Since its initial publication in 1868, Louisa May Alcott’s semi-autobiographical novel Little Women has captivated readers’ hearts and remains one of the most beloved novels of all time — and it has found just as much affection on stage too, such as right here in Manchester’s HOME Theatre.
Against the backdrop of the American Civil War, the book draws inspiration from Alcott’s own upbringing with her three sisters in what, despite the very specific historical context, turned out to be a very relatable and familiar feeling story filled with plenty of compelling character studies.
Little Women tells the tale of the March family, with the story revolving around the hardworking mother, Marmee, and her four daughters: Jo, Meg, Beth, and Amy.
As their father serves in the war, the narrative follows the sisters’ journey from childhood to adulthood, navigating the challenges of survival in New England during the War.
(Credit: HOME Manchester)
It achieves a perfect blend of humour, drama, romance and, of course, tragedy, along the way, and it’s easy to see the influences director Brigid Larmour has brought to the production.
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Bringing her expertise and acclaim from The Merchant of Venice 1936, not only does the theatrical performance sweep you in the spirit of the age but, just like the hugely popular and successful movie adaptation by Greta Gerwig in 2019, the production boasts an impressive cast.
From Kacey Ainsworth as mum Marmee, known for her role as ‘Little Mo’ in Eastenders, to Jessica Brydges, Rachael McAllister, Meg Chaplin and Julia Brown as the differing daughters (Meg, Jo, Beth and Amy, respectively), they all bring Alcott classic characters to life and without feeling like a various obvious nod to their recent Hollywood portrayals.
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The ensemble is rounded out by Daniel Francis-Swaby, Susan Twist and Tom Richardson: all of whom are seasoned performers on stage and screen — and it shows, pulling just the right amount of focus from the central figures and shining in their own right.
The most notable nod to the supporting cast goes to Twist, who plays Aunt March and emerges as a formidable force, providing comic relief during tense moments and adding an extra layer of entertainment to the production.
Manchester’s HOME theatre makes for the perfect space to bring Little Women to life.
Overall, the overarching family dynamic in Little Women mirrors the funny and chaotic moments reminiscent of those Christmas gatherings just around the corner, evoking a sense of nostalgia and universality through the little quirks and idiosyncrasies that define family life.
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In short, it’s akin to experiencing many ‘Christopher Columbus!’ moments in real-time, discovering uncharted territories within the family circle as you go — something everyone can identify with.
Anne-Marie Casey’s celebrated modern adaptation of the classic story, complemented by a stellar lineup both in its on-stage personalities, Larmour direction and wider creative team, along with a touch of festive cheer, makes Little Women a must-see production this winter.
All in all, it was a heartwarming show suitable for all ages which guarantees to resonate with both those discovering the tale for the first time and those first captivated by reading it on the page. Playing at HOME until 23 December, you can grab your tickets HERE.
Little Women is comfortably one of the best shows in Manchester right now.
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
The Manc -
13th December 2023 
