Royal Blood’s 2023 has been defined by two things: releasing yet another brilliant record in their fourth studio album, Back to the Water Below, and p*ssing off an entire crowd at Radio 1’s Big Weekend, not to mention even more people watching back home with their viral antics.
With that in mind, we weren’t exactly sure how we were going to feel or what this audience was going to be like before we stepped foot inside the O2 Apollo, but we can confirm the whole storm in a teacup has now well and truly blown over and we didn’t care one bit once they started playing.
The second we heard Mike Kerr’s bass being ripped like both rhythm and lead guitar at the same time, and the pure ‘oomph’ of Ben Thatcher’s unmistakable drum-playing, we completely forgot that they slightly upset the music world just a few months ago and remembered one thing: they’re rockstars and we’ve seen plenty worse.
This was the story of Royal Blood’s return to Manchester and their gig at the legendary venue on Friday night as Storm Babet hit the region — and it was fitting really, given that their set featured ‘Typhoons’, ‘Trouble’s Coming’ and lyrics like “crashed down in a hurricane” in ‘Ten Tonne Skeleton’.
Royal Blood played the AO Arena in Manchester last year but looked at home in the Apollo (Credit: The Manc Group)
Even before we knew what we were in for, the surprisingly dramatic duo delivered a proper entrance, walking out to the iconic theme from The Good, The Bad and The Ugly, which was then followed up by an impressive light show that we’ll admit caught us by surprise and really did something epic to the atmosphere throughout.
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It didn’t take long for fans to get off their feet as they kicked the show off with recent single and album opener, ‘Mountains at Midnight’, before the pits started opening up as they got stuck into fan favourites such as ‘Boilermaker’, ‘Loose Change’, ‘How Did We Get So Dark?’, ‘Out of the Black’ and so on.
It’s been a while since we’ve been to a proper rager at the Apollo, so we’re glad that the place is still more than capable of whipping up frenzies like that. We were concerned that there wasn’t much movement during the support act but that’s always the gamble you make with the warm-ups.
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That’s not to say we didn’t enjoy them, by the way; Hot Wax were more than a pleasant surprise with arguably more overall energy on stage than the main event. Although it was clear the vast majority of the crowd were unaware of them prior to the gig, you’d be a fool to not go away and listen to more.
Once you were in the pit, there was no coming out.
With plenty of frenetic on-stage presence and more than enough confidence to remind you they’d be having just as much fun if the crowd wasn’t there, they felt plenty post-punk, a bit funk thanks to the basslines and modern enough thanks to some more intricate strum that made sure they didn’t feel like an old hat throwback.
In a word, they were great; we liked them a lot and it didn’t take long for us to realise why they were a good fit to support Royal Blood, boasting the same ability to go big with their sound using just three instruments as Mike and Ben do with just two.
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And that summed up the night as a whole, to be honest: a total of five musicians (six if you include the headliner’s session player who dipped in on a fair few songs) making a frankly ridiculous amount of noise between them — far more than a trio and just a pair of blokes should feasibly be able to make.
That’s the one thing that, regardless of whatever you think of them post-controversy, has always stunned us about Royal Blood. How do a frontman whose main instrument is a bass guitar and just one drummer make such explosive sounds between them and get people like thrashing like they were a full-fledged five-piece rock band?
We ended up being swept into various different parts of the crowd — always a good sign.
One thing’s for sure, they are well and truly in their ‘rockstar’ era right now, whether you like what comes with that or not. Mike might be four years sober now, with both he and Ben looking more svelte and stylish on stage — not only physically but in their overall presence — but they now look and feel like graduated performers who can command a crowd with a lot more authority than they did when they burst onto the scene with their debut in 2014.
And perhaps that’s why the Big Weekend moment went the way it did; these two are seasoned pros now and have earned a lot of plaudits in the genre over the past decade, so to find yourself playing to nearly 80,000 people who were mainly there to see pop acts probably felt like a loss of control and their frustration came out in the wrong way — even they’ve admitted that.
But that wasn’t the case at the Apollo. As the gig reached its crescendo with ‘Figure It Out’ and Ben stood atop a speaker and began conducting the crowd before jumping into it and preparing them for one last mosh as Mike kept the riff going, it was clear they were back in control and the audience in the palm of their hands.
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Now that’s how you get people back on-side: by simply going out there, making a big old racket and leaving the gig-goers to do the rest. We all know there’s no place that guarantees that more than right here in Manchester.
Royal Blood polished off their return with a big finish.
Two decades at the forefront of clubbing: Manchester is celebrating 20 years of WHP
Danny Jones
You heard us right: The Warehouse Project is celebrating its 20th anniversary this year, and with 2026 already shaping up for another stellar programme, it’s a truly great moment in which to mark the milestone.
But besides the still-to-be-completed WHP26 lineup itself, the promotion has gone TONNES more in-store to help toast two decades of remarkable nightlife and music-filled autumns and winters.
From its raw beginnings over at the Boddies Brewery in Strangeways, through its formative years at Store Street, the Victoria Warehouse era, and now the modern Depot Mayfield era, WHP has truly only gotten bigger and better as time has gone on.
Now world-famous and even hosting overseas events in the likes of Rotterdam, people travel all over and from all over; nothing quite compares to a long night and well into the early hours over at the warehouse.
As you can see, in addition to the upcoming gigs and sets themselves, they’re looking back on their contribution to Manc club culture, including a brand-new film, podcast series, photography exhibition, and tonnes more.
