The incredible 30-year transformation of Manchester captured on camera
Len Grant has amassed the largest and most significant collection of images of Manchester’s amazing transformation. For the first time ever, we have a bigger picture of the regeneration story.
1997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.
Most adults dread turning 30-years-old. But Len Grant will always look back on entering his third decade rather fondly.
It was at this age he decided to quit his uninspiring sales job and swap it for something he loved: Photography.
It was a bold move, especially given how there was very little to shoot.
Manchester in 1990 was a dry patch for a budding photographer. Snappers on the Hacienda beat had their hands full, but other lensmen were hard pushed to find picturesque scenes in the city worthy of publication.
New Islington and Ancoats May 2005
Springtime of that year saw photographers flock to capture prisoners rebelling on the roof during The Strangeways Riots, but the day-to-day surroundings offered little else in terms of inspiration.
Manchester looked tired; and not even the kindest camera could cheer up its forgotten inner-city neighbourhoods.
Castlefield was barren. Ancoats was a ghost town. New Islington was little more than a cluster of houses known as the Cardroom Estate. Hulme even had stray dogs scampering through its dilapidated Crescents tower block.
2002: The Cardroom Estate before its demolition to make way for New Islington.1994: The indoor arena next to Victoria Station takes shape.
Change was coming, citizens were assured. But it would be some time before Manchester was remoulded.
Until then, Len decided he would photograph the people planning these changes. Architects, entrepreneurs, town hall officers, developers, landowners, city councillors. Everyone and anyone set to play a role in Manchester’s forthcoming transformation.
His resulting exhibition, City Shapers, was displayed at the Arndale. It was his first big break. But it also created crucial contacts – meaning Len was given a front row seat whenever a new curtain was raised anywhere in the city. And he’d always take his camera with him.
Three decades on, Len has amassed the largest and most significant collection of images of Manchester’s amazing transformation. No other anthology contains as many photos across such a scope. For the first time ever, we have a bigger picture of the regeneration story.
The Fallowfield photographer is now publishing an upcoming book – in which he plans to showcase these incredible photographs to the world.
He’s got a big target to hit, but the demand is clearly there. £6,000 has already flooded in since the kickstarter was launched – and Len’s still campaigning fiercely to ensure the pictures go to print.
“I’ve been very lucky at being in the right place at the right time,” the humble photographer tells The Manc.
“There was very little in Manchester before the nineties.
“If people came to visit me around that time, I’d take them to Liverpool for a day out. There were things to do there.
“But in the early 90s, things were starting to happen. Manchester was starting to look to find a way out of its post-industrial past.”
1994: The Nynex Arena under construction.1998: The interior of Maxwell house was ripped out leaving just the facade, behind which The Printworks was built.
After getting up close and personal with many of the heavy hitters calling the shots on Manchester’s future, Len saw the blueprints unravelling right before his lens – and he was there to capture the changes when they came.
According to Len, it was the hard-headed approach of Manchester City Council that set off the regeneration domino effect.
“Manchester City Council were quite pragmatic about who they worked with,” he explains.
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“For instance, in the eighties in Liverpool, the council were militant and against the Tory government.
“But in Manchester, it was much more pragmatic. There was an organisation called the Central Manchester Development Corporation which was a government quango, and MCC worked with them to do the best for the city rather than to score political points – so that was quite significant.
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At the turn of the decade, Manchester was packed out with car parks and brownfield sites – which meant there was ample space for planning opportunities.
“Slowly but surely, there were pots of money to be able to do things,” Len explains.
“The CMDC put money into building Bridgewater Hall and the surrounding area of Castlefield – which was very run down back then; nobody went there.”
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Bridgewater Hall under construction, 19941997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.1998: The Quays Theatre under construction at The Lowry. No Imperial War Museum North or MediaCity yet.1998: Stell framework of The Printworks following the demolition of Maxwell House.
Len has cited the construction of the Bridgewater Hall in 1995 as being one of the most pivotal moments in the regeneration of the city.
