Whenever Blossoms perform within the perimeter of Greater Manchester, it’s with a certain kind of swagger.
They’re never more confident and comfortable on stage than they are here in the city where it all began a decade ago, a land where they know they can shout about Offerton, or make jokes about the 192, and the entire audience will cheer and understand the punchline.
Last time they played at Castlefield Bowl, they had one album. Now there are four to play with, and Blossoms whizz back and forth through the years in front of the 8,000-strong audience.
At the sold-out show, we hear everything from their very first song to tracks from their latest release, Ribbon Around the Bomb, with transitions between the songs so smooth you don’t even notice they’re happening a lot of the time.
Highlights include The Sulking Poet, where the eight-strong touring band lay down a complex tapestry of an instrumental while dry ice swirls around them, and If You Think This Is Real Life, where frontman Tom Ogden attacks his vocals with a furious staccato.
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He has more stage presence than ever with his new retro haircut and his flared suit, striding around like he very much runs this town.
Tom tells us about the group getting ‘sacked off by Netflix’ after writing Ode to NYC for an upcoming film – they may have lost the lucrative streaming deal but at least we all got a belting song out it.
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He thanks us all for sticking with Blossoms over the last 10 years, though adds that even at this stage in their music career, he still gets asked for ID.
The band are celebrating their ‘tin’ anniversary, and so when we’re asked to raise a tin to the five-piece, hundreds of cans of cider pop up overhead.
Blossoms at Castlefield Bowl, Manchester. Credit: The Manc GroupBlossoms at Castlefield Bowl, Manchester. Credit: The Manc Group
We may think of Blossoms as part of a new generation of Manc music, but you have to remember that these guys have been around the block a few times now.
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They reek of a band who have grown up together, through the awkward teenage years to their now chart-topping success, with a sort of magical musical telekinesis running between them.
After a brief pause during Blown Rose for an unwell audience member to be pulled out of the packed crowd, they’re able to leap back in to the song exactly where they stopped without a single hiccup.
Throughout the gig, I count only one mistake – and it was Tom forgetting to introduce his own brother-in-law, drummer Joe Donovan, while celebrating each band member’s contributions. I’m sure that’ll be brought up at every Christmas dinner for the rest of eternity.
They are immaculate in their presence and their performance, and have clearly grown up and grown into their sound.
With this 10th anniversary gig at Castlefield Bowl, Blossoms have proven, once again, that they’re a group Greater Manchester can be very proud to call our own.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
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Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Daisy Jackson -
7th July 2023 
