A breakthrough has come for Manchester’s currently under-construction arts venue as it receives a £21 million Kickstart Fund.
Following ongoing funding worries from increasing construction costs due to the coronavirus (COVID-19) pandemic, The Factory – a “world-class cultural space” in the heart of the city and the year-round home for Manchester International Festival (MIF) – has successfully been granted £21 million from the Department for Culture, Media and Sport and Arts Council England.
The award is from the Cultural Capital Kickstart Fund.
This fund forms part of the government’s £1.57 billion Cultural Recovery Fund package to protect the UK’s culture and heritage sectors from the economic impacts of the pandemic, and is intended to help offset the string of challenges that have led those mounting costs and project delays.
A total of £120 million of the fund has been allocated specifically to support construction of cultural infrastructure across the UK.
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The Factory is backed by Manchester City Council, which invested £20m in the 143,000 sq ft scheme in 2018, the government, from which it has a £78m grant, and the National Lottery, which has provided £7m, and it is predicted to bring a £1.1 billion boost to Manchester’s economy over its first decade alone.
The landmark building is setting out to be one of the largest, most ambitious, and most versatile purpose-built arts spaces in the world.
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OMA / MIFOMA / MIF
Having been identified by Manchester City Council to usher in an exciting new chapter of economic recovery, The Factory will present a year-round programme of extraordinary, ground-breaking, and interdisciplinary work by leading artists from across the globe.
Attracting up to 850,000 visitors a year, it will be capable of hosting everything from epic concerts to intimate performances including music, dance, theatre, opera, visual arts, and innovative contemporary work incorporating the latest digital technologies.
It will create and directly support 1,500 new jobs in the city over a decade and help the next generation of creative talent to flourish, offering a programme of backstage training and skills for people living across Manchester.
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The ‘Factory Futures’ programme will also benefit up to 10,000 unemployed young people.
As the country moves further out of the coronavirus (COVID-19) pandemic and consolidates its recovery, The Factory will also bring with it enormous added value to the cultural sector in Manchester and beyond.
The additional opportunities it is set to create for artists and other cultural organisations will also have a significant and positive impact on the wider cultural economy of the region, and will play an important part in helping ensure the continued growth of the UK’s cultural sector as a whole.
MIF
Speaking on the latest fund allocation, Sir Richard Leese – Leader of Manchester City Council – said: “This is fantastic news for Manchester and the cultural economy not just of the North but of the whole country.
“After a year that none of us could have foreseen and that has brought with it challenge after challenge and hit the culture sector harder than most, this [funding] will secure the completion of a world-class cultural space that is quite literally going to change lives. We’re extremely grateful to DCMS and Arts Council England for their continued support for The Factory and for the substantial award announced today to help address the unforeseen additional costs and delays on the project due to COVID-19.”
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He added: “The Factory is going to redraw the UK cultural map and will do much to bolster Manchester and the North’s credentials as an economic and creative powerhouse to rival not just London, but the rest of Europe and beyond.”
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You can find more information about The Factory via the MIF website here.
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Salford Red Devils granted another adjournment over unpaid debts
Danny Jones
Salford Red Devils have been given one more adjournment and yet another stay of execution, being given another two weeks to find the money to cover their unpaid debts.
The local rugby league side, which has been wrapped in all manner of struggles both on and off-pitch over the past year or so, reportedly needs to pay around £700,000 to HMRC alone and still owes roughly £5 million in total to various creditors.
To no surprise, regular matchgoers, neutrals and even rivals alike have expressed their continued disappointment with the club, mainly at the lack of transparency and clarity from the organisation throughout this long, drawn-out process.
This is coming from a wire fan but no club deserves to be left in the dark even longer than they already have done it’s nothing but a disgrace to the sport of rugby those owners and the court should be ashamed of themselves.
Updating fans on social media, this is all the information they have communicated at this time: “Salford Red Devils can confirm that HMRC have granted the club a two-week adjournment, providing additional time in which to secure the necessary funds.
“We would like to reassure supporters that we are working tirelessly behind the scenes to ensure a positive resolution. Further updates will be shared as soon as possible.”
