Following the whopping success of the United We Stream GM throughout the pandemic, the team behind it are launching a new streaming platform next week, dedicated to showcasing Manchester’s very own talent to the masses.
Since launching in April last year, United We Stream (UWS) became part of so many people’s lives. It provides us with some much-needed respite and entertainment when times were dark, all whilst raising money for people in need.
After clocking up more than 20 million streams worldwide, nobody can deny the impact of the platform and the legacy it’s created for itself.
But new for 2021, is a fresh approach to streaming from the UWS team: StreamGM.
The platform is designed to move away from the fundraising element of UWS and towards producing original shows and performances, specially curated to shine a spotlight on Manchester’s creatives.
They’ll broadcast the shows from their new state-of-the-art Media City studio – which will be the new broadcasting hub for StreamGM. And with the same founding team as UWS, we can be sure that StreamGM will follow in its mighty footsteps.
UWS fundraiser in 2020
We chatted to Laura Graham, head of comms for both StreamGM and UWS, who told us what to expect from the new platform.
“StreamGM will be showcasing the vibrant music, culture, arts and live events scene in Greater Manchester, as we slowly move into re-opening and recovery in the UK.
“There are loads of people, who through various circumstances won’t be able to go to all the events they’d like to and have really enjoyed being able to access brilliant live-streamed content from home.
“We learned so much from the last year, it was an absolute beast of a project and StreamGM is basically the best bits from the UWS legacy.”
On the importance of a platform like StreamGM, Laura says it’s the ideal way to reach wider audiences that an artist wouldn’t have had the opportunity to reach before. The global reach of the platform means people from every corner of the world can tune into and watch an artist all the way in Manchester. This is massive for our city’s talent.
“There’s so much talent in Greater Manchester, whether that’s music or dance or theatre or art. And we reckon that anything that can amplify that is a good thing,” Laura says. “Ten or twenty years ago things were so different. We had more local press outlets, more national press with regional reporters and the whole scout, label, promoter and producer system was different.
“In some ways, the industry is better than it was before, artists speak directly to their audiences, can put their own work out there and it doesn’t have to be polished or given the stamp of approval.”
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The new platform will launch through the Digital City Festival on April 12. This is the perfect place to showcase what the platform is all about. The festival aims bring together the people who are shaping the future of the digital world in the city – StreamGM being one of them.
To celebrate the launch, StreamGM have put together a whole programme of entertainment to accompany the two-week festival.
From live music and DJ sets to spoken word poets and panel discussions with industry top dogs, there’ll be a real taster of Manchester’s vibrant and varied culture. You can read our overview of the schedule here.
But the one responsible for kicking the festival off and launching the platform next Monday is DJ Woody.
We nipped down to catch the end of Woody’s rehearsal session at the studio and he filled us in on the intriguing concept behind his opening set.
Originally a Burnley lad, Woody made a name for himself after winning multiple DJ competitions around the world. Soon enough, he was on stage much bigger than the Northern Quarter bars he’d started out playing.
With a full-time job working at Granada, Woody had a big career decision to make.
“I got forced into a situation where I didn’t have many holidays left at Granada and I got offered all this touring work and it was one of those – early twenties, not too many commitments, just go for it. Twenty years later and I’m still doing it.”
A self-proclaimed “old-school” type of DJ, Woody is famous for his iconic scratching style. He prides himself on his the signature techniques that he’s crafted throughout his career. “At the time I was doing competitions, the culture was always become an original – you stand out by doing something original.
“I always thought my peers were practising more than me because I was working in that little office at Granada. So, I used to sketch ideas down on paper and look at it a bit more scientifically.
“So, when I did go to the competitions, my [sets] were a little bit more out of the box perhaps than some other people that were from for example London. The scene has always been very London-centric. So, when you’re slightly out of it you can take a different perspective on things.”
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Woody plans to bring his old-school mixing techniques into the digital world for his StreamGM set, by incorporating a full series of visuals on the LED screens behind him.
Using specially selected videos, pictures and graphics sent in by videographers, photographers and artists, the visuals will tell the story of Manchester’s culture and music.
“I wanted to include Manchester music that everyone does know and highlight a lot of the contemporary music scene and show a few modern-day classics – as well as celebrate Manchester visually,” he explains. “I think it really works for a streaming platform, more so than a club environment to an extent.”
When the full thing is brought together, the elements will encompass a unique and never seen before audio-visual celebration of the city, where old meets new in every sense of the word. And we can expect to see some very familiar faces and tracks in the mix.