WHP are even commissioning a special limited-edition print magazine.
This will document the countless people, artists and spaces, as well as Greater Manchester and creative communities that have shaped The Warehouse Project since its inception in 2006.
Speaking of the new six-minute documentary movie, Twenty Years In Manchester, is directed by filmmaker Leigh Powis, reflecting on the WHP story through the lens of iconic and some never-before-seen archive footage, as well as fresh scenes shot across Manchester.
Alongside the film, WHP is also launching a new podcast uncovering untold stories from its history, an outdoor photography exhibition, which will also feed into the aforementioned one-off music mag. documenting the artists, nightlife and culture that have shaped the past 20 years.
Shot across three nights in Manchester, this ‘definitive’ piece of cinematic art positions the city itself as a central character alongside a cast of authentic local dancers and clubbers who have graced these rooms over the years.
Some of it’s even been captured on the last remaining rolls of Kodak Ektachrome film in the world.
A cross-generational retrospective on pure Manc and UK dance music heritage.
The WHP film is set for digital online release globally from Thursday, 29 May, and will be available exclusively to Apple Music subscribers 48 hours before general release HERE as part of their continued collaboration with the streaming platform.
WHP co-founders, Sam Kandel and Richard McGinnis, said in a statement: “Reaching 20 years is a huge moment for us. The Warehouse Project has always been about progression and pushing the boundaries wherever possible.
“Since that first event when Public Enemy played the opening night at Boddingtons Brewery, we’ve always tried to keep things moving and respond as the music and culture around us have evolved.
“That feels like only yesterday! We have some truly incredible parties and line-ups in the pipeline for this 20th season, and both feel so proud to still be here in Manchester, being able to do this.”
We’re already thinking ahead to 2026 and we want to hear your feedback on your experience with us this year. Share your thoughts in our survey and you’ll be in with the chance of winning a season pass to WHP26, giving you access to two tickets to every… pic.twitter.com/xUpsudM4SL
Featured Images — The Warehouse Project (supplied)/Rob Jones
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New Century to open new 450-capacity gig venue in Manchester
Lydia Mastrolonardo
New Century has announced it will introduce a brand-new live music and events venue, ‘Locker’, this autumn.
Ever since the much-loved, reborn building announced that the current food traders would be moving out, with the New Century Kitchens food hall concept making way for a ‘new chapter’, we’ve been on the edge of our seats wondering what would take its place.
And now the legendary mid-century building has confirmed that a second, 450-capacity gig venue will be opening beneath the iconic existing music hall.
New Century have just revealed that part of their ground floor space will now be a brand new live music venue called ‘Locker’, and it’s opening to the public this autumn.
This new intimate venue joining Manchester’s ‘live music ecosystem’ is set to host both Manchester-based and nation-wide artists, catering to all music lovers and showcasing a whole range of music genres from rock, jazz and hip-hop to electronic music and more.
Manchester has always been home to some of the most influential live music venues, and this one is hoping to leave its mark as a platform facilitating the exposure of emerging talent, whilst remaining an exciting food and drinks space, in the heart of Manchester.
New Century believe in the importance of supporting smaller artists and pride themselves on providing new opportunities and a platform for promoters and talent new to Manchester’s music scene, whilst simultaneously providing an affordable space for the public to enjoy live music.
New Century Kitchens is to remain operating throughout the transformation later this year, with the current food vendors moving out on a staggered basis over the summer, to make way for the introduction of one central food concept.
New Century to open new 450-capacity gig venue, Locker, in ManchesterLocker will be opening where the existing New Century Kitchens is based
The new food concept will operate alongside the new separate, sound-proofed space that is ‘Locker,’ equipped with a high-spec live setup, described as one of the best available to us here in Manchester for a venue of its capacity.
Fear not – the existing bar is there to stay, alongside the spectacular outdoor seating area which will remain capturing the sunlight just right in these summer months, as well as there being plenty of exciting plans in place for us over summer, including screenings for the World Cup and much more.
Abby Mudge, Managing Director of New Century, said: “Locker aims to reimagine our ground floor in a way that enables us to support grassroots talent further, as well as providing independent hospitality for which New Century is known and loved.
“Our loyal guests will still be able to enjoy the same look and feel, the same great team, our beautiful bar and an exciting new food concept throughout the day and into the evening. We’re proud to be creating more space in the city for emerging artists and promoters in a building that lives and breathes music.
“Locker will also provide even more experience and opportunities for the students who call our building home at dBs Institute, supporting New Century’s musical ecosystem. We can’t wait to welcome Manchester to Locker in the Autumn!”
The arrival of Locker is also warmly welcomed by the Music Venue Trust, as Jay Taylor, the organisation’s Regional Venues Alliance Coordinator added: “New Century expanding to incorporate a second 450-capacity grassroots space is a huge step forward which will create significant opportunities for artists, promoters and audiences.
“This is a really encouraging addition to Manchester’s live music ecosystem, strengthening our vital infrastructure and grassroots scene.”
Nestled within Manchester’s NOMA district and a only short walk from both Manchester Victoria Train Station and Shudehill interchange, this venue is easily accessible to all music and food lovers on the hunt for a refreshing new venue to visit.
We never thought we’d say it but autumn can’t come soon enough.
For the latest news on Locker and exclusive access to 25% off opening tickets plus the chance to win a £200 food and drinks tab sign up to their newsletterHERE.
Danny Jones -
21st October 2023 
