Following the whopping success of the United We Stream GM throughout the pandemic, the team behind it are launching a new streaming platform next week, dedicated to showcasing Manchester’s very own talent to the masses.
Since launching in April last year, United We Stream (UWS) became part of so many people’s lives. It provides us with some much-needed respite and entertainment when times were dark, all whilst raising money for people in need.
After clocking up more than 20 million streams worldwide, nobody can deny the impact of the platform and the legacy it’s created for itself.
But new for 2021, is a fresh approach to streaming from the UWS team: StreamGM.
The platform is designed to move away from the fundraising element of UWS and towards producing original shows and performances, specially curated to shine a spotlight on Manchester’s creatives.
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They’ll broadcast the shows from their new state-of-the-art Media City studio – which will be the new broadcasting hub for StreamGM. And with the same founding team as UWS, we can be sure that StreamGM will follow in its mighty footsteps.
UWS fundraiser in 2020
We chatted to Laura Graham, head of comms for both StreamGM and UWS, who told us what to expect from the new platform.
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“StreamGM will be showcasing the vibrant music, culture, arts and live events scene in Greater Manchester, as we slowly move into re-opening and recovery in the UK.
“There are loads of people, who through various circumstances won’t be able to go to all the events they’d like to and have really enjoyed being able to access brilliant live-streamed content from home.
“We learned so much from the last year, it was an absolute beast of a project and StreamGM is basically the best bits from the UWS legacy.”
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On the importance of a platform like StreamGM, Laura says it’s the ideal way to reach wider audiences that an artist wouldn’t have had the opportunity to reach before. The global reach of the platform means people from every corner of the world can tune into and watch an artist all the way in Manchester. This is massive for our city’s talent.
“There’s so much talent in Greater Manchester, whether that’s music or dance or theatre or art. And we reckon that anything that can amplify that is a good thing,” Laura says. “Ten or twenty years ago things were so different. We had more local press outlets, more national press with regional reporters and the whole scout, label, promoter and producer system was different.
“In some ways, the industry is better than it was before, artists speak directly to their audiences, can put their own work out there and it doesn’t have to be polished or given the stamp of approval.”
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The new platform will launch through the Digital City Festival on April 12. This is the perfect place to showcase what the platform is all about. The festival aims bring together the people who are shaping the future of the digital world in the city – StreamGM being one of them.
To celebrate the launch, StreamGM have put together a whole programme of entertainment to accompany the two-week festival.
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From live music and DJ sets to spoken word poets and panel discussions with industry top dogs, there’ll be a real taster of Manchester’s vibrant and varied culture. You can read our overview of the schedule here.
But the one responsible for kicking the festival off and launching the platform next Monday is DJ Woody.
We nipped down to catch the end of Woody’s rehearsal session at the studio and he filled us in on the intriguing concept behind his opening set.
Originally a Burnley lad, Woody made a name for himself after winning multiple DJ competitions around the world. Soon enough, he was on stage much bigger than the Northern Quarter bars he’d started out playing.
With a full-time job working at Granada, Woody had a big career decision to make.
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“I got forced into a situation where I didn’t have many holidays left at Granada and I got offered all this touring work and it was one of those – early twenties, not too many commitments, just go for it. Twenty years later and I’m still doing it.”
A self-proclaimed “old-school” type of DJ, Woody is famous for his iconic scratching style. He prides himself on his the signature techniques that he’s crafted throughout his career. “At the time I was doing competitions, the culture was always become an original – you stand out by doing something original.
“I always thought my peers were practising more than me because I was working in that little office at Granada. So, I used to sketch ideas down on paper and look at it a bit more scientifically.
“So, when I did go to the competitions, my [sets] were a little bit more out of the box perhaps than some other people that were from for example London. The scene has always been very London-centric. So, when you’re slightly out of it you can take a different perspective on things.”
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Woody plans to bring his old-school mixing techniques into the digital world for his StreamGM set, by incorporating a full series of visuals on the LED screens behind him.
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Using specially selected videos, pictures and graphics sent in by videographers, photographers and artists, the visuals will tell the story of Manchester’s culture and music.
