of priority and by 1839, elephants, lions, and other exotic African animals had been added.
Fierce competition came from other attractions like the Vauxhall Gardens in Collyhurst, and the Manchester Zoological Gardens in Higher Broughton, meaning that Belle Vue was not an instant success. Jennsion. however, persevered.
Between the closure of a neighbouring zoo at Higher Broughton and the opening of the Longsight train station, more visitors soon began trickling in.
Before long John, inspired by a visit to the Great Exhibition in 1851, began to rapidly expand – and plenty of other popular attractions were subsequently added, including a racecourse in 1847.
By the late 1860s, Belle Vue was a hugely profitable business and had become iconic draw – across not just the northwest, but the whole of the UK.
But John was forced to take a back seat to his sons when it came to the day-to-day running of the attraction after he was diagnosed with cancer that began to quickly spread.
Ultimately, he passed away as a result of his illness in 1869 – leaving his family to sell Belle Vue for £250,00 (equivalent to £14.4 million in today’s money) to Harry George Skipp and Belle Vue (Manchester) Ltd in 1925.
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In 1956, the park was sold again – this time to Leslie Joseph and Charles Forte – with Forte gaining sole control in 1956.
Drawing its final breath in September 1977, the zoo’s owners decided they could no longer afford its upkeep, having suffered a loss of £100,000 that year. Still, somehow it remained open on summer weekends until 1980 – officially closing for the very last time in 1982.
As quoted in Stackhouse & Hyams’ book – Belle Vue: Manchester’s Playground – published in 2005: “When it closed, Belle Vue left a gaping hole in the heart of the region that has never been completely replaced. It gave people a focal point, something to be proud of, a place where they could take their families and be sure of a great day out at a reasonable cost.”
But for all Mancunians with a special place in their hearts for the attraction, the legacy of Bell Vue still lives on.
Feature
Vanilli’s – the Manchester bakery and dessert spot that has carried on the tradition of an old Italian favourite
Danny Jones
Vanilli’s Cake Company is one of those names whose reach extends far and wide, with a history that goes way back into the past, and a deeper Greater Manchester heritage than you can imagine.
It’s one almost as rich as the desserts they’ve been making across the city centre and beyond for decades, but it also begins back in Italy.
Formerly San Marco Products, a fellow cult-favourite bakery, suppliers and catering company from way back, owner Sapna Kumar took over their old premises on Crown Industrial Estate over in Ancoats more than six years ago, and has been carrying on their sweet treat traditions ever since.
The difference these days is that it’s gone from more of an Italian ‘pasticceria’ to a Mancunian bakery with both local and Indian roots.
Born out of pregnancy cravings ahead of her third child, ironically, Vanilli’s Cake Co. went from an unfortunately timed passion project conceived on the cusp of the pandemic to a mainstay of Greater Manchester and North West markets and now part of a mini Manc empire in the making.
After taking control of the old commercial premises back in 2020, their understated but impressively high-output unit still has lots of regulars in the know coming in for the good stuff, but still operates somewhat under the radar.
Maybe that’s part of the reason their quality control has remained at such a high level: although they provide to plenty of vendors all across the city and wider region, they’ve never overextended themselves to the point that even the slightest of standards slips.
If you’ve met Sapna before – the charismatic matriarch behind this brand and others like spin-off Cake Bar Co. and most recently, Punjabee – you’ll know that she doesn’t do anything by half measures.
And yes, there are Vanilli’s desserts on sale here, too.
A familiar face at the likes of Foodie Friday and various other street food stalls across the 10 boroughs and even further afield, she’s been doing some of these events since the very outset.
Sadly, without going into too much detail, she admits that there have been instances where her generosity has been “taken advantage of on more than one occasion”, but they will never stop her continuing to offer a helping hand.
The difference this time, however, is that she’s not simply putting others before herself all the time anymore; the Manc mum who’s played mother to many through her work over the years is finally shouting about herself and her unsung but nevertheless dedicated and talented team more.
And not just a little bit, either (no half measures, remember?) – she proudly proclaims that not only does Vanilli’s serve up some of the most authentic traditional recipes, but she happily lays claim to whipping up “the best Manchester tart” you’ll find anywhere.
As for this location, specifically, she simply wants to give people like you a reminder that it’s been there for more than 30 years at this point
She’s also looking to rebuild support throughout the community by teaming up with local brands and creators moving forward. Again, it’s about time she finally got on the receiving end of ‘You scratch my back, I’ll scratch yours’, which sounds like it’s long overdue.
Having recently put on a speciality spread for us, showcasing not only the classic but some fresh new ideas and creative takes on familiar, we can assure you some very delicious things are coming from Vanilli’s throughout the rest of 2026.
So, if like Sapna, you love “indulging in the sweeter side of life”, give a Vanilli’s cake, pastry or one of their other tasty desserts soon.
Find all of these and more at Unit 8, Crown Industrial, Poland Street, M4 6BN. (Credit: The Manc)
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.