The looming grey structure of Factory International, Manchester’s £186m new cultural space, has taken shape, with its opening plans announced today.
The acclaimed Danny Boyle will direct the venue’s opening production, a performance inspired by The Matrix films.
5000 tickets for Free Your Mind, which will be presented across the flexible spaces in the building, will be sold for £10 or less, to give everyone in the community a chance to experience the huge site.
Factory International is set to open its doors in June 2023, programmed and operated by the team behind Manchester International Festival.
The enormous 13,350 sq metre space inside utilises supersized moveable walls, which can reconfigure the space for different performances.
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This will be the view from the bar areaInside the enormous space
With its location on the banks of the River Irwell, floor-to-ceiling windows will be installed in the bar area, giving views of the Ordsall Chord and the river itself.
Factory International will welcome artists from across the globe with its year-round programme of arts, music and culture.
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It’s the largest investment in a national cultural project since the opening of the Tate Modern in 2000, thanks to almost £100 million of Government funding and further backing from Manchester City Council and Arts Council England.
The Danny Boyle-directed Free Your Mind, also created with choreographer Kenrick ‘H2O’ Sandy MBE, composer Michael ‘Mikey J’ Asante MBE, world-leading designer Es Devlin and acclaimed writer Sabrina Mahfouz, will officially launch Factory International between 18 October and 5 November 2023.
CGIs of inside Factory International. Credit: OMA 10
But the space will come to life much earlier than that, with Manchester International Festival making use of the space for its biennial event and filling it with inflatable sculptures between 29 June and 28 August 2023.
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The major exhibition comes from Yayoi Kusama and will be called You, Me and the Balloons, featuring 10-metre tall inflatable structures in the shape of giant dolls, tendrilled landscapes, and polka-dot spheres.
There’ll be a nine-day programme called The Welcome next autumn, with everything from circus to music to fashion filling the building.
Artist Luke Jerram will also be celebrating the births of hundreds of babies born locally, casting beams of light into the sky to represent the new arrivals – and each of the families with babies born in January will receive a lifetime membership to Factory International.
The new cultural venue is located in the St John’s neighbourhood, on the site of the former Granada Studios.
Factory International. Image by OMA 24
John McGrath, Artistic Director & Chief Executive of Factory International, said: “We’re delighted to be able to share our opening plans for Factory International. At every stage in imagining and building this extraordinary space we have focussed on creating new possibilities – for artists to let their imaginations fly, for citizens of Manchester and the world to meet and dream, and for people of all ages and backgrounds to build skills and gain experience. Factory International is truly a place where we can invent tomorrow together.”
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Stuart Andrew, Arts Minister said: “Thanks to almost £100 million of Government funding, Factory International will further increase access to world-class arts and culture in Manchester when it opens its doors for the first time in summer 2023. This represents a great example of the Government’s commitment to distribute arts funding right across the country.
“It is fantastic to see such an exciting programme of events being put together for its opening and I look forward to seeing the positive impact the venue has on the city.”
Councillor Bev Craig, Leader of Manchester City Council, said: “This remarkable new space, rooted in Manchester, will be a significant addition to the national and international arts landscape and a major visitor destination. Factory International will further strengthen the city’s role as a centre for culture, creativity and innovation. It is already creating jobs and apprenticeships for people who live here and will be an important training centre for an array of creative careers. As well as changing lives directly, Factory International will provide a huge economic boost to Manchester, creating or supporting up to 1,500 jobs and adding £1.1 billion to the city’s economy over a decade. This is, in more ways than one, a landmark moment.”
Ellen van Loon, OMA Partner and Lead Architect, said: “Factory International will be a new type of performance space – a unique crossover between a fixed theatre and flexible warehouse. Super-sized moveable walls enable endless configurations within a large space, allowing audiences unexpected vistas of performers. I hope that whenever people come to Factory International they always experience something different, as if with each visit they encounter a different building.”
