‘Please help’ – plea to save one of Manchester’s oldest theatres as beautiful building falls into disrepair
'We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.'
A fresh appeal and Crowdfunder has been launched to try and save one of Manchester’s oldest and most beautiful theatre buildings.
The Hulme Playhouse Theatre and the Nia Centre are at risk of closing down once again as both the list of repairs and the cost of living rise.
The venue, used now as a community hub and events space operated by NIAMOS, is in ‘desperate need of repair’ and they need to raise £50,000 for the urgent work.
Without it, it’s feared that the ‘cold and leaking’ building could be lost forever and ‘another cultural institution could be turned into flats’.
At present, the historic Grade II-listed building doesn’t have a heating system, and winter has brought new pressures.
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NIAMOS, a group of local residents and community volunteers, say they want to ‘honour the important legacy of this renowned venue’.
NIAMOS have launched a Crowdfunder for the Nia Centre and Playhouse Theatre. Credit: NIAMOS
The beautiful building in Hulme was first opened in 1902 and is one of only two remaining W. H. Broadhead theatres.
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At one time, Broadhead owned an empire of theatres, and designed the space to resemble a factory from the outside, hoping to help working class audiences in Manchester feel at home.
In 1956, the BBC took over and turned it into BBC Soundstage North, where The Beatles’ first-ever live radio performance was broadcast from.
Then the legendary Nina Simone opened it theas The Nia Centre in 1991, becoming the first African and Caribbean-led theatre in Europe.
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The space is used for community events. Credit: NIAMOS
The cultural significance of this building really can’t be overstated, and the NIAMOS team are desperate to save it.
They said in their Crowdfunder: “Our mission is to preserve the heritage of the Nia Centre and Playhouse Theatre, by keeping the building and the Arts it facilitates accessible to all communities, all ages and capabilities.”
NIAMOS’ message continued: “We need help to be able to keep all the incredible projects that happen in the building going and make sure the space stays open as a hub for the Hulme community and beyond! We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.
“We want to make sure the building stays open as much as possible over winter and improve the equipment that local and young artists have access to through us, including music production, sound and lighting engineering, arts workshops, film and media production and acting classes.
“The building is in desperate need of repair and a heating system which we currently do not have at all! Alongside all of this, the running costs of the building and the rising cost of living mean we are under pressure this winter.
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“We rely on volunteer support to run and host events for our community and our voluntary members have worked extremely hard to keep the building afloat, but our members cannot give as much of their time as we need and with the challenge of a cold and leaking building we are in need of help to save this space from closing down!!
“When the current directorship took over the running of the building they also took on significant debts, this has meant we have been two steps forward and one step back. Despite all the hard work of the people who have been running the space voluntarily we need help over the quieter winter months.
Credit: NIAMOS
“We need to stay open long enough to apply for further funding bids, including long term support from the Heritage Lottery fund, as we are a grade II listed building. We have an amazing programme of events and projects we want to put on this year that will build on sustaining us financially and provide opportunities for community artists and creatives.
“Keeping this building open and functional is of great importance for Hulme and the surrounding areas communities; we need your help! Developing heating solutions and doing necessary repairs in the building will enable us to stay open during the colder months and help us with our aim of making the building more conscious and sustainable.
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
A new stage adaptation of a Virginia Woolf classic is coming to Manchester
Danny Jones
With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Daisy Jackson -
27th January 2023 
