Whenever Blossoms perform within the perimeter of Greater Manchester, it’s with a certain kind of swagger.
They’re never more confident and comfortable on stage than they are here in the city where it all began a decade ago, a land where they know they can shout about Offerton, or make jokes about the 192, and the entire audience will cheer and understand the punchline.
Last time they played at Castlefield Bowl, they had one album. Now there are four to play with, and Blossoms whizz back and forth through the years in front of the 8,000-strong audience.
At the sold-out show, we hear everything from their very first song to tracks from their latest release, Ribbon Around the Bomb, with transitions between the songs so smooth you don’t even notice they’re happening a lot of the time.
Highlights include The Sulking Poet, where the eight-strong touring band lay down a complex tapestry of an instrumental while dry ice swirls around them, and If You Think This Is Real Life, where frontman Tom Ogden attacks his vocals with a furious staccato.
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He has more stage presence than ever with his new retro haircut and his flared suit, striding around like he very much runs this town.
Tom tells us about the group getting ‘sacked off by Netflix’ after writing Ode to NYC for an upcoming film – they may have lost the lucrative streaming deal but at least we all got a belting song out it.
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He thanks us all for sticking with Blossoms over the last 10 years, though adds that even at this stage in their music career, he still gets asked for ID.
The band are celebrating their ‘tin’ anniversary, and so when we’re asked to raise a tin to the five-piece, hundreds of cans of cider pop up overhead.
Blossoms at Castlefield Bowl, Manchester. Credit: The Manc GroupBlossoms at Castlefield Bowl, Manchester. Credit: The Manc Group
We may think of Blossoms as part of a new generation of Manc music, but you have to remember that these guys have been around the block a few times now.
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They reek of a band who have grown up together, through the awkward teenage years to their now chart-topping success, with a sort of magical musical telekinesis running between them.
After a brief pause during Blown Rose for an unwell audience member to be pulled out of the packed crowd, they’re able to leap back in to the song exactly where they stopped without a single hiccup.
Throughout the gig, I count only one mistake – and it was Tom forgetting to introduce his own brother-in-law, drummer Joe Donovan, while celebrating each band member’s contributions. I’m sure that’ll be brought up at every Christmas dinner for the rest of eternity.
They are immaculate in their presence and their performance, and have clearly grown up and grown into their sound.
With this 10th anniversary gig at Castlefield Bowl, Blossoms have proven, once again, that they’re a group Greater Manchester can be very proud to call our own.
Sankeys shares sneak peek at new venue as legendary Manchester nightclub gears up for return
Daisy Jackson
Sankeys has given Mancs a glimpse inside its new venue as the legendary nightclub gears up for its return.
The club was one of Manchester’s top nightlife spots for years, before shutting down seemingly for good almost a decade ago.
Set within Beehive Mill in Ancoats, Sankeys was a true icon of Manchester’s global nightlife scene.
And while the old Sankeys Soap nightlife space is now full of co-working spaces, the spirit of Sankeys is about to be reborn.
The exact location of the new club is still being kept under wraps ahead of its reopening at the end of January, but new renderings have been released to give us a glimpse of how it will look.
Sankeys is promising ‘A reimagined space. New energy. Same legendary nights’.
The new Sankeys Manchester will be a 500-capacity venue, designed to ‘capture the raw underground energy that made Sankeys one of the most iconic club brands in the world’.
It will feature an LED matrix grid installation that will immerse clubbers in ‘light, sound and atmosphere’.
Sankeys Manchester officially opens on 30 January – you can see a glimpse of how it will look below and grab tickets HERE.
The most annoying songs of 2025 according to ‘science’ have been revealed
Emily Sergeant
A list of the most annoying songs of 2025 according to ‘science’ has been published.
Music fans have already been sifting through their Spotify Wrapped, which came out earlier this month, with searches for it surging an astonishing 5,000% in recent weeks, proving that 2025 has been a memorable year for music.
We’ve had record-breaking releases, viral TikTok hits, and artists pushing creative boundaries across genres.
Despite the hits though, some tracks have sparked debates over how irritating they are – from repetitiveness to ‘harmonic dullness’.
Interested to discover the most annoying song releases of 2025, the experts at SeatPick analysed the most popular songs of 2025 according to official top charts, then measured their repetition, shrillness, harmonic dullness, and filler lyrics to calculate the percentage chance that listeners would find the song to be so-called ‘annoying’.
The most annoying songs of 2025 have been revealed according to ‘science’ / Credit: Jonas Leupe | Ketut Subiyanto (via Unsplash and Pexels)
Unfortunately for one artist – one very popular artist, it has to be said – they have claimed both the top and second spot, and that artist is pop royalty Sabrina Carpenter.
SeatPick’s findings revealed that Sabrina Carpenter’s ‘Sugar Talking’ and ‘Tears’, which were both featured on her latest album Man’s Best Friend, are the most annoying songs released in 2025, as the data metrics indicated that nearly half of listeners (46%) are likely to find these songs irritating due to they’re repetitiveness.
Lady Gaga’s ‘The Dead Dance’ ranks as the third most annoying track of the year, scoring high on the ‘annoyingness index,’ with repetition, brightness, and lyrical filler contributing to an overall 45.8% likelihood that listeners would find it irritating.
Rounding off the top four most irritating songs of 2025 is ‘Who’ by BTS member, Jimin, with there being a 45.5% chance that listeners would find his song irritating due to its repetitive hooks and bright, high pitched tones.
When it comes to the list of most irritating TikTok trending songs of 2025, that title went to ‘Dame Un Grrr’ by Fantomel and Kate Linn, with a 45.7% likelihood of being found irritating by listeners, closely followed by ‘She Twerkin’ by Ca$h Out in second, with a 44.1% likelihood of being found annoying by listeners.
One song we’re sure many of you won’t be surprised to find on the most irritating list is ‘Hold My Hand’ by Jess Glynne, which, of course, initially gained popularity through its use in a Jet2Holiday advertisement, and then later became widely featured in more than 3.4 million TikTok videos.
So, what do you make of these results then? Do you agree? What do you think the most annoying song that came out in 2025 is?
Daisy Jackson -
7th July 2023 