“I wanted to include Manchester music that everyone does know and highlight a lot of the contemporary music scene and show a few modern-day classics – as well as celebrate Manchester visually,” he explains. “I think it really works for a streaming platform, more so than a club environment to an extent.”
When the full thing is brought together, the elements will encompass a unique and never seen before audio-visual celebration of the city, where old meets new in every sense of the word. And we can expect to see some very familiar faces and tracks in the mix.
Woody is no stranger to the StreamGM team after wowing the world with his set at the Hacienda House Party on UWS on New Year’s Eve – a set he says was his biggest ever audience. He’s certain he’ll be back for another show with the them very soon.
DJ Woody playing The Hacienda NYE House Party
In lockdown one (and two and three for that matter), livestreams not only kept artists and musicians in work, but were also a lifeline for the majority of us.
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So, now it’s looking more and more likely that life will resume in many ways by June, you might wonder if such a platform is still necessary. But the team believe they’ve got a firm place within post-pandemic because of the way we have come to engage with music and art over the past year.
So as well as putting on their own showcases and events, they’ll be working with venues and artists to stream live events direct from the venue.
Laura says there’ll still be people unable to attend gigs and events after June – especially where travelling overseas is involved – and StreamGM will provide a means to enjoy the shows they can’t make.
“You’ll get gigs or theatre performances or shows where you can buy a physical or virtual ticket and that people who can’t get to shows on the night will enjoy them at home or at a later stage,” she says. “We are working in partnership with the United We Stream association based in Berlin, to develop ethical streaming strategies and curate global live streamed events.
“A year in, where no one really knows for sure how the culture and creative industries are going to be like in six months, we want to keep going. StreamGM is a small team, we all love with working with each other and also the amazing artists, promoters and businesses we’ve had the honour of working with over the past 12 months. So, we’re going to keep going and see where it takes us.”
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Catch the launch of StreamGM with DJ Woody’s set starting 11:30am on April 12 and check out their full Digital City Festival schedule here.
For more information on StreamGM visit their website.
Music
The Stone Roses’ Gary ‘Mani’ Mounfield has died aged 63
Daisy Jackson
Tributes are pouring in for Gary ‘Mani’ Mounfield, after it was announced that the Stone Roses legend has died at the age of 63.
The bassist, who was also part of Primal Scream, was born in Crumpsall and has been one of Manchester’s most beloved musical figures ever since finding fame in the 1980s.
Mani’s brother Greg broke the news this afternoon, writing on Facebook: “IT IS WITH THE HEAVIEST OF HEARTS THAT I HAVE TO ANNOUNCE THE SAD PASSING OF MY BROTHER GARY MANI MOUNFIELD. RIP RKID.”
Mani’s wife Imelda also passed away in late 2023 after a battle with bowel cancer, for which the pair had raised money and awareness since her diagnosis.
That included a huge star-studded fundraising party where Mani and Imelda raised more than £100k for The Christie and local NHS charities.
Mani and Imelda shared twin sons, who were born in 2012.
Tributes are now flooding in for Mani, especially from those who have also been a part of the Manchester music scene.
Stone Roses frontman Ian Brown posted on X: “REST IN PEACE MANi X”
Rowetta shared a photo with Mani and Imelda and wrote: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”
Tim Burgess of The Charlatans fame said: “I shared this photo a week or so ago on Mani’s birthday. It never failed to bring a smile to my face – and that was exactly the same for the man himself.
“One of the absolute best in every way – such a beautiful friend. Love you Mani x x. Never to be forgotten”
Shaun Ryder wrote: “RIP Mani – my heartfelt condolences to his twin boys and all of his family X”
Reverend and the Makers shared: “My heart is broken. Found out this morning and just felt low as it gets all day.
“Mani was my musical hero and just a lovely genuine human. When my Dad died , he offered me the warmest and best advice. No fuss, privately, straight up and always available to everyone.
“I’m a bit ill myself at the minute and not ashamed to say I shed at tear at the news. See on the next one mate.
“A true legend of the game. RIP”
Echo and the Bunnymen wrote: “I’m absolutely gutted to hear the news about Mani, who I have always loved and always will love, deeply and forever. Like a brother.
