The man behind the murals: We spent the day with Akse P19
A Smiths fan, a doctor, a chemist, a vinyl collector, a Breaking Bad enthusiast, a family man, and a humble intellectual. We spend a day with Akse P19 and discover what shaped one of the greatest modern artists in Manchester.
“The Jack Nicholson one is just back there,” our driver tells us, jerking a thumb behind his shoulder.
The sphinxlike Manchester street artist, Akse P19, is whizzing us through a rain-whipped Northern Quarter in his car; spray cans rattling at our feet whilst his iconic mask rests on the backseat alongside me.
He’s generously offered to transport us through the monsoon-like weather to see his latest painting, answering questions about his urban graffiti whenever a mural flashes into view beyond the blurry windows.
It’s only a five-minute journey, but we still manage to pass three of his paintings en route; proof that Akse is ubiquitous in Manchester. He has spent decades colouring the city’s red brick walls with dazzling, lifelike murals of musicians, athletes, poets, actors, fictional characters and Mancunian heroes. It’s the kind of art that strikes a chord and makes your chest puff with civic pride.
His decades’ of work – coupled with the explosion of Instagram, Facebook and Twitter – has seen Akse earned rightful recognition as one of the most important creative figures in the region.
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However, until now, his backstory has remained something of a mystery. This is the man behind the mask.
“Paint gets on everything…”
With such a hybrid background, Akse could have settled almost anywhere in the world. So, we should be grateful he chose Manchester as his canvas.
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Despite his Vietnamese heritage, a syrupy French accent and a Basque-speaking family, Akse has built a connection with Mancunia that runs deep – as his murals help to shape the atmosphere of the city.
The artist arrives at Teacup Kitchen for our interview in his familiar specs and paint-splashed trousers… but also a jet-black hoodie sporting a giant gold bee.
“I thought, for The Manc, this would be a great choice,” he chuckles.
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The only thing that’s missing is his mask; which he eagerly straps to his face before our photographer starts snapping away later in the day.
Akse is eager to keep his personality separate from his work. Preserving his image – cap, glasses and mask – is important to him. He wants the images to speak for themselves and retain the enigmatic aura that has helped him gain so much attention in the first instance.
As we talk, Akse catches me eyeing the crispy outer shell that’s wrapped around his phone.
“Masking tape,” he clarifies.
“To protect it from the paint. You see, here…”
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He flips the device over and runs his index finger over an invasive purple smear on the casing.
“Paint gets on everything.”
Mess is par for the course in this occupation. But it’s only when we quiz Akse on his working hours that some of the additional challenges of artwork become clear.
“There’s no 9-5. You can’t really have a routine in this job,” he explains, a thin smirk spreading across his lips.
“Sometimes, I’m able to go to the shop and get things to eat, but often there are no breaks.
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“I should bring my own lunch, really. But I’m just not organised enough to do that.
“You can’t always choose your hours, either. If I’m doing a personal mural and it starts pissing down, I can just go home and come back again another time. One day doesn’t really make a difference.
“But if it’s commissioned, I have to finish it by a certain date. You have a deadline.
“With the Harry Maguire one, for example, it rained all day and I was completely soaked through. When it gets wet, the spray paint dries out quickly, too. So working in the bad weather can be very difficult.
“But it is worth it. This is me.”
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“30 years later, Akse is what I’m known as…“
Akse’s amazing artwork invites all kinds of questions. But there’s one burning query we have to resolve before going any further into the aesthetics.
Where did that name come from?
“Golden Axe,” the artist explains, taking a long sip of his latte.
“It was a video game in the eighties.
“At the time, my English was not very good, but I liked the way it sounded. I just switched the ‘x’ for the ‘ks’.
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“I never thought people would actually call me by that name. It was just for flow and style of the tag at the time.
“But now, 30 years later, this is what I’m known as.”
But what about the P19 bit?
“That’s the crew I am part of,” he explains.
“A graffiti artist called PEST formed it back in the Paris suburbs – which is where I grew up.
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“There are about ten to fifteen members of the collective. Most of them still work in Paris today.
“In the late eighties/early nineties I got into hip-hop – which introduced me to the graffiti scene in France.
“I moved to the UK in 1997 to study chemistry – which actually comes in useful, working with paints! I went to MMU and did an MSc and PhD before I found a job in science. I worked for 15 years as a project manager after that – but I kept painting all that time.
“When I arrived in Manchester, I was on my own and didn’t know much about the graffiti scene.
“But soon I got involved with Eurocultured, a festival organised by Spearfish taking place by Oxford Road Station that invited artists from all around Europe.
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“That’s how I ended up doing more street art.”
It was back in 2012 that Akse met the curators of The Out House – an organisation that provides space for artists around the Northern Quarter.
This encounter, combined with the rise of social media, saw the Akse name spread further and wider than he ever could have hoped for…
“As a chemist, I really enjoy Breaking Bad, so doing Heisenberg was quite special.”
The Out House is an organisation that guarantees there’s always a space for artists to flex their creative muscles.
“You don’t choose who will be painting with you,” Akse’s explains.
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“The scene isn’t that big, so you know all the other artists, more or less. You meet many of them at events. If they are local, you’re likely to work with them at some point.”
Akse also does his own personal artwork in the city, obtaining permission from the owner of the building, the landlord and/or property management companies before he shakes up his spray can.
He specialises in photorealistic portraiture, but out of the hundreds of pieces he’s composed over the years, is there one he’s particularly proud of?
“The Heisenberg piece was really popular. As a chemist, I really enjoy Breaking Bad, so doing that one was quite special for me.