Not only was it Manchester’s first civic building since the 1930s, it was also a sign that things could – and were – starting to happen.
“I had a conversation with the council leader at the time, Graham Stringer, and he told me there were only two surviving photos of the town hall being built,” Len remembers.
“He was quite aware that Manchester was on the cusp of new change and wanted it to be documented sufficiently.”
Len was the man to photograph this transformation in all its glory, seizing the opportunity to get involved whenever new finance came flooding in for local projects.
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Change from that point on was steady but scattered – with some development even being driven by disaster.
Len recalls that Hulme won a much-needed pot of City Challenge money to redevelop the area after the inner city riots of the eighties, and finance was also made available for the city centre after the 1996 IRA bomb.
“Crucially, the city council and the private sector actually took this opportunity to work closely together – something Manchester is very good at – to bring about key renovation of the city centre at a difficult time,” he explains.
“Later, towards the turn of the millennium, there was money available from the National Lottery too, through the Millennium Commission.
“Projects like The Lowry in Salford Quays were only made possible by the dogged determination of people at Salford City Council to make that money come in.”
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2002: New Islington. Residents of the old Cardoom estate discuss plans for what will become New Islington.2004: The demolition of Maine Road football ground.
From 2000 onwards, East Manchester enjoyed tremendous change. It was sorely needed after being neglected for so long, despite the area’s influential history.
An industrial powerhouse during the 18th century, Ancoats was also the place that gave birth to Manchester’s first social housing development – with the construction of Victoria Square in 1894-97.
But when the block was completed, the rents were too expensive for the people it was originally intended for, and the area plunged into economic decline during the 1930s.
Following the war, East Manchester was essentially abandoned by everyone but its residents.
“Ancoats, Beswick, Clayton, Openshaw – you’d have never needed to go into those areas in the early nineties,” says Len.
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“There was nothing there for you to go and see. It wasn’t on the way to anywhere, either.
“When I first started photographing in Ancoats in 2002/03, the streets were dead and if you ever came across anybody you’d kind of worry you’d have your camera taken off you.
“Not many people crossed Great Ancoats Street into Ancoats from the Northern Quarter in those days.
“I’ve really enjoyed how Ancoats has changed. It’s just phenomenal looking at it now. It’s only when you see photos with the mills in them that you’re able to determine it’s the same place.”
2006: St Peters Church before Cutting Room Square is built and before The Smiths Arms is demolished.2006: The New islington canal arm and the creation of Cotton Fields.2009: Royals Mills, Ancoats during its refurbishment
Whilst sketching in Cutting Room Square one afternoon, Len got talking with a man who’d lived in the area for many years.
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He expected the resident to be sentimental for the past – as so many of us often are – but he was besotted with Ancoats 2.0. Nostalgia was no competitor for the shiny new space – which he recognised had given the area a whole new lease of life.
Len started his career by photographing people – and he has maintained that focus to this day. His interest in human subjects, and how their lives have been affected by the ever-changing skyline, has remained a key part of his work.
“I think those stories can be lost sometimes,” Len tells us.
“Which is what my book will help to cover.”
He has seen both the good and bad sides of regeneration, and whilst most of the changes have been positive, Len is hoping that further development does not come at the cost of loosened community connections.
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“We might be continuing to build, but how much effort are we putting into communities?” he asks.
“I hope that’s being considered. After all, it’s the people who make Manchester so great.
“During adversity, the strength of Manchester comes to the surface. We see that again and again. It’s even happening right now – with people in inner-city communities helping one another during coronavirus and supporting the most vulnerable.
“Many people who come to Manchester call themselves ‘adopted Mancunians’. I love how people give themselves that tag.
“I wonder how many other places around the country you’d call yourself adopted?”
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You can learn more about Len’s incredible Regeneration Manchester project online.
It will be money well spent, indeed. Stories about Manchester don’t come much better than this.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.