Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
Moulin Rouge The Musical at Palace Theatre Manchester – a true love song to the stage | Review
Kristen MacGregor-Houlston
If you’re wandering down Oxford Road this week and take a wrong turn, then you may find yourself in early 20th century Paris.
Moulin Rouge is a sultry, sexy extravaganza of lust, sin, and debauchery that you just can’t get enough of, so it’s time to lose yourself in the magic and showmanship of the Parisian clubs of yesteryear, as whether you’re a big fan of the hit 2001 movie, or new to the world of Moulin Rouge, I can say without a shadow of a doubt that you will be blown away.
This is possibly the best show I’ve ever seen on stage.
There’s an excited buzz in the air as everyone pours into the Palace Theatre. The theatre is conveniently Moulin Rouge red by default, so you already feel like you’ve been transported before you’ve even got to your seat.
As you approach your seat, you’re met with the spectacle that is the sensational staging. On one side of the room, you have the infamous Moulin Rouge windmill, and the other side has the giant elephant head where our diamond Satine resides.
The time has come, Bohemians of Manchester! 🎉
Tickets are officially ON SALE for Moulin Rouge! The Musical at the Palace Theatre from Wed 20 August – Sat 4 October 2025 ❣️
The show begins with the iconic Lady Marmalade song and the excitement that spreads through the audience is almost palpable. Each song and performance gets stronger, more exciting, more uplifting, carried by our club host – the fantastic and hilarious Harold Zidler (Cameron Blakely).
As fans of the movie, my guest and I were initially surprised by the medleys of modern songs that spanned the duration of the show, but they fit the storyline so well that by the end we were hooked. The original score was still present, just with the modern additions woven in seamlessly.
For those who don’t know, the show follows young Christian, played by Josh Rose, who tells his story of moving to Paris to pursue his dream of becoming a songwriter. Upon arrival, he meets Toulouse (Kurt Kansley) and Santiago (Rodrigo Negrini), struggling artists in the bohemian Montmartre. Impressed with his love songs, they convince him to seduce the sensational Satine (Verity Thompson) in an effort to get their show on the Moulin Rouge stage.
Moulin Rogue The Musical has arrived at Manchester Palace Theatre / Credit: Matt Crockett (Supplied)
The club however is struggling, and Harold has tasked Satine to seduce The Duke (James Bryers) to help secure funding to ensure the club’s future. Satine and Christian meet first and immediately fall in love, causing heartache and tragedy throughout the course of the show.
Every single cast member is spectacular from start to finish.
The performances and dance numbers are works of art and get the whole audience going. The excitement and passion from the cast shines throughout, and it’s clear they’re enjoying the show as much as we are.
The jaw-dropping production is on stage in Manchester until 4 October / Credit: Matt Crockett (Supplied)
The singing is mind-bogglingly good, with everyone hitting every note without question. It would be remiss of me to not give an extra special shout out to Verity Thompson, whose singing was absolutely jaw dropping. If I could sing like her, you’d literally never shut me up.
It isn’t often you see something and think, everyone has to see this, but this show is definitely one of those. If their gift is their song, then I would be happy to accept it over and over again.
Moulin Rouge is playing at Palace Theatre Manchester until Saturday 4 October, and you can find out more and get your tickets here.
You do not want to miss this – seriously.
Featured Image – Johan Persson (Supplied)
Theatre
2:22 A Ghost Story at the Manchester Opera House – a nail-biting and thrilling night out
Clementine Hall
2:22 A Ghost Story has begun its UK tour in Manchester, and it’s a production certainly not for the faint hearted.
Since its premier on the West End back in 2021, 2:22 A Ghost Story has firmly established itself as a must-see.
It’s a production that promises to get your pulse racing, your palms sweating and the hairs stand up on the back of your neck – and believe me, it does just that.
Based on the personal experiences of playwright Danny Robbins, this spooky tale delves into the supernatural themes of love, loss, and enduring connections.
Image: Supplied
The script is fast paced and keeps the audience on the edge of their seat, infusing dark themes with unexpected turns and moments of humour – it’s a perfect recipe for success.
Set against the backdrop of a middle class dinner party there are no set changes, instead we focus on the four characters and their evening until the dreaded time comes around…2:22.
Jenny and Sam, played by Stacey Dooley and Kevin Clifton, are joined by their old friend Lauren (Shvorne Marks) and her new boyfriend Ben (Grant Kilburn).
Image: SuppliedImage: suPPLIED
There was not one weak link in the cast, each player kept up to speed in the fast pace game as the plot unfurled around them.
The standout performance for me was by Grant Kilburn as Ben, a cocky chino-wearing, loafer-sporting builder who turns out to be more than meets the eye (no spoilers, I promise).
Stacey Dooley’s Jenny was gentle and strong in equal measures, whereas Kevin Clifton’s performance was exactly as you wanted it to be – ridiculously obnoxious and at most times incredibly unlikeable.
Image: Supplied
The syncopated score added to the tension of the plot perfectly, as did the red lighting that framed the performance throughout.
Again, I won’t give too much away but the jump scares dotted through the performance sent waves of terror throughout the audience. Followed by chuckles of laughter as grown adults came to realise they’d dropped their popcorn on the floor out of fright.
The ending of course brought it all together, and was the sort of ending that you had speaking to strangers walking out of the auditorium after the final curtain call.
So if you’re looking to get your pulse racing with a theatre production like no other, 2:22 A Ghost Story is at the Manchester Opera House until Saturday 16 August and you can your tickets here.
Oli Lowe -
9th December 2024 