We ask if there are any murals he’d like to make in the future, and Akse doesn’t have to think long about his answer.
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“I have a list of a few subjects I’ve been wanting to paint for a long time,” he confirms.
“One of them was Marvin Gaye – which I have just finished.
“I did it as commission for Soul Coffee which is opening in Ancoats.”
He asks us if we’d like to see it.
A few minutes following a resounding ‘yes’, we find ourselves climbing out of Akse’s car and stepping into a cafe under construction.
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On the left wall is an incredible monochrome painting of Marvin Gaye – wearing his trademark hat and gazing up at the ceiling.
“This is a great place to be a part of”
Before posing beside the sketched singer, Aske retrieves a huge stack of Marvin Gaye vinyls from his car and starts flicking through them, thinking carefully about which one he should choose.
He picks one, raises it slowly, puts it back, plucks another record from the pile, and then returns to his original choice.
“This one, I think, will be better,” he mutters.
He wants the picture to be perfect. Like Walter White, Akse doesn’t do half-measures.
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Since touching down in Manchester many years ago, Akse moved around the outskirts of the city whilst finding his feet, juggling his painting with a career in project management.
Today, he’s settled with a young family and pursuing his artwork full-time.
“Manchester is a good size, it’s convenient to get around. I’m a fan of the music scene here. I always used to like The Smiths – and that was before I even came here!
“The city has everything I need, really. Except the weather.
“The last twenty years it has kind of boomed, bringing in a lot of new businesses and creatives.
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“There’s a lot here now. It’s a great place to be a part of.”
Manor House Hotel & Spa – The magical garden spa near Manchester with TWO swim-up bars
Daisy Jackson
There’s an increasing number of garden spas popping up around the UK, where you can soak and relax out in the open air.
But a lot of them are missing the key ingredient – the gardens.
That’s what makes Manor House Hotel & Spa over in Cheshire so special. It feels like it’s been built as garden first, spa second, in the way that pools and hot tubs seem to have been slotted in between established trees and flower beds and shrubs.
It’s like stumbling onto the set of a romantic period drama, but with state-of-the-art spa facilities concealed into the grounds. I’m half expecting a sopping wet Colin Firth to emerge from a hot tub.
And although the square footage of the garden spa is relatively small, it’s this clever landscaping that makes it feel like a never-ending maze where every turn reveals a new place to lie down.
There are covered, swinging beds in a herb garden. A sauna concealed as a potting shed. Private bookable hot tubs behind a hedge.
And then the real whimsy – the secret garden. Opened just last year, this corner of the spa is home to a blisteringly turquoise heated pool, surrounded by charming sage green ‘sheds’ (which are actually a series of cosy indoor relaxation pods).
The Secret GardenOne of two cold plunge poolsThe relaxation sheds in the secret gardenA huge heated poolThe Secret Garden’s sauna
There’s a second swim-up bar here, because why stop at one, a cold plunge pool with spring flowers wrapped around it, a lawn for sunbathing if you’re lucky, and a traditional Finnish sauna overlooking it all.
It doesn’t stop there – weave along the footpaths and you’ll come across a sunken, circular hydrotherapy pool, a cosy summer house with noise-cancelling headphones you can plug in to, a gently heated panoramic laconium, hammocks, squishy sunbeds, swing seats, and so much more.
The adjective that keeps coming to mind is ‘pretty’, but that almost feels too flippant for how gorgeous the spa garden is.
And you might think with it being an outdoor garden spa that it would be a waste of time in bad weather – but you’re wrong.
Manor House has built subtle shelters which look more like garden pagodas over a lot of the facilities here, including part of the main pool and swim-up bar, and most of the double lounge beds.
The main pool and swim-up barThe Potting Shed saunaA classic cold plunge tubThe hydrotherapy pool
But even beyond that, your classic spa facilities like the saunas and salt steam chamber have been constructed in out-buildings, safe from the infamous North West weather, AND there’s a sizeable indoor pool, sauna and steam room back inside the main hotel building.
The metal cold plunge tub is exposed to the elements – but if you’re being brave enough to dunk in this, a little drizzle is the least of your worries.
They’ve got an enormous list of treatments on offer here, whether you want to be scrubbed and rubbed into a new person, or give your skin a real boost with a facial. Once you’re done with your treatment, Manor House has built a cosy relaxation lounge, where you can pull the curtains across your own private booth to sip a cup of herbal tea and unwind.
Private relaxation booths for post-treatmentMezze lunchDinner in the StablesBreakfast the next dayThe Salt ShedDrinks from The Bothy Bar, a swim-up bar in the secret gardenThe indoor poolThe Stables restaurantBedroomsCovered beds in the herb garden
Alongside all that relaxing, a typical spa package at Manor House may include an afternoon tea, a brunch, or a mezze platter lunch, with a glass of fizz served to you in the Pool House.
And if you go for the overnight, you’ll be sinking into a huge plush bed, full from a refined British gastropub dinner in the hotel’s cosy restaurant space, The Stables.
Manor House is currently running a full Spring Renewal Spa Escape, for the ultimate taste of everything that’s on offer while the gardens are in full bloom.
The Manor House Spring Renewal Spa Escape package
An overnight hotel stay
A 60-minute Collagen Renewal Ritual (a soothing, exfoliating back massage, followed by a luxurious collagen facial)
Full access to the spa, with 18 spa experiences, on both days of your stay
A delicious three-course dinner in the Stables restaurant
Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
Gareth Lloyd -
8th December 2019 
