There’s no denying that there has been a rise in the demand for buying and adopting dogs since the coronavirus (COVID-19) pandemic first began.
Getting a dog may have even been a thought you’ve had yourself over the last 10 months.
After all, life as we once knew it was flipped on its head, leaving many with more time on their hands than they are usually used to.
And with this unprecedented adjustment to lifestyle, came an influx of enquiries to breeders, rescue / adoption centres, and more, by those keen to welcome a four-legged friend into their lives thanks to the newly-introduced requirement to stay at home, and it even saw Pets4Homes – one of the UK’s largest online pet marketplaces – reveal that a total of 466,601 dogs have been advertised on the site so far, with the average prices also increasing by 131%.
It also found that the demand for puppies was 51% greater than dogs aged one or older between July and September last year.
It’s these very statistics, along with several other factors which will be touched upon, that have lead a number of animal experts to recently issue a warning of an impending “major dog welfare crisis” following this sharp rise in the number of dogs being sold online.
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Why is this the case?
Well, many will say it’s inevitable that when there is a recorded rise in the number of people looking to buy or adopt a dog, and then successfully doing so, that there will then be a rise in the number of dogs abandoned as a consequence – and they would be right.
The RSPCA has responded to 5,955 reports about abandoned dogs since the start of the pandemic.
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And Rory Cowlam – a vet and ambassador for the RSPCA – sadly told Sky News that he expects to see the number of dogs being abandoned spike even further this year, explaining that: “Abandonments are going to happen because people have got puppies on a whim. They’ve been putting off getting a dog for years and years, they’re suddenly furloughed or they’re at home more, and they think now’s the right time to get a dog.”
Mr Cowlam also added that the rising demand has also led to worrying “increases in puppy theft and, unfortunately, increases in things like puppy farming and irresponsible breeding”.
Dr Samantha Gaines – a dog welfare specialist at the RSPCA – also devastatingly agreed that: “We’ve probably yet to see the worst to come.”
She continued: “We’re now into the third lockdown in England and people still are at home with their puppies that they bought last year, some people will be thinking about getting puppies now. If there is anyone at this moment in time that is thinking about getting a dog or a puppy because they’re at home, we’d urge people to be very very careful and to make sure they do their research.”
Dr Gaines too warned that “now is probably the greatest time ever you’d be caught out by someone”.
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Ira Moss – co-founder of the dog welfare, rescue and rehoming charity All Dogs Matter – said that the online market for dogs has become a “lucrative” and “unscrupulous trade” due to a lack of regulations.
She said: “They’re being multi-sold, so one dog can turnover, can transact £5,000 to £10,000 if it’s sold three times. It’s become such a commodity, a dog. At some point, there’s got to be a saturation point – this can’t carry on forever, it’s just not practical.”
Ms Moss added: “It’s just so sad – we’re a nation of dog lovers and we’ve created this monster.”
But what is the current situation here in Greater Manchester when it comes to dog welfare, given all the worrying alerts recently raised?
Has there been a rise in the number of people looking to adopt a dog, and then a rise in subsequent abandonment figures? How are our region’s rescue centres coping amid one of the toughest global challenges in modern history? And have they noticed a shift in public attitudes?
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We spoke to Emma Billington, founder and owner of Dogs 4 Rescue – an semi-rural Manchester-based independent dog sanctuary that has developed a unique “cage free” approach to animal welfare to ensure that all dogs are socialised in a healthy, relaxed and happy foster home environment, whilst waiting for their forever families – to get a grasp on the true picture.
Dogs 4 Rescue
“From our perspective, we have seen an enormous rise in the number of people looking for dogs.” Emma said.
“[We’ve had lots of] emails from people desperate to get a dog [and] the type of people have changed as well, it’s not necessarily the people looking to “rescue a dog”, but just people wanting dogs and either turning to the rescue for a cheaper dog ,or some just exhausting all avenues in what appears a desperate attempt to get any dog while they’re off.
“We’ve now got a huge waiting list of suitable homes [though] and we are no longer inundated with the people wanting to get rid of their dogs save for the ones who are really difficult, and therefore reasonably hard to rehome.
“[But this means that] the only dogs we have left are those with the most challenging behaviours needing experienced homes.
She continued: “We have seen the rapid increase in the dog population and know the dogs who are going to be flooding rescues over the next few months are all those who were bought as a response to COVID and when people realise they no longer have time for them.
“Also there is the issue of them having separation anxiety because they have been brought up in an artificial environment where family are at home,
“But in the future, as things change, they will suffer.
“Separation anxiety is one of the hardest things to deal with and trying to find homes for those able to help these dogs is almost impossible at the best of times”.
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Dogs 4 Rescue
Dogs 4 Rescue were previously at the forefront of the campaign urging Greater Manchester residents to carefully consider their situation before welcoming a dog into their lives during the first wave of the coronavirus (COVID-19) pandemic, insisting that “a dog is for life, not just for lockdown”.
And Emma also joins other experts in expressing her concerns over the rise in usage of the online pet marketplace.
“The only ones who have benefited from all of this is once again the breeders.” Emma continued.
“The demand and people desperate for dogs has ensured suffering on a much bigger scale than we have ever known, and [has also] driven a huge hike in the criminal activity of puppy smuggling [too].”
“The rescue world as we know it has changed for the foreseeable.
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“[And] we are currently buying a second site to try and get ready for the fallout of this”.
Emma admits that although it is difficult to deny that the current situation is “rather depressing” as we get underway with a new year, they are still “trying to ensure our moves are to give hope and inspire a different way of doing things”.
And they are doing an absolutely brilliant job.
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To help Dogs 4 Rescue continue its essential work across Greater Manchester, please consider donating whatever you can via the website, and for large donations or offers of corporate support, you email Emma Billington at [email protected] or ring 07412361769.
You can also keep up to date with Dogs 4 Rescue day-to-day on social media – Facebook, Twitter, and Instagram.
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.