Hailing from the musical capital of the world, Manchester, music has to be in Pale Waves’ blood, right?
Years and years-worth of bands have trodden the city’s stages and music venues before them, and yet this band is still pulling off something new, engaging and worthy of our attention – they really do tick a lot of boxes.
Making music within the indie-pop scene, the band are relatable on so many levels because personal lyrics and first-hand experiences often define the genre. And so, you’d be hard pressed to find a Pale Waves song that doesn’t resonate with you in some way.
So, keen to learn how the band do this so well and discover what we can expect for the year ahead, we caught up with lead singer Heather Baron-Gracie this week. From Neighbourhood Weekender, to album number three, there’s plenty to come.
Pale Waves will play Neighbourhood Weekender next May alongside other big Manchester names.
So, your music is really infectious and approachable, what do you think is the key to this?
I absolutely love big melodies so I think that may be one of the things that makes the songs quite instant. I just love pop music as well, so I think that feeds through to all of our music, even the more alternative tracks.
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What kind of themes and issues do you like to raise with your music?
We like to be very honest within our music so everything is written from a very personal perspective. Hopefully a lot of those experiences are shared with our fans and I like to think they can relate across the different subject matters. Whether that be love, loss, relationships, mental health, sexuality and anything else we are writing about.
Who and what have been your main inspirations over the years?
We really are influenced by a wide variety of artists. On album one we were very much influenced by a lot of 80’s artists, especially The Cure. But my love of the music I grew up listening to came to the fore more on album two, as well as artists I have discovered more recently like Liz Phair and Michelle Branch.
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We understand you’ve started work on your third album, what can you tell us about it?
We have! I have been writing it in LA for most of this year and we have just started recording with a great producer called Zakk Cervini. I won’t talk too much about the sound before it’s finished, but I love everything we have written so far and think they’re definitely the best Pale Waves songs to date. Really can’t wait for everyone to hear!
The band have started work on their third album.
After some time out for various reasons, the band are gigging once again. They already have a load of tour dates in the 2022.
Starting on February 11, they’ll embark on a 12-date UK tour, visiting all the major cities along the way, including London, Nottingham and Birmingham. But rounding the tour off in the biggest way, will be their headline gig at Manchester’s Victoria Warehouse on March 1 – one that the band are really gearing up for.
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What can we expect from your big headline gig at Victoria Warehouse in March?
We really can’t wait to get back out playing to our fans. Our life as a band has been all about touring and playing hundreds and hundreds of shows, so it’s obviously been a super hard two years not being able to play at all. I think it will just be a real celebration if us and our people all being back in a room together and having an amazing collective experience.
You’re also playing Neighbourhood Weekender in May, of course.
Yes! We love festivals and are always so welcomed in the north. This will be our first festival back so we’ll try to make it a memorable one for everyone!
Neighbourhood Weekender will take over Warrington’s Victoria Park once again on 28 and 29 May, where Pale Waves will join the likes of Courteeners, Kasabian, Blossoms and DMA’s on an incredible lineup of talent.
The festival is located just 20 miles from the city centre and has plenty to offer on top of the music, too. From grabbing a pint down the local at the ‘Neighbourhood Inn’, to stocking up on festival essentials at the Corner Shop Rave, to silent discos in ‘The Library’, there’s so much to experience.
Tickets for the festival are on sale now and you can find loads of information here.
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Hannah Starkie -
3rd November 2021 