Woody is no stranger to the StreamGM team after wowing the world with his set at the Hacienda House Party on UWS on New Year’s Eve – a set he says was his biggest ever audience. He’s certain he’ll be back for another show with the them very soon.
DJ Woody playing The Hacienda NYE House Party
In lockdown one (and two and three for that matter), livestreams not only kept artists and musicians in work, but were also a lifeline for the majority of us.
So, now it’s looking more and more likely that life will resume in many ways by June, you might wonder if such a platform is still necessary. But the team believe they’ve got a firm place within post-pandemic because of the way we have come to engage with music and art over the past year.
So as well as putting on their own showcases and events, they’ll be working with venues and artists to stream live events direct from the venue.
Laura says there’ll still be people unable to attend gigs and events after June – especially where travelling overseas is involved – and StreamGM will provide a means to enjoy the shows they can’t make.
“You’ll get gigs or theatre performances or shows where you can buy a physical or virtual ticket and that people who can’t get to shows on the night will enjoy them at home or at a later stage,” she says. “We are working in partnership with the United We Stream association based in Berlin, to develop ethical streaming strategies and curate global live streamed events.
“A year in, where no one really knows for sure how the culture and creative industries are going to be like in six months, we want to keep going. StreamGM is a small team, we all love with working with each other and also the amazing artists, promoters and businesses we’ve had the honour of working with over the past 12 months. So, we’re going to keep going and see where it takes us.”
Catch the launch of StreamGM with DJ Woody’s set starting 11:30am on April 12 and check out their full Digital City Festival schedule here.
For more information on StreamGM visit their website.
Music
Beat-Herder Festival 2025 – a magical weekend of music, madness, miniature worlds and more
Emily Johnson
Some festivals give you good music. Some give you great crowds. And a very rare few create a world so immersive, you forget you’re even at a festival; the cult favourite Beat-Herder Festival does it all – and then some.
Tucked into the Ribble Valley countryside in the Lancashire town of Clitheroe, The Beat-Herder Festival isn’t your average weekend of tents and tunes.
It’s a handcrafted, mind-bending wonderland built by a small crew of dreamers who clearly love what they do and want you to feel the same.
Whether it’s your first time or your fifteenth, the moment you step through the gates, you know you’re in for something special
Then there’s Hotel California, not just an Eagles reference but a site where you could catch a full-on rave in a wild west saloon, as well as The Parish Church: a gothic fairytale where choirs turn into choons and the altar doubles as a DJ booth.
One of the weekend’s highlights came tucked inside The Beat-Herder Working Men’s Club, where The Clone Roses had the entire crowd bouncing with their uncanny tribute to The Stones.
When ‘I Am the Resurrection’ dropped, it was hands-in-the-air euphoria; a true pinch-me moment. Ian Brown might as we have been on the stage, the way the crowd were going wild.
And it wasn’t just music. The Working Men’s also hosted ‘Beat-Herder’s Got Talent’, which is a chaotic and charming mix of poetry, dragon dancing, comedy sketches and more. Heartfelt, hilarious and very Beat-Herder.
Truly immersive worlds
Venture deeper into the wonderful world of Beat-Herder and you’ll find entire miniature towns within the festival. There’s a literal high street, complete with its own tattoo parlour, barbers, a swap shop and even a secret swimming pool.
We’re not going to disclose its location, but let’s just say if you find a dodgy-looking wooden gate and hear splashing on the other side – knock twice and bring a towel…
Late-night mayhem
As the sun went down, the party really came to life. The Beyond Tunnel was your portal to new dimensions, opening out into a maze of secret stages and psychedelic visuals.
From psytrance at The Sunrise Stage, to bassline chaos at The Laundrette and candy-coloured chaos at Bubba Gumma, it was a rabbit hole of sound you never wanted to leave.
Then there was The Temple – a fire-breathing stage that became a haven for breakbeats, jungle, techno and house. Tim Reaper’s set here was a standout for us – fast, furious, and euphoric.
And just when we thought the night was over, we found ourselves at a secret 3am b2b set with Tim Reaper and Samurai Breaks that blew us away – two talented DJs that had the crowd wanting even more despite the sun quite literally rising on the next day.
Another hidden gem was The Ring, an intimate open-air arena where we caught Jungle pioneer Goldie, alongside Sheffield’s own Silva Bumpa and Soul Mass Transit System for a bass-heavy b2b set that rattled your bones and lit up the crowd.
