101 Dalmatians have arrived at the Palace Theatre in puppet form, offering family-friendly entertainment, heart warming themes and one EVIL villain.
With extremely impressive production value, ranging from magnificent set pieces to lavish costumes, as well as some of the best puppets I’ve yet to see on stage – 101 Dalmatians will leave all entertained, from little ones to… not so little ones.
I came into this production of 101 Dalmatians in Manchester in quite an interesting position, because if I’m being completely honest, I don’t think I’ve watched any of the movie adaptations or read any versions of the original novel since I was a young child.
So in what is quite a rarity for myself, I was watching a musical in which I hadn’t a clue what was going to happen. This made for a fun and entertaining ride throughout the entire show, although I’m sure those who’re already familiar with the plot will still find as much enjoyment as I did.
The show as a whole was thoroughly spellbinding – offering fantastic ensemble numbers, belly-laugh comedy, a sincere and wholesome plot and as we’ll discuss in a moment, a truly fitting nemesis.
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To highlight individual performances, I’d like to first start with the protagonists of our story. Samuel Thomas as Tom, Jessie Elland as Danielle, Linford Johnson as Pongo and Emma Thornett as Perdi.
These four made a superb litter (little dog based pun for you there), spending the entirety of Act One as a foursome, building up their characters and demonstrating to the audience how important they all are to one another.
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Kym Marsh as Cruella de Vil in 101 Dalmatians in Manchester. Credit: Supplied, Phil Tragen
Then in Act Two splitting up into their separate human/animal dynamic duos, both venturing on different quests with the sole purpose and saving the 99 other dalmatians.
Special shout-out to Linford, Emma and the other members of the ensemble who throughout the show expertly maneuvered the K9 puppets in such a way that the biggest compliment I could pay them, is to say, that after a while I forgot they were even there.
Now for the grey area between protagonists and villains… Casper and Jasper, portrayed wonderfully by Charles Brunton and Danny Hendrix. This dynamic duo offered constant comic relief and had by far the most fleshed out character arcs of the entire show. Transforming from clueless sidekicks, to misguided villains all the way through to repentful heroes.
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This brings us to the one, the only… Cruella De Ville. Portrayed by Kym Marsh, there was no escaping the fact that she was the person people in the audience were most eager to see. With expectations high and being tasked with taking on the role of such an iconic villain, I’m happy to say that Kym 110% delivered.
With an ominous stage presence, Kym held the audience in the palm of her hand throughout every scene she featured in. Offering up stellar vocals and dance moves to match, she really was the villain the dalmatians needed.
All in all, 101 Dalmatians thrills as it offers big set pieces, flashy musical numbers, terrifying villains, magical puppetry and all out family-friendly entertainment.
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Oli Lowe -
2nd August 2024 
