This historic event – which took place on St Peter’s Field in Manchester in 1819, and saw sword-wielding horsemen charge into a large crowd to disperse a non-violent demonstration demanding to reform parliament, ultimately killing 18 people – is well-known among Mancunians, and has been the subject of many a book and film over the years.
But what about the events leading up to the Peterloo Massacre?
Ever heard of another peaceful protest that took place on the same St Peter’s Field only two years before, and also ended in violence and arrests?
This is the story of the ‘Blanket March’.
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What was the ‘Blanket March’?
In a nutshell, the ‘Blanket March’ or ‘March of the Blanketeers’ was a demonstration organised by the Manchester Radicals on 10th March 1817 with the intention being for the participants – who were mainly Lancashire weavers – to march to London and petition the Prince Regent over the desperate state of the textile industry in the region, and to protest over the recent suspension of the Habeas Corpus Act.
The Habeas Corpus Act previously ensured that no one could be imprisoned unlawfully.
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Although fully intended to be a peaceful protest, this so-called ‘Blanket March’ was broken up violently and the leaders of the march imprisoned.
What happened in the lead-up?
After the Napoleonic Wars ended in 1815, England was immediately plunged into economic hardship and the industrial textile towns of the North saw wages fall sharply as the factory system took hold, with traditional handloom weavers being some of the worst affected.
Weavers – who could have expected to earn 15 shillings a week in 1803 – saw their wages dramatically cut by two thirds or more.
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If that wasn’t bad enough, then came the Corn Laws of 1815.
The Corn Laws – which were originally intended to protect British agricultural workers from cheap foreign imports – actually ended up causing an increase in grain prices and a decrease in supplies, only adding to the poor’s woes, and then these hardships were further compounded by poor harvests the following year, which resulted in food shortages during the winter of 1816-1817 and the year being dubbed the “Year without a summer”.
With no way for the ordinary people to make their voice heard – no vote, public meetings banned, unions illegal, the press censored, and the authorities even using paid informers and spies to rat on anyone who tried to organise a protest – the discontent continued and lead to riots, as Lord Liverpool’s government faced growing demands for social, political and economic reform.
Meanwhile, in Manchester, a spirit of new radicalism was dawning.
Initially inspired by the writings of Thomas Paine and the French Revolution, political discussion – which at one time was confined to London coffee houses – had been taken up by the labouring classes. Although the Napoleonic Wars put a dampener on radicalism for a period, the economic depression following the defeat of Napoleon and growing discontent with the political system caused this new radical movement to appear, and for the first time, the North – more specifically Manchester and South Lancashire – was a hotbed of political activism amongst the working people.
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With considerable input from Northern Radicals, a Reform Bill for universal suffrage was drafted and presented to the House of Commons in January 1817 by Thomas Cochrane.
But when this was rejected on procedural grounds, the Prince Regent’s coach was attacked on his way back from parliament, and this, combined with the fallout from the Spa Fields Riots the previous November, caused the government to embark upon a number of measures to repress the radicals, including the suspension of the Habeas Corpus Act.
So, in early in March 1817, advocated by two prominent Manchester radicals, Samuel Drummond and John Bagguley, a ‘hunger-march’ to London was organised.
Designed as a way of drawing attention to the problems of the Lancashire cotton workers, it was proposed that weavers and spinners would march in groups of ten – as a way of avoiding any accusation of mass assembly – each with a blanket on their back and a petition to the Prince Regent fastened to their arm.
“We will let them see it is not riot and disturbance we want. It is bread we want. And we will apply to our noble Prince as a child would to its Father for bread.”
As well as keeping them warm at night, the blanket would indicate that they were textile workers.
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What happened at the march?
The organisers aimed for 100,000 marchers by the time they reached the capital and although that was the target, it was sadly not met, but still, on 10th March 1817, around 5,000 marchers – mostly spinners and weavers – convened in St Peter’s Field.
Reports claim that there was also a large crowd of onlookers, perhaps as many as 25,000 people in total.
Despite all the efforts by the Blanketeers to show that they were peaceful though, the local magistrates ordered the Riot Act – which told protestors to go home of face arrest – to be read out in public, and the King’s Dragoon Guards broke up the meeting and arrested 27 people, including Drummond and Bagguley, throwing the demonstration into disarray.
Nevertheless, several hundred men set off in the drizzling rain, but the cavalry pursued and attacked them, meaning hardly any got further than Macclesfield and most no further than the River Mersey at Stockport, with many marchers choosing to either scatter or drop out, or were instead taken into custody by police and yeomanry.
The majority were turned back or arrested under vagrancy laws before they reached Derbyshire, and in Stockport, over two hundred marchers were arrested and several wounded, but with the gaols full, the authorities had nowhere for them and simply sent them home.
