Whenever Blossoms perform within the perimeter of Greater Manchester, it’s with a certain kind of swagger.
They’re never more confident and comfortable on stage than they are here in the city where it all began a decade ago, a land where they know they can shout about Offerton, or make jokes about the 192, and the entire audience will cheer and understand the punchline.
Last time they played at Castlefield Bowl, they had one album. Now there are four to play with, and Blossoms whizz back and forth through the years in front of the 8,000-strong audience.
At the sold-out show, we hear everything from their very first song to tracks from their latest release, Ribbon Around the Bomb, with transitions between the songs so smooth you don’t even notice they’re happening a lot of the time.
Highlights include The Sulking Poet, where the eight-strong touring band lay down a complex tapestry of an instrumental while dry ice swirls around them, and If You Think This Is Real Life, where frontman Tom Ogden attacks his vocals with a furious staccato.
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He has more stage presence than ever with his new retro haircut and his flared suit, striding around like he very much runs this town.
Tom tells us about the group getting ‘sacked off by Netflix’ after writing Ode to NYC for an upcoming film – they may have lost the lucrative streaming deal but at least we all got a belting song out it.
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He thanks us all for sticking with Blossoms over the last 10 years, though adds that even at this stage in their music career, he still gets asked for ID.
The band are celebrating their ‘tin’ anniversary, and so when we’re asked to raise a tin to the five-piece, hundreds of cans of cider pop up overhead.
Blossoms at Castlefield Bowl, Manchester. Credit: The Manc GroupBlossoms at Castlefield Bowl, Manchester. Credit: The Manc Group
We may think of Blossoms as part of a new generation of Manc music, but you have to remember that these guys have been around the block a few times now.
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They reek of a band who have grown up together, through the awkward teenage years to their now chart-topping success, with a sort of magical musical telekinesis running between them.
After a brief pause during Blown Rose for an unwell audience member to be pulled out of the packed crowd, they’re able to leap back in to the song exactly where they stopped without a single hiccup.
Throughout the gig, I count only one mistake – and it was Tom forgetting to introduce his own brother-in-law, drummer Joe Donovan, while celebrating each band member’s contributions. I’m sure that’ll be brought up at every Christmas dinner for the rest of eternity.
They are immaculate in their presence and their performance, and have clearly grown up and grown into their sound.
With this 10th anniversary gig at Castlefield Bowl, Blossoms have proven, once again, that they’re a group Greater Manchester can be very proud to call our own.
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for second-ever overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for just its second-ever overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below:
Daisy Jackson -
7th July 2023 