Danny Boyle, director, said: “I’m delighted to be part of Factory International as a starting point for a kind of identity that this extraordinary new building is going to have. It’s a space that gives you an enormous amount of potential. It’s wildly ambitious in terms of its scale. In my lifetime, to see a new space like this open is hugely empowering, and I hope the new generation of artists feel that power.”
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Factory International 2022. Credit: Pawel Paniczko
Es Devlin, artist and designer, said: “Since its inception in 2007 Manchester International Festival has produced some of the most innovative and urgent works I’ve been fortunate enough to witness, which have had an immense impact on my practice including such pioneers as Steve McQueen, Adam Curtis, Marina Abramović, Björk, Akram Khan, Yoko Ono and more. Factory International will continue to cultivate these world-class collaborations, with each project rooted on this specific site and within the community in Manchester. It’s a profound privilege to be invited to take part in its inception. Like a new musical instrument, a new building needs to be ‘tuned in,’ and it’s immensely energising to be present when it starts to sing.”
Michael ‘Mikey J’ Asante MBE, producer, composer and DJ, said: “The uniqueness and versatility of Factory International allows us to really create something different and be magical, to play with different concepts and open up a whole new way of trying to interact with our creativity. With our production we want to show people what they could possibly do in this space, that they have the opportunity to create something different and get them to envisage how they would use it.”
Kenrick ‘H2O’ Sandy MBE, choreographer and performer, said: “What excites me is the flexibility of Factory International, exploring how versatile the building can be, how to take the venue to another level. I want us as artistic collaborators to be challenged within the space.”
Featured image: Pawel Paniczko
News
Manchester United announce record revenue despite on-pitch struggles
Danny Jones
Manchester United have declared a record revenue figure for the full 2025 fiscal term, even with their poor performances on the pitch over the past 12 months.
They may still be a continually struggling Premier League side who seem to be in a perpetual state of transition, but they remain nothing short of a global giant in terms of sporting brands.
Yes, despite Man United recording two of the worst finishes in domestic history in the previous two campaigns and head coach Ruben Amorim having already overseen the worst start to a top-flight season in the modern era following the defeat on derby day, the football club has reached a monetary milestone.
According to their official reports for the fourth and final quarter of the financial year, they brought in a record-breaking £666.5 million throughout 2024/25 – but, as always, it’s more complicated than that.
"There are some tough decisions to be made"
BREAKING: Manchester United have announced record revenues for 2024/25 of £666.5m – but the club still made an overall loss of £33m 🚨 pic.twitter.com/jlQS7SMjJ8
Released on Wednesday, 17 September, Manchester United PLC confirmed that they had managed to record the biggest revenue figures on several fronts despite crashing out of the Europa League, finishing 15th in the table overall and failing to secure a place in any European competition this season.
The first half of Amorim‘s tenure at Old Trafford saw the club’s worst competitive placing since 1973/74, a.k.a. the last time the Red Devils were relegated from the first division.
Nevertheless, a fresh shirt sponsorship agreement with Snapdragon, new brand partnerships with the likes of Coca-Cola, an extension of their contract with travel experience company, SportsBreaks, and numerous other deals saw United achieve a record commercial revenue of £333.3m.
Elsewhere, match revenue was also up and reached new heights, tallying approximately £160.3m in the 12 months leading up to 30 June 2025 – the most they have ever registered when it comes to ticket sales, concessions, and other transactions in and around game days.
Although this number is a reduction of more than 70.8% what they lost last year (£113.2m), there is still plenty of concern among supporters over how money is still not only being spent but moved around.
Co-owner Sir Jim Ratcliffe and the INEOS board did pay sizeable chunks of MUFC’s debt, which has piled up at an alarming rate in the two decades since the Glazer takeover, but there has still been plenty of borrowing.
In addition to a number of shorter-term loans, there has also been an increased level of amortisation and significant transfer spending this summer, despite being admittedly cash-strapped.
As well as actually having less money to play with over the past 12 months, they are also set to receive less in TV rights and broadcasting revenues this season due to not making it into any European competition, hence why they went on a post-season Asian tour to try and make up for funds lost.
