‘Please help’ – plea to save one of Manchester’s oldest theatres as beautiful building falls into disrepair
'We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.'
A fresh appeal and Crowdfunder has been launched to try and save one of Manchester’s oldest and most beautiful theatre buildings.
The Hulme Playhouse Theatre and the Nia Centre are at risk of closing down once again as both the list of repairs and the cost of living rise.
The venue, used now as a community hub and events space operated by NIAMOS, is in ‘desperate need of repair’ and they need to raise £50,000 for the urgent work.
Without it, it’s feared that the ‘cold and leaking’ building could be lost forever and ‘another cultural institution could be turned into flats’.
At present, the historic Grade II-listed building doesn’t have a heating system, and winter has brought new pressures.
NIAMOS, a group of local residents and community volunteers, say they want to ‘honour the important legacy of this renowned venue’.
NIAMOS have launched a Crowdfunder for the Nia Centre and Playhouse Theatre. Credit: NIAMOS
The beautiful building in Hulme was first opened in 1902 and is one of only two remaining W. H. Broadhead theatres.
At one time, Broadhead owned an empire of theatres, and designed the space to resemble a factory from the outside, hoping to help working class audiences in Manchester feel at home.
In 1956, the BBC took over and turned it into BBC Soundstage North, where The Beatles’ first-ever live radio performance was broadcast from.
Then the legendary Nina Simone opened it theas The Nia Centre in 1991, becoming the first African and Caribbean-led theatre in Europe.
The space is used for community events. Credit: NIAMOS
The cultural significance of this building really can’t be overstated, and the NIAMOS team are desperate to save it.
They said in their Crowdfunder: “Our mission is to preserve the heritage of the Nia Centre and Playhouse Theatre, by keeping the building and the Arts it facilitates accessible to all communities, all ages and capabilities.”
NIAMOS’ message continued: “We need help to be able to keep all the incredible projects that happen in the building going and make sure the space stays open as a hub for the Hulme community and beyond! We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.
“We want to make sure the building stays open as much as possible over winter and improve the equipment that local and young artists have access to through us, including music production, sound and lighting engineering, arts workshops, film and media production and acting classes.
“The building is in desperate need of repair and a heating system which we currently do not have at all! Alongside all of this, the running costs of the building and the rising cost of living mean we are under pressure this winter.
“We rely on volunteer support to run and host events for our community and our voluntary members have worked extremely hard to keep the building afloat, but our members cannot give as much of their time as we need and with the challenge of a cold and leaking building we are in need of help to save this space from closing down!!
“When the current directorship took over the running of the building they also took on significant debts, this has meant we have been two steps forward and one step back. Despite all the hard work of the people who have been running the space voluntarily we need help over the quieter winter months.
Credit: NIAMOS
“We need to stay open long enough to apply for further funding bids, including long term support from the Heritage Lottery fund, as we are a grade II listed building. We have an amazing programme of events and projects we want to put on this year that will build on sustaining us financially and provide opportunities for community artists and creatives.
“Keeping this building open and functional is of great importance for Hulme and the surrounding areas communities; we need your help! Developing heating solutions and doing necessary repairs in the building will enable us to stay open during the colder months and help us with our aim of making the building more conscious and sustainable.
Moulin Rouge The Musical at Palace Theatre Manchester – a true love song to the stage | Review
Kristen MacGregor-Houlston
If you’re wandering down Oxford Road this week and take a wrong turn, then you may find yourself in early 20th century Paris.
Moulin Rouge is a sultry, sexy extravaganza of lust, sin, and debauchery that you just can’t get enough of, so it’s time to lose yourself in the magic and showmanship of the Parisian clubs of yesteryear, as whether you’re a big fan of the hit 2001 movie, or new to the world of Moulin Rouge, I can say without a shadow of a doubt that you will be blown away.
This is possibly the best show I’ve ever seen on stage.
There’s an excited buzz in the air as everyone pours into the Palace Theatre. The theatre is conveniently Moulin Rouge red by default, so you already feel like you’ve been transported before you’ve even got to your seat.
As you approach your seat, you’re met with the spectacle that is the sensational staging. On one side of the room, you have the infamous Moulin Rouge windmill, and the other side has the giant elephant head where our diamond Satine resides.