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Fearing arrest, most marchers now dropped out.
There were stories, although unconfirmed, that just one marcher – variously named as “Abel Couldwell” or “Jonathan Cowgill” – reached London and handed over his petition.
The aftermath
Of the demonstrators who were arrested, many were released – often without trial – after spending varying amounts of time in prison, an although this protest fizzled out, the pattern of discontent, radicalism and insurrection in Manchester created a fear of revolution amongst the ruling classes.
The government also clamped down on press comment and radical writing.
It had already passed the Power of Imprisonment Bill in February 1817 and the Seditious Meetings Act in March of that year as a direct response to the ‘Blanket March’, and on 12th May, Home Secretary Lord Sidmouth circulated instructions to the Lords Lieutenant that magistrates could use their own judgement on what constituted “seditious or blasphemous libel” and could arrest and bail anyone caught selling it.
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The Six Acts – legislation aimed at suppressing meetings for the purpose of radical reform, which followed the Peterloo Massacre – would also include further restrictions designed to limit the freedom of the press.
The ‘Blanket March’ and the subsequent conspiracy alarms led the Manchester magistrates to form the short-lived Manchester and Salford Yeomanry cavalry, which was intended to combat any future attempts at insurrection.
It became infamous two years later for its role in the Peterloo Massacre.
The best Manchester-based anime-style memes we’ve seen online as Ghibli craze takes over
Danny Jones
Now, the internet can be used for a lot of silly and pointless things – you might argue us sharing our favourite memes every morning is a prime example of that – but we have to admit, the second we saw a Manchester-inspired Studio Ghibli image on social media, we were hooked.
If you have absolutely no idea what we’re talking about, there is a current craze that has taken over the internet, which has seen recognisable memes and images recreated in the style of the iconic Ghibli anime films, created by legendary animator and filmmaker Hayao Miyazaki.
Once you’ve found one, you tend to start spotting them more and more frequently, and in the case of the chronically online like us, we’ve been inundated with them for weeks now.
People are using AIto create them in various different contexts, but it won’t surprise you to learn that our favourite Ghibli/anime memes are those based around Manchester. For example:
Bloody hell, the internet really is brilliant sometimes, isn't it? 😂 https://t.co/virpFx60u7
As it happens, this was the first and perhaps still the best we’ve seen to date, but it didn’t stop us from falling down an animated rabbit hole looking for others.
To be honest, we didn’t actually have to do much searching ourselves as they’re absolutely all over the algorithm at the minute, and have been for a good month or so.
‘Ghibli memes’ may be an overgeneralisation of what is a rather specific and famed art style, but this ongoing flood of anime-style cartooons is being created by users giving prompts to ChatGPT, the increasingly popular large language model (LLM) and AI tool.
Designed with OpenAI software, the artificial intelligence chatbot can do everything from write extensive study notes and flash cards to fixing blurry images, writing computer code, entire essays and quite literally countless other things.
In this instance, people are just reimagining moments from the zeitgeist and famous memes in this style by feeding the image to ChatGPT, along with an ‘in the style of Studio Ghibli’ prompt.
One for the Blues…And the Reds.All of these images have been designed using ChatGPT. (Credit: Eleventh Minute/centredevils via X)
Pretty cool, right?
You’ll find that footballer Twitter (sorry, X*), in particular, is absolutely full of fan accounts recreating iconic club scenes in the Miyazaki art style, giving their favourite players big ‘Chibi’ eyes (another unique aspect of anime) and so on.
It’s all just a bit of a laugh, after all; even we here at The Manc put ChatGPT to the test back in June 2023 and asked it to design ‘the perfect day out in Manchester’ – to varying degrees of success, we might add.
As ever with machine-learning, the more information you feed it, the better the result and although we know these are original pictures being reimagined, it still goes to show just how impressive and varied AI is becoming.
We’ve also enjoyed some that aren’t necessarily Manc but are quintessential British humour or simply more universal memes.
Exhibits E and F…
Even after all these years, we feel like we still see this in some context at least once a week – and it still makes us laugh.‘What a sad little life, Jane…’Credit: brandsynario (via Instagram)/No Context Brits (via X)
Despite these memes riding a real wave right now, the Ghibli portrait fad is just that; there are plenty of other aesthetics being toyed with, too.
Actually, it already has, as we’ve now started coming across people making action figure versions of themselves and/or famous people, full decked out with accessories inside blister packs and everything.
On the other hand, many people are understandably concerned about what this means for artists and although there is no substitute for genuine human expression, whatever form that may come in, lots of people are railing against it as the possibility of AI-based pop music has been posited.