Then there’s The Factory – a steel-clad rave bunker pumping out electro, acid and heavy techno deep into the night. Dancing inside while the rain pelted the tin roof added a layer of gritty industrial magic – proper spine-tingling stuff if you’re into that sweaty, underground energy.
And just when you think you’ve seen it all, along comes Fowler’s Garage: a chaotic, petrolhead fever dream of a stage where you can literally dance on top of cars. DJs spin sets from inside the vehicles, cooking up a storm from the front seat while the crowd parties on the roof.
It’s unhinged in the best way possible and one of the most unique spaces you’ll ever rave in.
Power and the people
What really makes Beat-Herder feel different is the people. There’s an unspoken code of friendliness here – everyone’s up for a chat, a laugh, or a spontaneous dance. You could spill your pint and end up making a friend for life. That kind of energy is rare, and Beat-Herder wears it like a badge of honour.
The merch stand has that signature hand-crafted feel. All of the merch is hand-printed, with designs that feel like proper collector’s items rather than throwaway souvenirs. We spotted punters proudly repping Beat-Herder tees from as far back as 2012 – testament to how deep the community pride runs here.
Even on the way out, with vans and cars getting stuck in the mud, everyone mucked in to help push – proof that the Beat-Herder spirit sticks with you long after you’ve left the gates. Just a bunch of lovely people all getting together to have a good time and make memories for life.
Credit: Andrew Whitton
Fantastic fancy dress
Saturday brought the iconic fancy dress theme – this year, the letter G. And wow, did people go for it. Giraffes towered above the crowd, Gnomes danced in groups, Gardeners handed out seed packets, and one hero turned up as ‘Garbage’, wearing an actual dustbin with a lid strapped to his head. We laughed for a full five minutes.
Final thoughts from the fields
Even though Beat-Herder was slightly scaled down this year due to budget cuts, it never once felt like anything was missing. If anything, it brought a tighter, even more magic-filled experience. The attention to detail, the creativity, and the atmosphere are still unmatched – a reminder that this isn’t just a festival. It’s a fully fledged world of its own.
If you’re looking for something different – stick this one at the very top of your list. But be warned: once you’ve been, you’ll never stop going back.
Tickets for next year go on sale on Thursday, 31 July, and you can be ready to grab your tickets HERE.
You can guarantee you’ll see us at back-to-back Beat-Herder Festivals again in 2026.
Classical musician Hauser announces huge arena gig in Manchester later this year
Thomas Melia
Croatian cellist and former member of classical band 2CELLOS, Hauser, has announced a tour including an arena date in Manchester this year.
World-class musician Stjepan Hauser, known professionally as Hauser, is getting ready to pack his cello and cheeky smile as he embarks on ‘The Rebel Is Back’ tour.
Hauser has amassed a worldwide cult following of classical music lovers, by not only respecting the genre, but evolving it too by intertwining his cello skills into modern day pop hits.
The cellist has covered lots of current pop songs while part of musical duo 2CELLOS like ‘We Found Love’, ‘Despacito’, and ‘Viva La Vida’.
You can also expect to hear covers of some of music’s greatest compositions, including the timeless opera classic ‘Nessun Dorma’, and highly-adored ballet piece ‘Swan Lake’.
Recently, Hauser has teamed up with London Symphony Orchestra to reimagine Ennio Morricone’s ‘Le Vent, le cri’, taken from the 1981 French film Le Professionnel.
Hauser has performed in over 40 countries and played at some of the most prestigious venues across the world – including Royal Albert Hall and Sydney Opera House.
He’s also become a social media sensation, capturing people’s attention via his videos playing his cello in a variety of interesting locations like a swimming pool, at the desert, and even on the famous Brooklyn Bridge.
Classical musician Hauser announces huge arena gig in Manchester later this year / Credit: Stefan Brending (via Wikimedia Commons)
You’ll be able to identify a lot of the tracks played out when Hauser visits AO Arena, as his upcoming album titled Cinema, features a wide variety of soundtracks and film theme tunes.
The highly-anticipated LP from Hauser contains ‘What Was I Made For?’ from Barbie, ‘Mission: Impossible’, ‘A Time For Us’ from Romeo and Juliet, alongside lots more motion picture melodies.
The musician is quite familiar with Manchester city city centre too, Hauser studied at Royal Northern College of Music in Manchester before taking the classical world by storm.