It’s estimated that the business earned a further £8 million from these games, but it’s also worth noting that significant sums have been spent not only on new signings but also on severance fees and redundancy packages, so it’s hard to assess how much this extra injection helped with the fine margins.
While it's good to see that we're paying down our long-term debts, I'm a bit worried about how the club have maybe over-leveraged short-term borrowings. Debt restructure needed imo. pic.twitter.com/LQuUdbzK1h
Divisive CEO and former City Football Group exec, Omar Berrada, wrote in the comments section of the full findings and financial report: “As we settle into the 2025/26 season, we are working hard to improve the club in all areas.
“On the field, we are pleased with the additions we have made to our men’s and women’s first team squads over the summer, as we build for the long term. Off the field, we are emerging from a period of structural and leadership change with a refreshed, streamlined organisation equipped to deliver on our sporting and commercial objectives.”
He adds: “We are also investing [in upgrading] our infrastructure, including completion of the £50m redevelopment of our men’s first team building at Carrington, on time and on budget, following prior investment in our women’s team facilities, to create a world-class environment for our players and staff.
“Meanwhile, planning continues to meet our ambition of developing a new stadium at Old Trafford as part of a transformational regeneration of the surrounding community.
Total Manchester United revenue may be up but they’re about to shell out seismic outlay for their new stadium costs.
Berrada signs off by insistig that for the club to have “generated record revenues during such a challenging year for the club demonstrates the resilience which is a hallmark of Manchester United.
“Our commercial business remains strong as we continue to deliver appealing products and experiences for our fans, and best-in-class value to our partners.”
“As we start to feel the benefits of our cost reduction programme, there is significant potential for improved financial performance, which will, in turn, support our overriding priority: success on the pitch.”
What do you make of Manchester United’s 2024/25 annual report and how it fits into the wider picture/struggles elsewhere around the club?
FIFA confirm new changes to international breaks – and many fans are divided
Danny Jones
Global sporting body FIFA have announced new changes to the annual football calendar and the ever-divisive international breaks, specifically.
It’s fair to say that not everyone is in agreement over the update to what many fans and even players already find a frustrating format.
Put simply, FIFA have revealed that they will be merging the traditional September and October breaks into one extended period of international football from 2026 onwards.
Once again, although the decision has been met with plenty of support, it has also faced just as much, if not potentially even more, resistance.
That's well better. Always thought instead of having 3 short international breaks in autumn we'd be better off having one long one
As detailed by multiple outlets following full confirmation on Monday, 13 September, footy fans are now looking at a combined 16 days of watching national teams in World Cup qualifiers and other fixtures.
While other clubs further down the footballing pyramid will still be able to watch their team, supporters of Premier League sides and several other divisions will see domestic action cease for roughly three weeks when taking into account rest days between international and club fixtures
Besides incorporating more teams into this year’s World Cup (now a 48-team affair) and the still relatively recent advent of the Nations League – which UEFA introduced in the hopes of creating more interest in the much-maligned international breaks – this is one of the biggest changes in some time.
At present, there are typically four breaks: September, October, November and March/April – not including major tournaments themselves.
One criticism of this format has been the stop-start consequence it has on club football, and indeed, struggling to create any real momentum and/or excitement, as well as the impact on form it sometimes has on players both away on national team duty and when they get back to their clubs.
I suppose it’s better than having two different breaks in Sept and the October, and the stop start nature of the club season.
Another big concern these breaks have always been met with is the added risk of fatigue and injury.
Despite being athletes who regularly train to remain at the peak of their physical fitness, the increasingly congested fixture calendar – particularly for those playing in England, with multiple cup competitions, the prospect of European football AND no break over Christmas – continues to push bodies to the limit.
Once again, these new changes to international breaks won’t come into effect until next year, but there are plenty of pros and cons that professionals and supporters alike will continue to debate until the new schedule is implemented.
Daisy Jackson -
29th September 2022 
