There’s no denying that there has been a rise in the demand for buying and adopting dogs since the coronavirus (COVID-19) pandemic first began.
Getting a dog may have even been a thought you’ve had yourself over the last 10 months.
After all, life as we once knew it was flipped on its head, leaving many with more time on their hands than they are usually used to.
And with this unprecedented adjustment to lifestyle, came an influx of enquiries to breeders, rescue / adoption centres, and more, by those keen to welcome a four-legged friend into their lives thanks to the newly-introduced requirement to stay at home, and it even saw Pets4Homes – one of the UK’s largest online pet marketplaces – reveal that a total of 466,601 dogs have been advertised on the site so far, with the average prices also increasing by 131%.
It also found that the demand for puppies was 51% greater than dogs aged one or older between July and September last year.
It’s these very statistics, along with several other factors which will be touched upon, that have lead a number of animal experts to recently issue a warning of an impending “major dog welfare crisis” following this sharp rise in the number of dogs being sold online.
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Why is this the case?
Well, many will say it’s inevitable that when there is a recorded rise in the number of people looking to buy or adopt a dog, and then successfully doing so, that there will then be a rise in the number of dogs abandoned as a consequence – and they would be right.
The RSPCA has responded to 5,955 reports about abandoned dogs since the start of the pandemic.
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And Rory Cowlam – a vet and ambassador for the RSPCA – sadly told Sky News that he expects to see the number of dogs being abandoned spike even further this year, explaining that: “Abandonments are going to happen because people have got puppies on a whim. They’ve been putting off getting a dog for years and years, they’re suddenly furloughed or they’re at home more, and they think now’s the right time to get a dog.”
Mr Cowlam also added that the rising demand has also led to worrying “increases in puppy theft and, unfortunately, increases in things like puppy farming and irresponsible breeding”.
Dr Samantha Gaines – a dog welfare specialist at the RSPCA – also devastatingly agreed that: “We’ve probably yet to see the worst to come.”
She continued: “We’re now into the third lockdown in England and people still are at home with their puppies that they bought last year, some people will be thinking about getting puppies now. If there is anyone at this moment in time that is thinking about getting a dog or a puppy because they’re at home, we’d urge people to be very very careful and to make sure they do their research.”
Dr Gaines too warned that “now is probably the greatest time ever you’d be caught out by someone”.
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Ira Moss – co-founder of the dog welfare, rescue and rehoming charity All Dogs Matter – said that the online market for dogs has become a “lucrative” and “unscrupulous trade” due to a lack of regulations.
She said: “They’re being multi-sold, so one dog can turnover, can transact £5,000 to £10,000 if it’s sold three times. It’s become such a commodity, a dog. At some point, there’s got to be a saturation point – this can’t carry on forever, it’s just not practical.”
Ms Moss added: “It’s just so sad – we’re a nation of dog lovers and we’ve created this monster.”
But what is the current situation here in Greater Manchester when it comes to dog welfare, given all the worrying alerts recently raised?
Has there been a rise in the number of people looking to adopt a dog, and then a rise in subsequent abandonment figures? How are our region’s rescue centres coping amid one of the toughest global challenges in modern history? And have they noticed a shift in public attitudes?
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We spoke to Emma Billington, founder and owner of Dogs 4 Rescue – an semi-rural Manchester-based independent dog sanctuary that has developed a unique “cage free” approach to animal welfare to ensure that all dogs are socialised in a healthy, relaxed and happy foster home environment, whilst waiting for their forever families – to get a grasp on the true picture.
Dogs 4 Rescue
“From our perspective, we have seen an enormous rise in the number of people looking for dogs.” Emma said.
“[We’ve had lots of] emails from people desperate to get a dog [and] the type of people have changed as well, it’s not necessarily the people looking to “rescue a dog”, but just people wanting dogs and either turning to the rescue for a cheaper dog ,or some just exhausting all avenues in what appears a desperate attempt to get any dog while they’re off.
“We’ve now got a huge waiting list of suitable homes [though] and we are no longer inundated with the people wanting to get rid of their dogs save for the ones who are really difficult, and therefore reasonably hard to rehome.
“[But this means that] the only dogs we have left are those with the most challenging behaviours needing experienced homes.
She continued: “We have seen the rapid increase in the dog population and know the dogs who are going to be flooding rescues over the next few months are all those who were bought as a response to COVID and when people realise they no longer have time for them.
“Also there is the issue of them having separation anxiety because they have been brought up in an artificial environment where family are at home,
“But in the future, as things change, they will suffer.
“Separation anxiety is one of the hardest things to deal with and trying to find homes for those able to help these dogs is almost impossible at the best of times”.
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Dogs 4 Rescue
Dogs 4 Rescue were previously at the forefront of the campaign urging Greater Manchester residents to carefully consider their situation before welcoming a dog into their lives during the first wave of the coronavirus (COVID-19) pandemic, insisting that “a dog is for life, not just for lockdown”.
And Emma also joins other experts in expressing her concerns over the rise in usage of the online pet marketplace.
“The only ones who have benefited from all of this is once again the breeders.” Emma continued.
“The demand and people desperate for dogs has ensured suffering on a much bigger scale than we have ever known, and [has also] driven a huge hike in the criminal activity of puppy smuggling [too].”
“The rescue world as we know it has changed for the foreseeable.
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“[And] we are currently buying a second site to try and get ready for the fallout of this”.
Emma admits that although it is difficult to deny that the current situation is “rather depressing” as we get underway with a new year, they are still “trying to ensure our moves are to give hope and inspire a different way of doing things”.
And they are doing an absolutely brilliant job.
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To help Dogs 4 Rescue continue its essential work across Greater Manchester, please consider donating whatever you can via the website, and for large donations or offers of corporate support, you email Emma Billington at [email protected] or ring 07412361769.
You can also keep up to date with Dogs 4 Rescue day-to-day on social media – Facebook, Twitter, and Instagram.
Feature
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.