Police in London forced entry to an art gallery to rescue a woman they’d had reports was “unconscious” inside the building.
But instead, she actually turned out to just be a mannequin.
After going to the trouble of breaking into the building, officers discovered the lifeless woman they had been trying to save was in fact part of an art installation titled ‘Kristina’ – which was commissioned by Banksy’s former agent Steve Lazarides, who is now the owner and dealer at art gallery Laz Emporium in West London.
The eye-catching – and apparently, trouble-causing – art installation sits in the window of the gallery, and features a woman in a bright yellow hoody and trainers, who is slumped face forward in a bowl of soup, with her long blonde hair hiding her face from the public.
Based on Mr Lazarides’ sister, the realistic sculpture was created by American artist Mark Jenkins.
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Metropolitan Police said in a statement on the incident that they were responding to a call about a “person in distress” at the gallery on 25 November, Sky News reports.
But when officers forced entry to the address, they uncovered that the person, was in fact, a mannequin.
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Police break into art gallery to rescue ‘unconscious’ woman that ended up being a mannequin / Credit: Laz Emporium
Recalling the events of the bizarre incident, Mr Lazarides explained: “Hannah who was working in the gallery that day had just locked up and gone upstairs to make a cup of tea.
“She came down to find the door off its hinges and two confused police officers.”
Believe it or not – although it’s probably not that hard to believe – this isn’t the first time the installation has caused a bit of mayhem in a similar situation, as apparently back in October, other concerned members of the public also called 999 to assist the woman, with paramedics also attending to realise she wasn’t real.
Reckon this is all a part of the message of the art? We’re not too sure – but it’s certainly got people talking, that’s for certain.
Featured Image – Laz Emporium
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Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
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“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
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The show starts from 7pm, and you can secure your seat right HERE.
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸
Emily Sergeant -
13th December 2022 
