The Manc - The man behind the murals: We spent the day with Akse P19"

“The Jack Nicholson one is just back there,” our driver tells us, jerking a thumb behind his shoulder.

The sphinxlike Manchester street artist, Akse P19, is whizzing us through a rain-whipped Northern Quarter in his car; spray cans rattling at our feet whilst his iconic mask rests on the backseat alongside me.

He’s generously offered to transport us through the monsoon-like weather to see his latest painting, answering questions about his urban graffiti whenever a mural flashes into view beyond the blurry windows.

It’s only a five-minute journey, but we still manage to pass three of his paintings en route; proof that Akse is ubiquitous in Manchester. He has spent decades colouring the city’s red brick walls with dazzling, lifelike murals of musicians, athletes, poets, actors, fictional characters and Mancunian heroes. It’s the kind of art that strikes a chord and makes your chest puff with civic pride.

His decades’ of work - coupled with the explosion of Instagram, Facebook and Twitter - has seen Akse earned rightful recognition as one of the most important creative figures in the region.

However, until now, his backstory has remained something of a mystery. This is the man behind the mask.

With such a hybrid background, Akse could have settled almost anywhere in the world. So, we should be grateful he chose Manchester as his canvas.

Despite his Vietnamese heritage, a syrupy French accent and a Basque-speaking family, Akse has built a connection with Mancunia that runs deep - as his murals help to shape the atmosphere of the city.

The artist arrives at Teacup Kitchen for our interview in his familiar specs and paint-splashed trousers… but also a jet-black hoodie sporting a giant gold bee.

“I thought, for The Manc, this would be a great choice,” he chuckles.

The only thing that’s missing is his mask; which he eagerly straps to his face before our photographer starts snapping away later in the day.

Akse is eager to keep his personality separate from his work. Preserving his image - cap, glasses and mask - is important to him. He wants the images to speak for themselves and retain the enigmatic aura that has helped him gain so much attention in the first instance.

As we talk, Akse catches me eyeing the crispy outer shell that’s wrapped around his phone.

“Masking tape,” he clarifies.

“To protect it from the paint. You see, here…”

He flips the device over and runs his index finger over an invasive purple smear on the casing.

“Paint gets on everything.”

Mess is par for the course in this occupation. But it’s only when we quiz Akse on his working hours that some of the additional challenges of artwork become clear.

“There’s no 9-5. You can’t really have a routine in this job,” he explains, a thin smirk spreading across his lips.

“Sometimes, I’m able to go to the shop and get things to eat, but often there are no breaks.

“I should bring my own lunch, really. But I’m just not organised enough to do that.

“You can’t always choose your hours, either. If I’m doing a personal mural and it starts pissing down, I can just go home and come back again another time. One day doesn’t really make a difference.

“But if it’s commissioned, I have to finish it by a certain date. You have a deadline.

“With the Harry Maguire one, for example, it rained all day and I was completely soaked through. When it gets wet, the spray paint dries out quickly, too. So working in the bad weather can be very difficult.

“But it is worth it. This is me.”

Akse’s amazing artwork invites all kinds of questions. But there’s one burning query we have to resolve before going any further into the aesthetics.

Where did that name come from?

“Golden Axe,” the artist explains, taking a long sip of his latte.

“It was a video game in the eighties.

“At the time, my English was not very good, but I liked the way it sounded. I just switched the ‘x’ for the ‘ks’.

"I never thought people would actually call me by that name. It was just for flow and style of the tag at the time.

“But now, 30 years later, this is what I’m known as.”

But what about the P19 bit?

“That’s the crew I am part of,” he explains.

“A graffiti artist called PEST formed it back in the Paris suburbs - which is where I grew up.

“There are about ten to fifteen members of the collective. Most of them still work in Paris today.

“In the late eighties/early nineties I got into hip-hop - which introduced me to the graffiti scene in France.

“I moved to the UK in 1997 to study chemistry - which actually comes in useful, working with paints! I went to MMU and did an MSc and PhD before I found a job in science. I worked for 15 years as a project manager after that - but I kept painting all that time.

“When I arrived in Manchester, I was on my own and didn’t know much about the graffiti scene.

“But soon I got involved with Eurocultured, a festival organised by Spearfish taking place by Oxford Road Station that invited artists from all around Europe.

“That’s how I ended up doing more street art.”

It was back in 2012 that Akse met the curators of The Out House - an organisation that provides space for artists around the Northern Quarter.

This encounter, combined with the rise of social media, saw the Akse name spread further and wider than he ever could have hoped for…

The Out House is an organisation that guarantees there’s always a space for artists to flex their creative muscles.

“You don’t choose who will be painting with you,” Akse’s explains.

“The scene isn’t that big, so you know all the other artists, more or less. You meet many of them at events. If they are local, you’re likely to work with them at some point.”

Akse also does his own personal artwork in the city, obtaining permission from the owner of the building, the landlord and/or property management companies before he shakes up his spray can.

He specialises in photorealistic portraiture, but out of the hundreds of pieces he’s composed over the years, is there one he’s particularly proud of?

“The Heisenberg piece was really popular. As a chemist, I really enjoy Breaking Bad, so doing that one was quite special for me.

We ask if there are any murals he’d like to make in the future, and Akse doesn’t have to think long about his answer.

“I have a list of a few subjects I’ve been wanting to paint for a long time,” he confirms.

“One of them was Marvin Gaye - which I have just finished.

“I did it as commission for Soul Coffee which is opening in Ancoats.”

He asks us if we’d like to see it.

A few minutes following a resounding ‘yes’, we find ourselves climbing out of Akse’s car and stepping into a cafe under construction.

On the left wall is an incredible monochrome painting of Marvin Gaye - wearing his trademark hat and gazing up at the ceiling.

Before posing beside the sketched singer, Aske retrieves a huge stack of Marvin Gaye vinyls from his car and starts flicking through them, thinking carefully about which one he should choose.

He picks one, raises it slowly, puts it back, plucks another record from the pile, and then returns to his original choice.

“This one, I think, will be better,” he mutters.

He wants the picture to be perfect. Like Walter White, Akse doesn’t do half-measures.