With that in mind, maybe the best twist we’ve seen is our very own Stanley Chow subverting the trend and doing Ghibli stuff in his equally iconic style. We’ll take these geometric gems over computer-generated imitations any day.
For now, it’s just a bit of fun and we confess we’ve got some light entertainment out of it, but the increasing possibilities being thrown up by AI in terms of art do pose a lot more complex questions.
We’ll finish with one final example because let’s be honest, there’s only really one thing on our minds at the minute – at least until the summer finally rolls around…
Let us know if you’ve seen any other fun examples and what you make of the whole Ghibli meme trend down in the comments.
LF System on headlining Amber’s for ‘The Drop’, dancefloor anthems and more
Thomas Melia
Scottish DJ duo LF System are playing an intimate set in Manchester as part of ‘The Drop’, a special monthly event series for a very important cause.
‘The Drop’, sees the hitmakers joining two more greats, DJ Paulette and Turno, as headliners for this remarkable event all about raising awareness and funds for mental health in the music industry.
The mastermind partnership of Headstock and Skiddle, each event champions a charity which benefits including Music Minds Matter (Turno) and Nordoff & Robbins (DJ Paulette and LF System).
The first monthly set comes from the DJ duo behind one of the biggest UK club staples, ‘Afraid To Feel’, as LF System take over Manchester’s newest clubbing venue, Amber’s – who typically keep their lineups private – for an exclusive ‘Coffee Table Session’.
LF System, Conor Larkman and Sean Finnigan, outside their New York session venue.Credit: Supplied
LF System Interview
This event is in aid of Nordoff & Robbins: how important is this cause to you?
We feel like music should be enjoyed by. Anyone, no matter what. Nordoff & Robbins make that possible.
They help everyone, all ages through music therapy. It’s important to us that [this event] supports them. Everybody deserves a chance to have a go at music, it’s a great cause that allows people to have great opportunities.
You’re going to be playing Amber’s, which is one of Manchester’s newest clubbing venues, how are you feeling?
I’ve heard a lot of good things about it, so I just really want to get in there and experience it for ourselves.
It’s weird coming to Manchester at this time of year as well; we’re always here in winter, usually freezing and raining, so it’ll be quite nice to come down this April.
Amber’s nightclub has some very important rules, including a no-phone policy in order to bring clubbing back to its roots – how do you feel about this?
Oh, we’re all for that!
I think there’s been a bit of a problem recently, so anything that can be done to make clubbing all about the music and as immersive as possible the better. It’s about living in the moment. I think that’s a good thing.
I don’t think we’ve ever actually done anything with a no-phone policy before; somehow, they’ve always snuck them in. Exciting.
LF System’s Conor at a recent event in New York.The Scottish duo LF System, playing an intimate set in New York.Credit: Supplied
What can fans expect from your special set for the monthly music series ‘The Drop’?
It may be a bit different to what we usually do as it’s a coffee table session set-up, but there’ll definitely be good vibes and good music all night.
There’ll be a lot of unreleased stuff that we’ve been making recently, mostly from our new EP that’s coming, and it gives us a chance to play our new songs and see people’s reactions. So far, they’ve been good every time we’ve included them.
How come you’ve opted for a ‘Coffee table session’ rather than a huge rave vibe, especially considering how much your music gets crowds up on their feet?
We’ve never actually done a coffee table session in a club before, so that’ll be our first for us. It’s going to be electric and fresh.
You just get to showcase a lot more music than when what you do when you’re playing a club set, different BPMs.
[Coffee table sessions] still get people up and dancing, but it’s just a different type of night. It’s relaxed, happy dance music, you know what I mean? You don’t have, don’t have to go mad ‘fer it, just a nice chilled one.
As well-respectedDJs, it’s only fair we consult you on Manchester’s clubbing scene, so how would you rate the club culture and atmosphere in our city?
We always have a good time in Manchester and there’s always good crowds. It [Manchester] is just like that.
There’s a good culture to do in this city, so I think it’s a good place to bring this session too, and we’re looking forward to it.
It’s got a really rich history and you can always feel that when you’re there, it’s always a good time in any of [Manchester’s] different venues. Everyone always seems right up for it.
House music is known to improve people’s moods, and ‘The Drop’ is all about music and mental health, so to finish off, what’s your all-time favourite top three mood boosting house tracks?
Sean
‘Music Sounds Better With You’ by Stardust
‘Beautiful People’ by Barbara Tucker
‘In Love With You’ by The Paradise
Conor
‘Why Not?’ by Skate Bård
‘I Think I’ll Do Some Skipping On My Own’ by Sandy B (Opolopo Rework)
‘Night Walkin” by Mermaid S
LF System are bringing their bangers to ‘The Drop’ in Manchester.Spinning the decks just like they will at Amber’s in Manchester later this month at ‘The Drop’.