It’s worth noting that the current owners have reiterated that they inheited around £3m in existing debt before they took over the club, but assurances over their own investments have still come to nothing; meanwhile, with many still waiting on wages, players and staff alike have now left.
Having been propped up by loan players and emergency loans, the team is now closer to a skeleton crew than it is an outfit capable of competing in the premier division.
Either way, the outrage remains and is only growing stronger. One user wrote on X: “A good approach by them if they was legit would be to engage and bring in The 1873 to bridge the communication black hole (they created).
“The problem with that is if they did it would expose them for what they are… Extortionists using the club as a vehicle.”
More alarm bells were raised recently when assistant coach and Krisnan Inu – who was also director of the company set up to take over the business – withdrew himself from a key position behind the scenes.
Speaking of The 1873, the outspoken supporters trust took no time at all in issuing a response of their own, adding: “The judge presiding over today’s case has adjourned by 14 days. This adjournment has dragged the uncertainty on even longer.
“Every delay makes planning for 2026 harder and keeps the club stuck in limbo when it desperately needs clarity and direction.
“The fans, the players and the future all deserve better — The 1873.”
You can see the rest of their statement in full down below, but for now, what do you make of this seemingly neverending saga, Salfordians?
Andy Aspinall issues update on Tom’s eye poke injury and calls for changes in the UFC
Danny Jones
Andy Aspinall – father of Manc martial artist Tom Aspinall – has shared a lengthy video interview on his son’s YouTube channel discussing the latest regarding his son’s eye injury.
More importantly, as a concerned parent, he’s also called for better safeguarding and/or tighter rules in the UFC regarding fouls and, in particular, eye poking.
In case you missed it, this past weekend, the Greater Manchester MMA star took on French fighter Ciryl Gane in his first title defence since being named the undisputed heavyweight champion. Unfortunately, the main event match had to be cut short after Aspinall was left unable to see following an eye poke.
Although this is an illegal move in the sport, not only could it not be proved whether it was accidental or perhaps even intentional, as some have speculated on social media, but the only outcome was for the bout to end in a no-contest. Updating fans online, Andy reiterated priorities, dubbing this “just a job”.
🚨BREAKING🚨
Tom Aspinall “𝙎𝙏𝙄𝙇𝙇 𝘾𝘼𝙉’𝙏 𝙎𝙀𝙀” out of his right eye following Ciryl Gane’s double eye poke at UFC 321, his dad Andy has revealed 😳
“His right eye, he still can't see anything.He said it's just grey.
As you can see in the main clip above, Andy says that the Atherton-born fighter still “can’t see anything” out of his right eye, describing his sight as little more than “just grey”; meanwhile, his left eye is said to be at roughly 50% vision, having struggled to get more than a few rows down on a Snellen chart.
Essentially, the short version is that after the pain of the controversial eye poke, the muscles in his eye still aren’t healed and will be going for even more eye tests, including an eye test.
However, arguably the most salient points to take away from the video were those regarding his son’s overall welfare and the safety of the sport, as it is clear that Andy was talking chiefly as an understandably worried father rather than his coach.
“For me, everything is about his health. It’s not about the fighting – that’s just what he chose to do as a job”, he says, also clarifying that he isn’t accusing Gane of any ill intent, personally, and that the referees need to have more powers when it comes to fouling.
He also reminded those watching that the Wigan native has a wife and three kids to think about, stating, “This is just a job that he’s doing at this period in time, and he’ll do another job”, before going on to add, “What [will] it take?” for the UFC to get stricter around fouls like these.
You can watch the most recent update on Tom Aspinall from his dad, Andy, in full down below.
Andy Aspinall also had plenty to say in terms of what the UFC can do to better protect fighters/improve the rules.
Andy also made a point of suggesting once again that Tom should maybe turn to boxing instead of MMA, not only because of the added safety measures but because of the bigger paydays.
Do you think the UFC needs to be more stringent when it comes to not only protecting its fighters but also the rules and punishments surrounding serious fouls, such as eye pokes?
AND, alternatively, do you think Tom Aspinall would be well-suited to a boxing ring?
In the immediate aftermath of the injury, he was the first to admit that “this is a dangerous f***ing sport”; whether or not coming this close to permanent damage has made him reconsider, only time will tell.
Emily Sergeant -
15th December 2020 