The time has come, Bohemians of Manchester! 🎉
Tickets are officially ON SALE for Moulin Rouge! The Musical at the Palace Theatre from Wed 20 August – Sat 4 October 2025 ❣️
The show begins with the iconic Lady Marmalade song and the excitement that spreads through the audience is almost palpable. Each song and performance gets stronger, more exciting, more uplifting, carried by our club host – the fantastic and hilarious Harold Zidler (Cameron Blakely).
As fans of the movie, my guest and I were initially surprised by the medleys of modern songs that spanned the duration of the show, but they fit the storyline so well that by the end we were hooked. The original score was still present, just with the modern additions woven in seamlessly.
For those who don’t know, the show follows young Christian, played by Josh Rose, who tells his story of moving to Paris to pursue his dream of becoming a songwriter. Upon arrival, he meets Toulouse (Kurt Kansley) and Santiago (Rodrigo Negrini), struggling artists in the bohemian Montmartre. Impressed with his love songs, they convince him to seduce the sensational Satine (Verity Thompson) in an effort to get their show on the Moulin Rouge stage.
Moulin Rogue The Musical has arrived at Manchester Palace Theatre / Credit: Matt Crockett (Supplied)
The club however is struggling, and Harold has tasked Satine to seduce The Duke (James Bryers) to help secure funding to ensure the club’s future. Satine and Christian meet first and immediately fall in love, causing heartache and tragedy throughout the course of the show.
Every single cast member is spectacular from start to finish.
The performances and dance numbers are works of art and get the whole audience going. The excitement and passion from the cast shines throughout, and it’s clear they’re enjoying the show as much as we are.
The jaw-dropping production is on stage in Manchester until 4 October / Credit: Matt Crockett (Supplied)
The singing is mind-bogglingly good, with everyone hitting every note without question. It would be remiss of me to not give an extra special shout out to Verity Thompson, whose singing was absolutely jaw dropping. If I could sing like her, you’d literally never shut me up.
It isn’t often you see something and think, everyone has to see this, but this show is definitely one of those. If their gift is their song, then I would be happy to accept it over and over again.
Moulin Rouge is playing at Palace Theatre Manchester until Saturday 4 October, and you can find out more and get your tickets here.
You do not want to miss this – seriously.
Featured Image – Johan Persson (Supplied)
Theatre
2:22 A Ghost Story at the Manchester Opera House – a nail-biting and thrilling night out
Clementine Hall
2:22 A Ghost Story has begun its UK tour in Manchester, and it’s a production certainly not for the faint hearted.
Since its premier on the West End back in 2021, 2:22 A Ghost Story has firmly established itself as a must-see.
It’s a production that promises to get your pulse racing, your palms sweating and the hairs stand up on the back of your neck – and believe me, it does just that.
Based on the personal experiences of playwright Danny Robbins, this spooky tale delves into the supernatural themes of love, loss, and enduring connections.
Image: Supplied
The script is fast paced and keeps the audience on the edge of their seat, infusing dark themes with unexpected turns and moments of humour – it’s a perfect recipe for success.
Set against the backdrop of a middle class dinner party there are no set changes, instead we focus on the four characters and their evening until the dreaded time comes around…2:22.
Jenny and Sam, played by Stacey Dooley and Kevin Clifton, are joined by their old friend Lauren (Shvorne Marks) and her new boyfriend Ben (Grant Kilburn).
Image: SuppliedImage: suPPLIED
There was not one weak link in the cast, each player kept up to speed in the fast pace game as the plot unfurled around them.
The standout performance for me was by Grant Kilburn as Ben, a cocky chino-wearing, loafer-sporting builder who turns out to be more than meets the eye (no spoilers, I promise).
Stacey Dooley’s Jenny was gentle and strong in equal measures, whereas Kevin Clifton’s performance was exactly as you wanted it to be – ridiculously obnoxious and at most times incredibly unlikeable.
Image: Supplied
The syncopated score added to the tension of the plot perfectly, as did the red lighting that framed the performance throughout.
Again, I won’t give too much away but the jump scares dotted through the performance sent waves of terror throughout the audience. Followed by chuckles of laughter as grown adults came to realise they’d dropped their popcorn on the floor out of fright.
The ending of course brought it all together, and was the sort of ending that you had speaking to strangers walking out of the auditorium after the final curtain call.
So if you’re looking to get your pulse racing with a theatre production like no other, 2:22 A Ghost Story is at the Manchester Opera House until Saturday 16 August and you can your tickets here.
Daisy Jackson -
27th January 2023 