“I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani, love to all of his family from me. Mac Bunnyman Xxx”
Featured image: Paul Husband
Music
Honey Dijon and Mix-stress on Homobloc, Manchester nightlife and more
Danny Jones
We sat down at Manchester’s iconic Star and Garter with the legendary Honey Dijon and Manchester’s own, Rebecca Swarray aka, Mix-Stress for an exclusive interview ahead of Homobloc 2025 to talk about all things queer culture, house music, and the future of clubbing.
From Chicago to Manchester, the pair reflected on the roots of the scene, finding joy in dark times, and why the dancefloor remains a sacred space.
Put simply, it was fascinating to see the pair dive deep into the culture.
Sharing a drink in the historic Manchester city centre pub, here’s how the chat between Mix-Stress and Honey went down…
Mix-Stress meets Honey Dijon – the interview
‘Every time I play Manchester, it’s just always a vibe’
Mix-Stress (MS): Welcome toThe Star and Garter. Manchester and Homobloc obviously holds a special place, and you’ve played here a few times. Can you tell me about any sets that stand out that are staying with you over the times you’ve visited here?
Honey Dijon (HD): I always have a great time when I play Manchester. Every time I play Warehouse Project, it’s just always a vibe. The crowd is just so enthusiastic and so fun and just so up for it. And Manchester and Chicago have a long history with house music, so it’s always fun to come here and represent. It doesn’t matter where, when or how – all my sets here have been incredibly fun.
‘So much has changed over the years – it feels like a different century’
MS: This will be your fourth time playing Homobloc in December. You played in 2019 when it started, then two post-pandemic shows. What do you feel has evolved over the years, musically, spiritually or sonically?
HD: So much has changed over the years. I mean, pre-pandemic, it was such a different world. It feels like it was a different century, actually, and we had no idea what we were going into.
At that time, we were just coming from the MeToo movement and the lack of diversity in dance music, so there was all this political awareness around club culture, which was really great – because so many voices that started this global movement have been queer people, people of colour, a lot of women.
The funny thing about diversity is about who’s having that conversation, because my friends and what I grew up with have always been diverse. So it was a different landscape.
During lockdown, there was a shift. If you were like an 18-year-old kid, there were two or three years where you couldn’t experience anything except online. That’s when this major shift happened – things became much more corporate, much more sanitised, and more about metrics and numbers.
There was less focus on, in my opinion, the heart of it – and it became big business. What I try to do as an artist is remind people whose shoulders I stand on and where I learned my craft, and to bring people together from all walks of life. There’s a new generation coming through, but it always goes back to the house.
MS: We’ve seen dancefloors across the world put out safe spaces policies. What does a ‘safe space’ mean to you today, and how do you create that energy?
HD: I try to play music that uplifts and celebrates. I think, with just the artist that I am, I try to make everyone welcome. It’s about joy, celebration, and release. Dancefloors are sacred spaces in a lot of ways, and I think through the music vibrationally that I play and what I speak on, it attracts a certain crowd.
For me, safe spaces aren’t just about not being harassed – it’s about being able to show up as yourself without being judged.
A safe space is where all feel welcome, where people can be free and not judged or harassed based on gender or sexuality. Dancefloors do what government and religion can’t – they bring people together from all walks of life to celebrate through music.
As the world moves further right, these spaces are becoming more important than ever. None of us are free until all of us are free – so I try to do that through my work, through the music and what I speak on.
‘Look into the darkness, but don’t stare at it.’
MS: The world is heavy right now – historically and currently. Where do you find joy, and how do you filter that into what you do?
Honey Dijon always gives an insightful interview.
HD: Where do I find joy? Turn off the internet. Be aware. I love this quote from RuPaul: “Look into the darkness, but don’t stare at it.” That really resonates with me.
Music is powerful – that’s why far-right governments fear art and music, because there’s so much power in it. I find joy in love, in freedom of expression, and in self-autonomy. Those are the things I try to facilitate through my art and through my music.
‘If Homobloc was a fragrance…’
MS: IfHomobloc was a fragrance, what would be the concoction?
HD: Armpit, asshole, and lip gloss.
If that isn’t an advert for a memorable night at Depot Mayfield, then we don’t know what is.
You can see the full lineup for Homobloc 2025 and grab your tickets to see Honey Dijon in Manchester and plenty more rightHERE.