Mesmerising set design, champagne casting and glistening costumes, Disney’s international hit ‘Aladdin’ has finally landed in Manchester.
We all know the story, young Aladdin is down on his luck in his life as a ‘street rat’ until he bumps into Princess Jasmine in a market and everything changes. After a run in with baddie Jafar, a trip into a spooky talking cave and the discovery of a magical lamp, Aladdin’s life changes completely.
Gavin Adams perfectly portrays a lovable Aladdin with energy you’d expect from the opening show, not this far into the tour. His vocals are exceptional, absolutely nailing his solo ‘Proud of your boy’ and keeping the audience rooting for him for the whole show.
The gorgeous Desmonda Cathabel plays Princess Jasmine, radiating warmth and kindness throughout she really is giving princess. She looked amazing in the iconic turquoise two-piece and honestly if they sold adult sizes in the gift shop, I’d have been all over it.
Desmonda Cathabel as ‘Jasmine’Gavin Adams as ‘Alladin’
The chemistry of the two actors shone in their performance of ‘A Whole New World’ as the magic carpet flew through the stars. My failed attempt to understand how the illusion worked through this scene led me to one conclusion – that carpet was actually magic.
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Champagne castings doesn’t even do justice to Yeukayi Ushe as ‘The Genie’, an absolutely spellbinding performance that had the audience missing him the second he left the stage.
‘Friend Like Me’ was nothing short of jaw-dropping and i found myself on the edge of my seat with a huge grin throughout, all those around had similar reactions.
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Yeukayi Ushe as ‘The Genie’
His charisma and incredible vocals were the highlight of the show no doubt, the audience in the palm of his hand from start to finish.
A shoutout has to be made to Aladdin’s three friends, replacing the original sidekick ‘Abu’ the monkey i’m assuming due to animal cruelty related concerns. Nelson Bettencourt as Babkak, Adam Taylor as Omar and Nay-Nay as Kassim; they absolutely shine and add a perfect touch of comedy to the plot.
What’s a Disney show without an evil villain? Adam Strong makes for a very devious Jafar that you love to hate.
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The set design plays a huge part in the success of the show, transporting the audience to Agrabah through 4D illusions and attention to detail. The cave is really something, the whole stage dripping in gold and creating the perfect backdrop from the musicals best number, ‘Friend Like Me’.
It would be fair to say the show teeters on the edge of pantomime, but I mean that in the best way possible. If you ask me, pantomimes shouldn’t just be for Christmas so watching this in May felt like a real treat.
In classic Disney style, the target audience is of course children but there are enough jokes and stunning musical numbers to make it great for adults to. Colourful set designs, stunning costumes and high-energy from start to finish – you ain’t never seen a show like this.
A brand-new Oxfam Vintage store is opening in Manchester – with a treasure hunt to celebrate
Daisy Jackson
A brand-new charity shop showcasing curated vintage clothing is opening in the Northern Quarter this month.
The new concept store comes from Oxfam, promising a more ‘design-led’ approach to pre-loved fashion.
Shoppers will be able to browse hand-picked, quality vintage pieces when the new Oxfam Vintage opens at the end of March.
The new Northern Quarter charity shop will transform the existing Oxfam Originals unit on Oldham Street.
It will feature UK-made fixtures, recycled materials, and large-scale installations using archival Oxfam magazine covers and festival artwork.
To celebrate the launch of Oxfam Vintage, they’ll be hosting a city-wide treasure hunt this weekend.
Giant ‘50% off Oxfam Vintage’ shopping tags will be hidden all over town, inside other Oxfam shops.
Anyone who finds one will be able to redeem the discount in-store once it launches on Friday 27 March.
Matt Burgess-Evans, Head of Store Development at Oxfam, said: “Oxfam Vintage represents a step change in how we present vintage fashion within our retail portfolio.
CGI of how Oxfam Vintage will look
“It was important that the design of the space reflected the approach to the product — creating an environment that supports a more curated offer and highlights the quality and longevity of vintage clothing.
“By presenting pieces in a considered way, the concept encourages customers to see vintage not just as thrift, but as fashion with lasting value.”
Oxfam Vintage opens on Friday 27 March, with the city-wide treasure hunt happening on Saturday 20 March.
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Abbie Bartlett -
24th May 2024 
