As fireworks crackled across the night sky, the ‘prison’ fences surrounding Fallowfield student campus came crashing down.
This moment was the tipping point, in every sense.
After three months of waking up to the same four walls and forking out thousands of pounds to sit on Zoom, Fallowfield first-years woke up on Thursday to find they’d been fenced-in to their accommodation.
There’d been no warning, and whilst University of Manchester’s President and Vice-Chancellor Professor Dame Nancy Rothwell quickly apologised and pledged to dismantle the fencing within hours, students decided to take matters into their own hands.
The pressure from a deeply-troubled first term had come to a head, and hundreds congregated together on campus to rip down the blockades.
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It was, according to one student at the protest Ben McGowan, a: “really overwhelmingly cathartic moment.”
This was more than just taking down a fence. We hope this will raise awareness to the lack of support students have received over the course of the pandemic. If you say it is safe for us to come to uni, support us so we don’t lose another student. #ManchesterUniversitypic.twitter.com/ZGnq0vQuIE
The fact that #ManchesterUniversity thought it was a good idea to cage us in with 7ft fences like animals or prisoners absolutely baffles me. Only weeks ago was there a suspected suicide due to anxiety in lockdown in a flat just below me. pic.twitter.com/chJJmiuLnr
A completely out of touch group of managers develop a stupid plan. The plan creates chaos and mountains of work for everyone underneath them. They then offer an abysmal apology that gaslights everyone. https://t.co/w0KV7dISST
The fences had been installed overnight by the university as an additional security measure – intended to protect residents and ensure no unauthorised people were entering the halls.
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But students insist they weren’t informed about the construction work – leaving them panicked at the prospect of being ‘locked in’.
This was made worse by the cryptic response students got when they asked the construction workers what was happening.
“They said they couldn’t tell us and that it was information that was private,” Politics and Sociology student Ben explains.
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Whilst Ben called the assembly of the fences an “amazingly stupid” move by the Uni, he says it was merely the straw that broke the camel’s back.
“Since the day we got here the uni has repeatedly failed us and broken promises,” he told us.
“When we got here we were promised in-person tutorials and before they could begin they moved to online. They moved thousands of us across the country into cramped halls riddled with problems especially in Oak House – there’s always a leaking roof or even flooding.
“During isolation they gave us barely any guidance or support. They sent us food package which arrived after we actually finished isolating which was a week’s worth of food that was due to go off in a day.”
When Ben packed his bags and travelled up from South East London to move into Oak House, he was excited about the university experience that lay ahead.
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But it’s been nothing like he expected.
“It’s not really felt like we’re at uni, it just feels like I live in a hall and occasionally have to go on a Zoom call.”
It’s been the same for hundreds of others just like him.
So, when the ‘lockdown fences’ went up, collective frustration that had been building the student community mutated into an organised protest.
“By 8pm we gathered outside Owens Park tower within an area that had been fenced and began chanting and speeches,” said Ben.
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“We could see security were filming us and after a bit of shaking of the fences noticed they came down relatively easily. So, once the first one crashed down everyone ran across campus tearing them all down.”
He added: “There was a real sense of solidarity amongst the hundreds of students that were there that we had actually managed to win this – especially as whilst we were at the protest we received an apology email from the university.”
I can't believe this is even happening. Please remember though, this is just ONE university forcing students to stay. Cambridge told students if they leave to go home for lockdown, they'd be kicked out off their courses. Including international students. #ManchesterUniversityhttps://t.co/Jo4KoFoTtj
According to Ben, the facility needs to focus on providing more mental health services as the pandemic continues.
“I think the main priority for universities has to be supporting student’s mental health,” he explains.
“Most of us are far away from anywhere we know, surrounded with people we barely know and the level of mental health support has been abysmal.
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“Yesterday when the fences were put up actually coincided with the day an enquiry into the suicide of a student at the halls begins. At the protest last night we held a minute of silence for him at the start, but the university has to learn that if they don’t start treating students humanly things will only get worse.”
The major misstep of the fences has seen UoM apologise profusely, with a statement posted online explaining the decision.
Spokespeople for UoM have also said that the university has been offering “further support” during isolation.
But Ben says students still feel like they aren’t being heard.
“It really feels like now they’ve trapped us up here,” says Ben
“[They’ve] got our 9k, they really couldn’t care less what happens to us.”
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Our new tune, brought to life by Samuel Jones at Low Four Studios + Norman Nitzsche at Calyx Mastering
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.