Manchester will host the world premiere of a massive new musical this autumn, when the official Stock Aitken Waterman musical debuts here.
I Should Be So Lucky will be a brand new show that will celebrate the legendary production trio, who were behind some of the biggest hits of the 1980s.
Stock Aitken Waterman worked with the likes of Kylie Minogue, Rick Astley, Bananarama and Jason Donovan, and more than 30 songs from pop royalty icons will feature in the new theatre show.
You can expect to be dancing in your seat at the Manchester Opera House to songs including I Should Be So Lucky, Never Gonna Give You Up, and Love In The First Degree.
The original musical will follow young couple Ella and Nathan as they take the biggest step of their lives – marriage – but it doesn’t all go to plan.
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Promotional posters for the new production say ‘the wedding is OFF, but the honeymoon is ON!’.
Rick AstleyKylie Minogue and Jason DonovanI Should Be So Lucky. Credit: Supplied
I Should Be So Lucky has been written and directed by Debbie Isitt and choreographed by Jason Gilkison, and will open at the Manchester Opera House on 1 November.
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It will then head to play the Christmas season at Leeds Grand Theatre & Opera House from 12 – 30 December 2023 as part of a UK tour, the dates of which will be announced soon.
Mike Stock said: “We have been approached many times over the years to authorise a musical using the songs from the Stock Aitken Waterman catalogue and have always resisted, until now! What Debbie, Jason and the team behind the show have created is a truly original and shamelessly enjoyable rollercoaster ride through our hits.”
Debbie Isitt said: “The music of Stock Aitken Waterman has been the soundtrack to both my life and the lives of all my friends. Their songs range from wonderful ballads to real pop anthems to dance floor classics, which are all perfect for an original musical.”
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I Should Be So Lucky will be at the Manchester Opera House between 1 and 25 November. You can book tickets now here.
Featured image: Supplied
Theatre
Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review
Oli Lowe
Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Featured Images — Press Images (supplied via Palace Theatre and Opera House Manchester)
Theatre
Five historic Greater Manchester theatres named as ‘at risk’ of being lost forever
Emily Sergeant
Five historic theatres in Greater Manchester have sadly been named as being ‘at risk’ of being lost forever on an annual list.
Each January, Theatres Trust – a charity campaigning to protect the UK’s theatres – publishes its annual Theatres at Risk Register, highlighting a number of theatres across the UK that are under threat of closure, redevelopment, or severe decay, but all of which have the potential to be revived for their local communities with the right support.
This year’s list is made up of 43 buildings – five of which are in Greater Manchester, and have all featured in the past.
Each of the buildings named by Theatres Trust this year have been noted for their architectural merit, cultural heritage, or value to the local community as a performance venue.
The five venues in Greater Manchester are the Grade II-listed Tameside Theatre in Ashton-under-Lyne, Co-op Hall in the Bury town of Ramsbottom, Victoria Theatre in Salford, the famous Hulme Hippodrome, and Manchester’s oldest surviving theatre building, the Theatre Royal.
Alongside the five venues within our region, there are also a number of other venues listed across the North West as a whole.
Several venues in Lancashire have been named, including two in Blackpool and one in Morecambe, both on the coast, as well as Epstein Theatre in Liverpool and the Garrick Theatre in Southport.
Five historic Greater Manchester theatres have been named as ‘at risk’ of closure / Credit: Flickr
Theatres Trust has added five more theatres to the list this year too, all local authority owned and located outside of major cities, one of which is the Oswaldtwistle Civic Arts Centre in Lancashire, named at risk due to pressures on local authority budgets, leading to Councils seeking savings by closing their theatres.
Some good news, however, is that since the list began in 2006, more than 80 theatres have been restored, revived, or had a suitable replacement built.
And on a more local note, Theatre Royal Hyde has been removed from the 2025 Theatres at Risk Register, as although it has not returned to theatrical use, it is being maintained and used by its current owners, so the threat of harm to the building has been greatly reduced.
Daisy Jackson -
22nd March 2023 
