Smash hit musical The Lion King has just added even more dates to its run in Manchester – and tickets go on sale today.
The award-winning theatre show announced its return to the Palace Theatre, after having to repeatedly postpone previous shows because of coronavirus restrictions.
The stage adaptation of the 1994 Disney film had already announced a three-month run this autumn and winter, but now it’s extended it again.
The Lion King has now added a batch of new dates and will stay in Manchester until 19 February 2023.
Credit: Deen van Meer
Credit: Joan Marcus
The Lion King musical. Credit: Brinkhoff-Mogenburg
It gives fans a chance to see this incredible show after the previous dates sold out due to phenomenal demand.
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The spellbinding show marries puppetry (there are 232 puppets in every show) and costumes with a huge cast of actors to bring Simba’s tale to life.
The Lion King’s theatre adaptation features all the familiar hits, including The Circle of Life and Can You Feel The Long Tonight, with a soundtrack written by the likes of Elton John, Tim Rice and South African composer Lebo M.
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The musical follows young lion Simba’s journey to becoming King of the Pridelands, joined by other characters such as Timon and Pumba, Nala, Scar, and Zazu.
It was won six Tony awards since launching on Broadway in the late 1990s.
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Already seen by more than 110 million people worldwide, The Lion King will now be at the Palace Theatre between 27 October and 19 February.
Tickets for The Lion King go on sale at 10am on Friday 17 June – you can book yours here.
Featured image: Brinkhoff-Mogenburg
Theatre
Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
A theatre adaptation of Alfred Hitchcock’s classic spy film North By Northwest is coming to Manchester
Daisy Jackson
Alfred Hitchcock’s much-loved spy classic, North By NorthWest, is hitting the stage and visiting one of Manchester’s most celebrated theatres.
This new, riotously funny production will be visiting HOME theatre for a run of shows kicking off this week.
The show reworks Hitchcock’s film of the same name, following one man who accidentally lands himself in the middle of a Cold War conspiracy.
Now adapted for the stage by Emma Rice, North By Northwest follows an unfortunate mix-up where a mistimed phone call to his mother lands Roger Thornhill in a spot of bother.
Alfred Hitchcock’s classic spy film North By Northwest is hitting the stage in Manchester / Credit: Steve Tanner (via Supplied)
Audiences will see this unlikely (and reluctant) hero head on the run, dodging spies, airplanes and a femme fatale.
For the theatre production at HOME, the classic spy film (that starred Cary Grant) has been turned on its head and stars just six shape-shifting performers.
There’s a fabulous 1950s soundtrack to go with it too – and, apparently, a lot of suitcases.
Tickets are now on sale, and it’s already being described as a must-see / Credit: Steve Tanner (via Supplied)
North By NorthWest promises ‘glamour, romance, jeopardy and a liberal sprinkling of tender truths’.
Artistic director Emma Rice has already adapted and directed products for Wise Children including The Buddha of Suburbia, Blue Beard, and Wuthering Heights, plus worked as artistic director for Shakespeare’s Globe.
The cast is made up of Mirabelle Gremaud as Anna; Patrycja Kujawska as Eve Kendall; Kary Owen as The Professor; Simon Oskarsson as Valerian; Karl Queensborough as Phillip Vandamm; and Ewan Wardrop as Roger Thornhill.
North by Northwest is a co-production with Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman and Playhouse, and is currently on a UK tour.
Daisy Jackson -
17th June 2022 
