Theatre

101 Dalmatians at Palace Theatre, Manchester – puppets, puppies, and one evil villain

101 Dalmatians will leave all entertained, from little ones to… not so little ones. (Contains affiliate links)

Oli Lowe Oli Lowe - 2nd August 2024

101 Dalmatians have arrived at the Palace Theatre in puppet form, offering family-friendly entertainment, heart warming themes and one EVIL villain. 

With extremely impressive production value, ranging from magnificent set pieces to lavish costumes, as well as some of the best puppets I’ve yet to see on stage – 101 Dalmatians will leave all entertained, from little ones to… not so little ones. 

I came into this production of 101 Dalmatians in Manchester in quite an interesting position, because if I’m being completely honest, I don’t think I’ve watched any of the movie adaptations or read any versions of the original novel since I was a young child.

So in what is quite a rarity for myself, I was watching a musical in which I hadn’t a clue what was going to happen. This made for a fun and entertaining ride throughout the entire show, although I’m sure those who’re already familiar with the plot will still find as much enjoyment as I did. 

The show as a whole was thoroughly spellbinding – offering fantastic ensemble numbers, belly-laugh comedy, a sincere and wholesome plot and as we’ll discuss in a moment, a truly fitting nemesis. 

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To highlight individual performances, I’d like to first start with the protagonists of our story. Samuel Thomas as Tom, Jessie Elland as Danielle, Linford Johnson as Pongo and Emma Thornett as Perdi.

These four made a superb litter (little dog based pun for you there), spending the entirety of Act One as a foursome, building up their characters and demonstrating to the audience how important they all are to one another.

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Kym Marsh as Cruella de Vil in 101 Dalmatians. Credit: Supplied, Phil Tragen
Kym Marsh as Cruella de Vil in 101 Dalmatians in Manchester. Credit: Supplied, Phil Tragen

Then in Act Two splitting up into their separate human/animal dynamic duos, both venturing on different quests with the sole purpose and saving the 99 other dalmatians. 

Special shout-out to Linford, Emma and the other members of the ensemble who throughout the show expertly maneuvered the K9 puppets in such a way that the biggest compliment I could pay them, is to say, that after a while I forgot they were even there. 

Now for the grey area between protagonists and villains… Casper and Jasper, portrayed wonderfully by Charles Brunton and Danny Hendrix. This dynamic duo offered constant comic relief and had by far the most fleshed out character arcs of the entire show. Transforming from clueless sidekicks, to misguided villains all the way through to repentful heroes. 

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This brings us to the one, the only… Cruella De Ville. Portrayed by Kym Marsh, there was no escaping the fact that she was the person people in the audience were most eager to see. With expectations high and being tasked with taking on the role of such an iconic villain, I’m happy to say that Kym 110% delivered.

With an ominous stage presence, Kym held the audience in the palm of her hand throughout every scene she featured in. Offering up stellar vocals and dance moves to match, she really was the villain the dalmatians needed. 

All in all, 101 Dalmatians thrills as it offers big set pieces, flashy musical numbers, terrifying villains, magical puppetry and all out family-friendly entertainment. 

The show runs until 10 August and with limited tickets still available, I urge you all to get yourself down to the Palace Theatre in Manchester and enjoy 101 Dalmatians. 

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Featured image: Phil Tragen

Theatre

Come From Away at The Lowry – a 9/11 musical full of heart and hope

Oli Lowe Oli Lowe Come From Away at The Lowry - a 9/11 musical full of heart and hope

Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.  

On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.

Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.

The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.

This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.

These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.   

Come From Away at The Lowry - a 9/11 musical full of heart and hope
Come From Away at The Lowry – a 9/11 musical full of heart and hope

This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.

When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.

When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.

I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.

Come From Away is at The Lowry until 5 January
Come From Away is at The Lowry until 5 January

The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others. 

The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.

I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show. 

I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.

Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.

It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in. 

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Theatre

Wicked at the Palace Theatre – the magical musical EVERYONE is talking about arrives in Manchester

Kristen MacGregor-Houlston Kristen MacGregor-Houlston Wicked at the Palace Theatre, Manchester - the musical EVERYONE is talking about

It seems everywhere you turn right now, everything is pink and green – Wicked has hit the cinemas and everyone is well and truly drinking the green elixir.

Coincidentally, the touring theatre show of Wicked, celebrating 21 years since the first Broadway show and 18 years since debuting in the West End, has landed in town. While everyone else is following the yellow brick road to the big screen, I followed it to the Palace Theatre in Manchester.

Now we all think we know the story of Dorothy, poor girl whipped away from home in a tornado and crushing an evil witch with her house – we’ve all been there. This story however, tells the story from the “Wicked” Witch of the West’s perspective, filled with mind-blowing vocal acrobatics from a cast that just won’t let up.

Floating in on a giant mechanical bubble enters Glinda, or “Garlinda” as she prefers to be called, Sarah Pickford sets the standard for the show. An operatic entrance, the audience is in absolute awe. A well known character, Sarah makes the Good Witch of the North her own with a comical kindness.

Laura Pick, who has played the role of Elphaba at the Apollo Victoria before, takes opening night in her green stride – her love for the character shines through and her voice. Her VOICE. Her rendition of Defying Gravity had me in tears. I knew the song was good, but not this good. The audience is electrified by her performance.

The storytelling of the show is sublime, with every cast member pulling you deeper and deeper in through gravity-defying dance numbers and the set is absolutely jaw-dropping. The mechanical Wizard of Oz (voiced and played by the fantastic Simeon Truby) is something to behold.

Wicked is in Manchester at the Palace Theatre. Credit: Supplied
Wicked is in Manchester at the Palace Theatre. Credit: Supplied

Other notable performances come from Carl Man (who plays love interest Fiyero), Donna Berlin (the surprisingly cruel Madame Morrible), Jed Berry (the googly-eyed Munchkin Boq) and Megan Gardiner. Megan plays Elhpaba’s sister Nessarose, another character desperate for love but sadly becomes quite sinister.

Like the cogs in the Wizard’s head, the presence of each cast member keeps the show running like a well oiled machine.

The story itself is one of an outsider, desperate to be loved and accepted for her difference, who finds friendship in unlikely places and how two people can change for the better. Of course, like often in life, a man tries to ruin it (surprise surprise).

Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior
Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior

A light is shone on how easily society can be whipped into a frenzy to protect their own beliefs and how love can withstand so much.

The absolute star of the show however, is the iconic soundtrack and how awe-inspiring everyone is at singing. Genuinely, it was nearly impossible to not provide a standing ovation after every song. It was just that good. I’m even listening to the soundtrack right now as I write this on the tram home. I can’t (and don’t want to) get it out of my head.

Wicked is the 10th longest running West End show in British history and has won over 100 global awards. It has been seen by 65 million people worldwide (65 million and one now if you include me) and it isn’t hard to see why. Now a cinematic phenomenon, with Act 1 in cinemas now and Act 2 to hit the screen in November 2025.

Wicked is in Manchester for a six week season and is the tenth and final date after kicking off their tour in Edinburgh in December 2023.

The show closes on Sunday 12 January and remaining tickets are incredibly limited, so if you have one short day, spend it in Oz and book now while you can.

Follow the yellow brick road all the way to the theatre.

Book your tickets to Wicked at the Palace Theatre Manchester HERE.

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Featured image: Matt Crockett

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